Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
References Adler, Patricia, and Peter Adler. 1983. “Relationships Between Dealers: The Social Organization of Illicit Drug Transactions.” Sociology and Social Research 67: 260–278. Adler, Peter and Patricia Adler. 1987. “The Past and Future of Ethnography.” Journal of Contemporary Ethnography 16 (April): 4–24. Agris, Joseph. 1977. “Tattoos in Women.” Plastic and Reconstructive Surgery 60: 22–37. Albrecht, Milton, James Barnett, and Mason Griff, eds. 1970. The Sociology of Art and Literature. New York: Praeger. Amaya, Mario. 1972. Pop Art . . . And After. New York: Viking. Anderson, Kirsten, ed. 2004. Pop Surrealism: The Rise of Underground Art. San Francisco: Last Gasp. Anderson, R. R. 1992. “Tattooing Should Be Regulated.” New England Journal of Medicine 326 (3): 207. Anscombe, Isabella. 1978. Not Another Punk Book. London: Aurum. Armstrong, Myrna, and C. McConnell. 1994. “Tattooing in Adolescents: More Common than You Think: The Phenomenon and Its Risks.” Journal of School Nursing 10 (1): 22–29. Armstrong, Myrna, and Kathleen Pace-Murphy. 1997. Tattooing: Another Risk-Behavior in Adolescents Warranting National Health Attention.” Applied Nursing Research 10 (4): 181–189. Assasel, Henry. 1984. Consumer Behavior and Marketing Action. Boston: Kent. Atkinson, Michael. 2003. Tattooed: The Sociogenesis of a Body Art. Toronto: University of Toronto Press. Banks, T. J. 1987. “Art—Semantics or Gender?: Arts versus Crafts.” Hartford Woman (September), pp. 24ff. Basirico, Laurence. 1986. “The Art and Craft Fair: A New Institution in an Old Art World. Qualitative Sociology 9 (Winter): 339–353. Battcock, Gregory, ed. 1973. Idea Art. New York: Dutton. “Bear.” 1987. “Good Tattoos and How to Get Them.” Outlaw Biker/ Tattoo (March), p. 83. Becker, Howard S. 1951. “The Professional Dance Musician and His Audience.” American Journal of Sociology 57: 136–144. ———. 1963. Outsider. New York: Free Press.
222 References ———. 1967. “Whose Side Are We On?” Social Problems 14 (Winter): 239–247. ———. 1970. Sociological Work. Chicago: Aldine. ———. 1974. “Art as Collective Action.” American Sociological Review 39 (6): 767–776. ———. 1976. “Art Worlds and Social Types.” American Behavioral Scientist 19: 703–718. ———. 1978. “Arts and Crafts.” American Journal of Sociology 83: 862–889. ———. 1982. Art Worlds. Berkeley: University of California Press. Becker, Howard, Blanche Geer, Everett Hughes, and Anselm Strauss. 1961. Boys in White. Chicago: University of Chicago Press. Becker, Nickie, and Robert E. Clark. 1979. “Born to Raise Hell: An Ethnography of Tattoo Parlors.” Paper presented at the meetings of Southwestern Sociological Association, March 28–31, at Fort Worth, Texas. Bell, Gerald. 1967. “Self-Confidence, Persuasibility and Cognitive Dissonance Among Automobile Buyers.” In Risk Taking and Information Handling in Consumer Behavior, ed. Donald Cox, 442–468. Boston: Harvard University Graduate School of Business Administration. Bell, Quentin. 1976. On Human Finery. New York: Schocken. Ben-Sira, Zeev. 1976. “The Function of the Professional’s Affective Behavior in Client Satisfaction: A Revised Approach to Social Interaction Theory.” Journal of Health and Social Behavior 17: 3–11. Berscheid, Ellen, E. Walster, and G. Bohrnstedt. 1973. “Body Image, Physical Appearance and Self-Esteem.” Paper presented at the annual meeting of the American Sociological Association. Bertoia, Carl. 1986. “Generating Customer Satisfaction: The Hair Stylist as Interpersonal Tactician.” Paper presented at the Conference on Ethnographic Research, May, at University of Waterloo, Canada. Best, Joel. 1981. “The Social Control of Media Content.” Journal of Popular Culture 14 (4): 611–617. Bjorn, Lars. 1981. “The Mass Society and Group Action Theories of Cultural Production: The Case of Stylistic Innovation in Jazz.” Social Forces 60: 377–394. Blumer, Herbert. 1969. “Fashion: From Class Differentiation to Collective Selection.” Sociological Quarterly 10: 275–291. ———. 1969. Symbolic Interactionism: Perspective and Method. Berkeley: University of California Press. Boles, Jacqueline, and Albeno Garbin. 1974. “The Choice of Stripping for a Living.” Sociology of Work and Occupations 1: 110–123. Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press. Brachfeld, Ted. 1982. “Tattoos and the Collector.” Tattootime 1 (Fall): 24–25. Brain, Dennis. 1979. The Decorated Body. New York: Harper and Row.
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References<br />
Adler, Patricia, and Peter Adler. 1983. “Relationships Between Dealers:<br />
The Social Organization of Illicit Drug Transactions.” Sociology and<br />
Social Research 67: 260–278.<br />
Adler, Peter and Patricia Adler. 1987. “The Past and Future of Ethnography.”<br />
Journal of Contemporary Ethnography 16 (April): 4–24.<br />
Agris, Joseph. 1977. “<strong>Tattoo</strong>s in Women.” Plastic and Reconstructive<br />
Surgery 60: 22–37.<br />
Albrecht, Milton, James Barnett, and Mason Griff, eds. 1970. The<br />
Sociology of Art and Literature. New York: Praeger.<br />
Amaya, Mario. 1972. Pop Art . . . And After. New York: Viking.<br />
Anderson, Kirsten, ed. 2004. Pop Surrealism: The Rise of Underground Art.<br />
San Francisco: Last Gasp.<br />
Anderson, R. R. 1992. “<strong>Tattoo</strong>ing Should Be Regulated.” New England<br />
Journal of Medicine 326 (3): 207.<br />
Anscombe, Isabella. 1978. Not Ano<strong>the</strong>r Punk Book. London: Aurum.<br />
Armstrong, <strong>My</strong>rna, and C. McConnell. 1994. “<strong>Tattoo</strong>ing in Adolescents:<br />
More Common than You Think: The Phenomenon and Its Risks.”<br />
Journal of School Nursing 10 (1): 22–29.<br />
Armstrong, <strong>My</strong>rna, and Kathleen Pace-Murphy. 1997. <strong>Tattoo</strong>ing: Ano<strong>the</strong>r<br />
Risk-Behavior in Adolescents Warranting National Health Attention.”<br />
Applied Nursing Research 10 (4): 181–189.<br />
Assasel, Henry. 1984. Consumer Behavior and Marketing Action. Boston:<br />
Kent.<br />
Atkinson, Michael. 2003. <strong>Tattoo</strong>ed: The Sociogenesis of a <strong>Body</strong> Art. Toronto:<br />
University of Toronto Press.<br />
Banks, T. J. 1987. “Art—Semantics or Gender?: Arts versus Crafts.”<br />
Hartford Woman (September), pp. 24ff.<br />
Basirico, Laurence. 1986. “The Art and Craft Fair: A New Institution in an<br />
Old Art World. Qualitative Sociology 9 (Winter): 339–353.<br />
Battcock, Gregory, ed. 1973. Idea Art. New York: Dutton.<br />
“Bear.” 1987. “Good <strong>Tattoo</strong>s and How to Get Them.” Outlaw Biker/ <strong>Tattoo</strong><br />
(March), p. 83.<br />
Becker, Howard S. 1951. “The Professional Dance Musician and His<br />
Audience.” American Journal of Sociology 57: 136–144.<br />
———. 1963. Outsider. New York: Free Press.
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