Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
223 References Briggs, J. 1958. “Tattooing.” Medical Times 87: 1030–1039. Brislin, Richard, and Steven Lewis. 1968. “Dating and Physical Attractiveness: A Replication.” Psychological Reports 22: 976–984. Bronner, Simon. 1986. “The House on Penn Street: Creativity and Conflict in Folk Art.” In Folk Art and Art Worlds, ed. J. Vlach and S. Bronner, 123–150. Ann Arbor: UMI Research Press. Browne, Joy. 1976. “The Used Car Game.” In The Research Experience, ed. M.P. Golden, 60–70. Itasca, IL: Peacock. Browne, Ray. 1983. “Popular Culture—New Notes Toward a Definition.” In The Popular Culture Reader, 3rd ed., ed. C. Geist and J. Nachbar, 13–20. Bowling Green, OH: Bowling Green University Popular Press. Bryan, James. 1966. “Occupational Ideologies and Individual Attitudes of Call Girls.” Social Problems 13: 441–450. Burchett, George, and Peter Leighton. 1958. Memoirs of a Tattooist. London: Oldbourne. Burma, John. 1965. “Self-Tattooing Among Delinquents: A Research Note.” In Dress, Adornment and the Social Order, ed. M. E. Roach and J. B. Eicher, 271–279. New York: Wiley. Burns, Elizabeth. 1972. Theatricality. New York: Harper and Row. Caplan, Jane, ed. 2000. Written on the Body: The Tattoo in European and American History. Princeton, NJ: Princeton University Press. Carroll, Lynne, and Roxanne Anderson. 2002. “Body Piercing, Tattooing, Self Esteem, and Body Investment in Adolescent Girls.” Adolescence 37 (147): 627–638. Castleman, Craig. 1982. Getting Up. Cambridge: MIT Press. Ceniceros, Salvador. 1998. “Tattooing, Body Piercing, and Russian Roulette.” Journal of Nervous and Mental Disease 186 (8): 503–504. Charles, Ann, and Roger DeAnfrasio. 1970. The History of Hair. New York: Bonanza. Christopherson, Richard. 1974a. “Making Art with Machines: Photography’s Institutional Inadequacies.” Urban Life and Culture 3 (April): 3–34. ———. 1974b. “From Folk Art to Fine Art: A Transformation in the Meaning of Photographic Work.” Urban Life and Culture 3: 179–204. Cohen, Sidney. 1973. “Mods and Rockers: The Inventory as Manufactured News.” In The Manufacture of News: A Reader, ed. S. Cohen and J. Young, 226–241. Beverly Hills, CA: Sage. Coleman, Tim. 2006. “Blackheart Tattoo Set the Record Straight.” Skin & Ink 13 (March): 52–61. Cooley, Charles H. 1964 [1902]. Human Nature and the Social Order. New York: Schocken. Crane, Diana. 1987. The Transformation of the Avant-Garde: The New York Art World, 1940–1985. Chicago: University of Chicago Press. Csikszentmihalyi, Mihaly, and Eugene Rochberg-Halton. 1981. The Meaning of Things: Domestic Symbols and the Self. Cambridge: Cambridge University Press.
224 References Cummings, William, and M. Venkatesan. 1975. “Cognitive Dissonance and Consumer Behavior: A Review of the Evidence.” In Advances in Consumer Research, vol. II, ed. M. Schlueger, 21–31. Chicago: Association for Consumer Research. Cunningham, Scott. 1967. “Perceived Risk and Brand Loyalty.” In Risk- Taking and Information Handling in Consumer Behavior, ed. D. Cox, 507–523. Boston: Harvard Graduate School of Business Administration. Danto, Arthur. 1964. “The Artworld.” The Journal of Philosophy 61: 571–585. DeMello, Margo. 1993. “The Convict Body: Tattooing Among the American Male Prisoners.” Anthropology Today 9 (6): 10–13. ——. 2000. Bodies of Inscription: A Cultural History of the Modern Tattoo Community. Durham, NC: Duke University Press. Desocio, Lois. 2007. “Indelible Love: My Son’s Tattoos and Me.” Newsweek, July 16, p. 16. Dickie, George. 1971. Aesthetics: An Introduction. New York: Pegasus. ———. 1974. Art and the Aesthetic: An Institutional Analysis. Ithaca, NY: Cornell University Press. DiMaggio, Paul. 1977. “Market Structure, The Creative Process, and Popular Culture: Toward an Organizational Reinterpretation of Mass- Culture Theory.” Journal of Popular Culture 11 (2): 436–452. ———. 1987. “Classification in Art.” American Sociological Review 52: 440–455. Douglas, Mary, and Baron Isherwood. 1979. The World of Goods: Towards an Anthropology of Consumption. New York: Norton. Dube, Philippe. 1985. Tattoo-Tatoue. Montreal: Jean Basile. Durkheim, Emile. 1966 [1938]. Rules of Sociological Method. New York: MacMillan. Ebensten, Hans. 1953. Pierced Hearts and True Love. London: Derek Verschoyle. Ebin, Victoria. 1979. The Body Decorated. London: Thames and Hudson. Edgerton, Robert, and Harvey Dingman. 1963. “Tattooing and Identity.” International Journal of Social Psychiatry 9: 143–153. Eldridge, C. J. 1981. Early Tattoo Attractions. Berkeley: Tattoo Archive. ———. 1982. The History of the Tattoo Machine. Berkeley: Tattoo Archive. ———. 1986. “The History of Tattoo Suppliers.” Tattoo (Winter): 58–63. Elias, Norbert. 1991. The Society of Individuals. Oxford: Basil Blackwell. ———. 1994. The Civilizing Process. New York: Pantheon. Emerson, Joan. 1970. “Behavior in Private Places: Sustaining Definitions of Reality in a Gynecological Examination.” In Patterns of Communicative Behavior, ed. H. Freitzel, 74–97. (Recent Sociology, No. 2.) New York: MacMillan. Emerson, Robert. 1987. “Four Ways to Improve the Craft of Fieldwork.” Journal of Contemporary Ethnography 16 (April): 69–89.
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223 References<br />
Briggs, J. 1958. “<strong>Tattoo</strong>ing.” Medical Times 87: 1030–1039.<br />
Brislin, Richard, and Steven Lewis. 1968. “Dating and Physical Attractiveness:<br />
A Replication.” Psychological Reports 22: 976–984.<br />
Bronner, Simon. 1986. “The House on Penn Street: Creativity and Conflict<br />
in Folk Art.” In Folk Art and Art Worlds, ed. J. Vlach and S. Bronner,<br />
123–150. Ann Arbor: UMI Research Press.<br />
Browne, Joy. 1976. “The Used Car Game.” In The Research Experience, ed.<br />
M.P. Golden, 60–70. Itasca, IL: Peacock.<br />
Browne, Ray. 1983. “Popular Culture—New Notes Toward a Definition.” In<br />
The Popular Culture Reader, 3rd ed., ed. C. Geist and J. Nachbar, 13–20.<br />
Bowling Green, OH: Bowling Green University Popular Press.<br />
Bryan, James. 1966. “Occupational Ideologies and Individual Attitudes of<br />
Call Girls.” Social Problems 13: 441–450.<br />
Burchett, George, and Peter Leighton. 1958. Memoirs of a <strong>Tattoo</strong>ist.<br />
London: Oldbourne.<br />
Burma, John. 1965. “Self-<strong>Tattoo</strong>ing Among Delinquents: A Research<br />
Note.” In Dress, Adornment and <strong>the</strong> Social Order, ed. M. E. Roach and J.<br />
B. Eicher, 271–279. New York: Wiley.<br />
Burns, Elizabeth. 1972. Theatricality. New York: Harper and Row.<br />
Caplan, Jane, ed. 2000. Written on <strong>the</strong> <strong>Body</strong>: The <strong>Tattoo</strong> in European and<br />
American History. Princeton, NJ: Princeton University Press.<br />
Carroll, Lynne, and Roxanne Anderson. 2002. “<strong>Body</strong> Piercing, <strong>Tattoo</strong>ing,<br />
Self Esteem, and <strong>Body</strong> Investment in Adolescent Girls.” Adolescence 37<br />
(147): 627–638.<br />
Castleman, Craig. 1982. Getting Up. Cambridge: MIT Press.<br />
Ceniceros, Salvador. 1998. “<strong>Tattoo</strong>ing, <strong>Body</strong> Piercing, and Russian<br />
Roulette.” Journal of Nervous and Mental Disease 186 (8): 503–504.<br />
Charles, Ann, and Roger DeAnfrasio. 1970. The History of Hair. New York:<br />
Bonanza.<br />
Christopherson, Richard. 1974a. “Making Art with Machines: Photography’s<br />
Institutional Inadequacies.” Urban Life and Culture 3 (April):<br />
3–34.<br />
———. 1974b. “From Folk Art to Fine Art: A Transformation in <strong>the</strong><br />
Meaning of Photographic Work.” Urban Life and Culture 3: 179–204.<br />
Cohen, Sidney. 1973. “Mods and Rockers: The Inventory as Manufactured<br />
News.” In The Manufacture of News: A Reader, ed. S. Cohen and J.<br />
Young, 226–241. Beverly Hills, CA: Sage.<br />
Coleman, Tim. 2006. “Blackheart <strong>Tattoo</strong> Set <strong>the</strong> Record Straight.” Skin &<br />
Ink 13 (March): 52–61.<br />
Cooley, Charles H. 1964 [1902]. Human Nature and <strong>the</strong> Social Order. New<br />
York: Schocken.<br />
Crane, Diana. 1987. The Transformation of <strong>the</strong> Avant-Garde: The New York<br />
Art World, 1940–1985. Chicago: University of Chicago Press.<br />
Csikszentmihalyi, Mihaly, and Eugene Rochberg-Halton. 1981. The<br />
Meaning of Things: Domestic Symbols and <strong>the</strong> Self. Cambridge:<br />
Cambridge University Press.