Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
190 Methodological Appendix Fairly early in my academic career I realized that sOCiology had something special to offer me. It provided what I saw to be a useful and sensible analytic perspective and offered a legitimate context in which I could focus on social activities and objects that were of personal interest and sources of private pleasure. Attracted by people and phenomena that are generally outside the boundaries imposed by conventional society. I have tended to focus on what I have come to think of as the "soft. white underbelly of American culture:' Among other things. I have researched and written about narcotics police. underground comix. horror films. drug use by GIs in Vietnam. various domestic drug-using subcultures. club performers and other cultural producers. and now tattooing. Since my graduate school experience in the 1960s I have also been drawn to participant observation. It is a research approach that allows me to work independently (I have usually found interaction with anyone in the role of "boss" to be. at best. annoying). and I find I possess a certain ability to interact comfortably with a fairly wide range of people. Doing this sort of "lone-ranger" fieldwork (Adler and Adler. 1987: 14) in the kinds of social settings I tend to choose has always provided me with a certain measure of adventure and allowed me to escape legitimately from the narrow confines of academia. In general. I am more at ease interacting with junkies. freaks. night-people. bikers. musicians. and other unsavory sorts than I am in rubbing shoulders with academics. Doing SOCiology prOVides me with the opportunity to interact within settings and social networks that I have come to feel comfortable in. and that are commonly closed to. and therefore unexplored by. my more conventional colleagues. I do not intend this to sound overly cavalier or derogatory. Instead. I am taking to heart the adVice of Mills. Hughes. Park. and others who have emphasized the importance of deriving an understanding of the complex richness of human behaVior from information collected within a variety of social settings. My own inclinations and experiences have drawn me to employ what skllls and knowledge I possess to participate in the lllumination of some of the darker corners of American culture. My initial first-hand contact with tattOOing came about when I was visiting San Francisco during the summer of 1979. Since the
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- Page 178 and 179: 151 Conclusion tutional theory of a
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- Page 254 and 255: 227 References Hambly, W. D. 1974 [
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- Page 260 and 261: 233 References Richter, Stefan. 198
- Page 262 and 263: 235 References Association for Cons
- Page 264: 237 References Young, T. R. 1981.
190 Methodological Appendix<br />
Fairly early in my academic career I realized that sOCiology had<br />
something special to offer me. It provided what I saw to be a useful<br />
and sensible analytic perspective and offered a legitimate context<br />
in which I could focus on social activities and objects that were of<br />
personal interest and sources of private pleasure. Attracted by<br />
people and phenomena that are generally outside <strong>the</strong> boundaries<br />
imposed by conventional society. I have tended to focus on what I<br />
have come to think of as <strong>the</strong> "soft. white underbelly of American<br />
culture:' Among o<strong>the</strong>r things. I have researched and written<br />
about narcotics police. underground comix. horror films. drug<br />
use by GIs in Vietnam. various domestic drug-using subcultures.<br />
club performers and o<strong>the</strong>r cultural producers. and now tattooing.<br />
Since my graduate school experience in <strong>the</strong> 1960s I have also<br />
been drawn to participant observation. It is a research approach<br />
that allows me to work independently (I have usually found interaction<br />
with anyone in <strong>the</strong> role of "boss" to be. at best. annoying).<br />
and I find I possess a certain ability to interact comfortably with a<br />
fairly wide range of people. Doing this sort of "lone-ranger" fieldwork<br />
(Adler and Adler. 1987: 14) in <strong>the</strong> kinds of social settings I<br />
tend to choose has always provided me with a certain measure of<br />
adventure and allowed me to escape legitimately from <strong>the</strong> narrow<br />
confines of academia. In general. I am more at ease interacting<br />
with junkies. freaks. night-people. bikers. musicians. and o<strong>the</strong>r<br />
unsavory sorts than I am in rubbing shoulders with academics.<br />
Doing SOCiology prOVides me with <strong>the</strong> opportunity to interact<br />
within settings and social networks that I have come to feel comfortable<br />
in. and that are commonly closed to. and <strong>the</strong>refore unexplored<br />
by. my more conventional colleagues. I do not intend this<br />
to sound overly cavalier or derogatory. Instead. I am taking to<br />
heart <strong>the</strong> adVice of Mills. Hughes. Park. and o<strong>the</strong>rs who have emphasized<br />
<strong>the</strong> importance of deriving an understanding of <strong>the</strong><br />
complex richness of human behaVior from information collected<br />
within a variety of social settings. <strong>My</strong> own inclinations and experiences<br />
have drawn me to employ what skllls and knowledge I possess<br />
to participate in <strong>the</strong> lllumination of some of <strong>the</strong> darker<br />
corners of American culture.<br />
<strong>My</strong> initial first-hand contact with tattOOing came about when I<br />
was visiting San Francisco during <strong>the</strong> summer of 1979. Since <strong>the</strong>