Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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200 Methodological Appendix<br />
because I had been very much taken by <strong>the</strong> small rose tattooed on<br />
Eiko Matsuda's ear in Oshima's film In <strong>the</strong> Realm oj <strong>the</strong> Senses<br />
(1976).<br />
Like <strong>the</strong> Horus eye, my third tattoo was also done by <strong>the</strong> tattooist<br />
with whom I became friendly early in <strong>the</strong> fieldwork. I chose a<br />
flaming eye design that <strong>the</strong> tattooist had adopted from a book on<br />
Tibetan art largely because it was unusual, brightly colored, and<br />
of moderate size. I had it placed with <strong>the</strong> scarab on my forearm<br />
because I had no desire to expand to o<strong>the</strong>r body locations and<br />
wasn't very much taken by <strong>the</strong> here-and-<strong>the</strong>re badge motif which<br />
is fairly conventional in western folk art tattooing.<br />
<strong>My</strong> next piece was a six inch dragon grouped with <strong>the</strong> rest of<br />
<strong>the</strong> tattoos on my arm. By <strong>the</strong> time I decided to get this work I<br />
was a reasonably knowledgeable member of <strong>the</strong> tattoo subculture.<br />
I had heard many glowing reports of <strong>the</strong> abilities of an artist who<br />
had a studio in New York City and had seen examples of his<br />
highly detailed work in various tattoo publications. I decided that<br />
I wanted a dragon design both because of my involvement with<br />
fantasy art and because I was becoming more and more interested<br />
in <strong>the</strong> powerful Japanese style, which is a key influence in contemporary<br />
western fine art tattooing. Symbolizing strength and<br />
wisdom, <strong>the</strong> dragon is a common design in Japanese work. In <strong>the</strong><br />
company of ano<strong>the</strong>r tattooist and carrying a half dozen books<br />
containing drawings of dragons, I traveled to New York. After an<br />
hour or so of discussion and work on sample designs <strong>the</strong> artist<br />
and I settled on an image which combined features of both western<br />
and oriental dragons and I received <strong>the</strong> largest and most ornate<br />
piece in my growing collection.<br />
Some months later I again traveled to New York, this time to<br />
participate in a television talk show segment on tattooing. I felt an<br />
immediate sense of connection to <strong>the</strong> tattooist who was also on<br />
<strong>the</strong> program-an artist about whom I had heard but whose work<br />
was unfamiliar to me. Seeing for <strong>the</strong> first time <strong>the</strong> examples of his<br />
art, I realized that this young man was creating tattoos that displayed<br />
a level of technical skill and striking beauty unlike anything<br />
I had yet seen. Though I had planned to close my career as a<br />
tattoo collector with <strong>the</strong> dragon, I began to reconsider as my personal<br />
relationship with <strong>the</strong> tattoo artist developed and I came to