Customizing the Body (PDF file) - Print My Tattoo

Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo

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Notes Preface to the Revised and Expanded Edition 1. A recent survey of teenagers found that 62 percent agreed that when celebrities get a piercing it prompts teens to do the same and 58 percent said that celebrities getting tattooed causes teens to make the same choice (Majewski, Lori, “Teens and Celebrities,” USA Weekend, May 19–21, pp. 6–7). 2. In mid 2007, a search on Amazon.com using “tattoo” as the search term yielded over 26,000 hits. 3. For extended lists of labels applied to this collection of graphic materials, see Juxtapoz 3 #1 (Winter 1996): 4 and Juxtapoz 7 #2 (March/April 2000): 4. 4. For evidence of the major part played by tattooing in lowbrow art, see the Spring 2004 Special Tattoo issue of Juxtapoz. For a discussion of the work of Greg Irons, the artist who moved most effectively between the worlds of commercial, serious, underground, and tattoo art, see Rosenkranz (2006). 5. For manifestos of lowbrow art, see Juxtapoz #1 (Winter 1994): 1 and Juxtapoz #48 (January/February 2004): 4. For extended discussions of this artistic genre, see Jordon (2005) and the essays in Anderson (2004). 6. The derogation of tattooing also occurs in more authoritarian or traditionalist cultures. Recruits who wish to become officers in the Chinese People’s Liberation Army are banned from admission to military academies if they are deemed to be too short, too fat, too skinny, or have tattoos (The Week, May 5, 2006, p. 7). 7. A minority of those who are tattooed—around 15 percent (Read, 2006)—wear them on their faces, hands, or necks. 8. On the other hand, some employers—Bank of America and Borders Books for example—do not have “dress codes” that prohibit tattoos (Kang and Jones, 2007: 42; Read, 2006). Presumably, these more “accepting” firms are more interested in their employees’ skill than in their body decorations or wish to appeal to a younger clientele. There is even a listing of “mod-friendly” employers who hire people with visible tattoos and piercings on the modifiedmind.com website (Wessel, 2007). 9. In 2006 a medical researcher from the University of California

206 Notes to Preface to the Revised and Expanded Edition warned women that they could experience problems during childbirth if they wore “tramp stamp” tattoos on their lower backs since this was the site at which epidural anesthetic was injected and these injections could cause a negative reaction if pigment is transmitted into deep tissue (The Week, May 19, 2006, p. 6). 10. Perhaps the most unexpected mention of the book was in Chemical and Engineering News (August 28, 1989, p. 60). 11. Atkinson (2003) is fairly direct about the significance of Customizing the Body for his work: “My first academic encounter with tattooing occurred about ten years ago. Enrolled in a course in the sociology of deviance, I read a piece from Clinton Sanders’s well-known work, Customizing the Body: The Art and Culture of Tattooing (1989). Contextualizing tattooing as an example of stigma management and secondary deviance, Sanders skillfully presented it as an exotic, disrespected, and marginal social activity” (p. viii). 12. Since the first edition of Customizing the Body appeared, my own tattoo collection (as pictured on the original cover) has expanded. I continued my association with Shotsie Gorman as both a friend and a client and received a Celtic dragon wrist-piece based on the graphic on the title page of the first edition, a classic water lily, a photo-realistic dragonfly, and a large dragon with its tail on my inner forearm and its head on my chest. This—when filled in with classic Japanese water, air and, fire designs— completed a full right “sleeve.” Having made a promise to my partner not to cover my body with tattoos, I stopped there. Angus’s collection is more extensive and of recent vintage. He is working toward a “body suit” featuring five-sevenths-length sleeves and half legs, and with full coverage of his ribs, back, and “chest plates.” His collection features the work of noted tattoo innovators such as Jen Billig, Dave Bobrick, Fred Corbin, Suzanne Fauser, Claus Fuhrmann, Henry Goldfield, Shotsie Gorman, Marty Holcomb, Horiwaka, Filip Leu, Joe Levin, Jack Rudy, Shad, and Bill Salmon. The collection has been featured in a variety of tattoo magazines and books, and his right leg (a series of full-color, life-sized portraits of musicians John Coltrane, Jimi Hendrix, and Carlos Santana, done by Filip Leu) has won awards for realism and portraiture. These portraits changed the practice of portraiture in tattooing, which had previously remained restricted to black and grey images, usually of three-inch by four-inch size. His collection also features a variety of styles of tattooing from traditional Japanese to hotrod flames, from photo-realism to psychedelia, from traditional Americana to biomechanical. As of this writing, his back and right ribs remain open, although he has plans for their completion. Chapter 2 1. It is interesting to note that tattoos appear to be less prevalent among hospitalized mental patients than among the general population.

Notes<br />

Preface to <strong>the</strong> Revised and Expanded Edition<br />

1. A recent survey of teenagers found that 62 percent agreed that when<br />

celebrities get a piercing it prompts teens to do <strong>the</strong> same and 58 percent<br />

said that celebrities getting tattooed causes teens to make <strong>the</strong> same choice<br />

(Majewski, Lori, “Teens and Celebrities,” USA Weekend, May 19–21, pp. 6–7).<br />

2. In mid 2007, a search on Amazon.com using “tattoo” as <strong>the</strong> search<br />

term yielded over 26,000 hits.<br />

3. For extended lists of labels applied to this collection of graphic materials,<br />

see Juxtapoz 3 #1 (Winter 1996): 4 and Juxtapoz 7 #2 (March/April<br />

2000): 4.<br />

4. For evidence of <strong>the</strong> major part played by tattooing in lowbrow art,<br />

see <strong>the</strong> Spring 2004 Special <strong>Tattoo</strong> issue of Juxtapoz. For a discussion of<br />

<strong>the</strong> work of Greg Irons, <strong>the</strong> artist who moved most effectively between<br />

<strong>the</strong> worlds of commercial, serious, underground, and tattoo art, see<br />

Rosenkranz (2006).<br />

5. For manifestos of lowbrow art, see Juxtapoz #1 (Winter 1994): 1 and<br />

Juxtapoz #48 (January/February 2004): 4. For extended discussions of<br />

this artistic genre, see Jordon (2005) and <strong>the</strong> essays in Anderson (2004).<br />

6. The derogation of tattooing also occurs in more authoritarian or traditionalist<br />

cultures. Recruits who wish to become officers in <strong>the</strong> Chinese<br />

People’s Liberation Army are banned from admission to military academies<br />

if <strong>the</strong>y are deemed to be too short, too fat, too skinny, or have tattoos<br />

(The Week, May 5, 2006, p. 7).<br />

7. A minority of those who are tattooed—around 15 percent (Read,<br />

2006)—wear <strong>the</strong>m on <strong>the</strong>ir faces, hands, or necks.<br />

8. On <strong>the</strong> o<strong>the</strong>r hand, some employers—Bank of America and Borders<br />

Books for example—do not have “dress codes” that prohibit tattoos (Kang<br />

and Jones, 2007: 42; Read, 2006). Presumably, <strong>the</strong>se more “accepting”<br />

firms are more interested in <strong>the</strong>ir employees’ skill than in <strong>the</strong>ir body decorations<br />

or wish to appeal to a younger clientele. There is even a listing of<br />

“mod-friendly” employers who hire people with visible tattoos and piercings<br />

on <strong>the</strong> modifiedmind.com website (Wessel, 2007).<br />

9. In 2006 a medical researcher from <strong>the</strong> University of California

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