Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
187 Epilogue 2008 become more committed collectors and the tattoo will continue to have the identity-display functions discussed in Chapter 2, tattooing certainly will not die out altogether. It seems reasonable to predict that most likely to survive will be those street shops that put out the cheapest and most conventional tattoos for casual recipients and custom shops where the most talented artists provide work for the most committed collectors. However, the spread of tattooing has sapped, and will continue to diminish, the power of the tattoo to frighten or annoy members of mainstream society (see DeMello, 2000; Irwin, 2001). This means that tattooing no longer is effective as a mechanism of conspicuous outrage and, in order to symbolically divide “us” from “them,” marginal, alienated, or unconventional members of the society must continue to find innovative ways to induce outrage. This process of the escalation of outrage is ongoing and is seen in the spread of the alternative forms of body alteration discussed above and in the continuing search for new and different ways of modifying the body. As is frequently emphasized by sociologists interested in social change, one of the factors most responsible for this process is technological innovation. As advances in medical, artistic, computer, and other technologies change and diffuse, the available means of modifying the body—and outraging ordinary folks—will expand in turn. Bladders that are surgically implanted and can be expanded or deflated at will to alter one’s physiognomy, tattoo inks that glow in the dark, computerdirected instruments that inscribe burned or cut designs, tattoo images that move on the wearer’s body because of some form of animation process, decorative piercings of the torso or large muscles in the arms and legs, and automated vending machines in public settings that dispense permanent or semi-permanent body markings and piercings are but a few of the conceivable possibilities. Since deviant activities and styles typically act as the sources of innovation in popular culture (see Sanders, 1990), it is reasonable to anticipate that the process of spread, commercialization, and eventual decline of these new forms of outrage will unfold in much the way it did in tattooing. It is far easier to predict that social, medical, and behavioral analysts will continue to focus attention on body modification than it is to predict the direction of or changes in purposive body alteration itself. As seen above, these discussions tend to be lim-
188 Epilogue 2008 ited by the blinders provided by disciplinary perspectives. Psychologists and psychiatrists see body modification as indicative of some form of psychopathology, members of the medical community see it as a threat to individual and public health, criminologists see it as being related to involvement with dangerous deviant social groups, and so forth. It would seem far more reasonable to see body-modification activities and other features of social life as involving people who are relatively aware of their circumstances working together to make purposive decisions to live their lives in particular kinds of ways. These people typically negotiate the complexities of social worlds with relative skill, choose paths of behavior based on what they see as reasonable alternatives, and assemble a collection of selves and present them to others based on how they understand the situation they are in and what they want to accomplish within it. Consequently, those who seek to explain social worlds like that surrounding tattooing and other forms of body modification need to respect the perspectives of those who live within those social worlds. They should avoid imposing judgments about the relative legitimacy of these practices and should remain open to understanding the world as the people they are studying understand it. Sociologically “appreciating” certain groups and their collective activities is not the same as condoning, agreeing with, or even partaking in those activities. Understanding is not the same as, nor does it necessarily require, appreciation. While the body-modification phenomenon upon which Customizing the Body focuses is touching, uplifting, creative, and expressive on the one hand, it is also bizarre, unfortunate, and stigmatizing. What is central, however, is to recognize that these social practices are the consequences of people’s normal desires to have close relationships with others, see themselves as special, and mark the passage of their lives on earth.
- Page 164: 137 The Tattoo Relationship the nee
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- Page 171 and 172: 144 The Tattoo Relationship In rece
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- Page 178 and 179: 151 Conclusion tutional theory of a
- Page 180 and 181: 153 Conclusion arisen and learn fro
- Page 182 and 183: 155 Conclusion and give money to it
- Page 184 and 185: 157 Conclusion what are the chances
- Page 186 and 187: 159 Conclusion Works of Idea Art fr
- Page 188 and 189: 161 Conclusion the artistic redefin
- Page 190 and 191: 163 Conclusion symbolic demonstrati
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- Page 194 and 195: 167 Epilogue 2008 and the emphasis
- Page 196 and 197: 169 Epilogue 2008 The term “colle
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- Page 200 and 201: 173 Epilogue 2008 for three or four
- Page 202 and 203: 175 Epilogue 2008 1990s, become an
- Page 204 and 205: 177 Epilogue 2008 eyebrows and “l
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- Page 210 and 211: 183 Epilogue 2008 supposedly made i
- Page 212 and 213: 185 Epilogue 2008 and perceptions o
- Page 217 and 218: 190 Methodological Appendix Fairly
- Page 219 and 220: 192 Methodological Appendix laborer
- Page 221 and 222: 194 Methodological Appendix Figure
- Page 223 and 224: 196 Methodological Appendix guys wh
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- Page 229 and 230: 202 Methodological Appendix nomenon
- Page 231 and 232: 204 Selected Tattoo Artist Websites
- Page 233 and 234: 206 Notes to Preface to the Revised
- Page 235 and 236: 208 Notes to Chapter 2 example, “
- Page 237 and 238: 210 Notes to Chapter 2 of negative
- Page 239 and 240: 212 Notes to Chapter 4 of female cl
- Page 241 and 242: 214 Notes to Chapter 4 your mother
- Page 243 and 244: 216 Notes to Chapter 5 Chapter 5 1.
- Page 245 and 246: 218 Notes to Chapter 5 and resulted
- Page 247 and 248: 220 Notes to Epilogue 2008 only foo
- Page 249 and 250: 222 References ———. 1967. “
- Page 251 and 252: 224 References Cummings, William, a
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- Page 255 and 256: 228 References Research. Hirschman,
- Page 257 and 258: 230 References University Press. Le
- Page 259 and 260: 232 References 6 (May): 18 ff. Parr
- Page 261 and 262: 234 References Carl (Shotsie) Gorma
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187 Epilogue 2008<br />
become more committed collectors and <strong>the</strong> tattoo will continue to<br />
have <strong>the</strong> identity-display functions discussed in Chapter 2, tattooing<br />
certainly will not die out altoge<strong>the</strong>r. It seems reasonable to<br />
predict that most likely to survive will be those street shops that<br />
put out <strong>the</strong> cheapest and most conventional tattoos for casual recipients<br />
and custom shops where <strong>the</strong> most talented artists provide<br />
work for <strong>the</strong> most committed collectors.<br />
However, <strong>the</strong> spread of tattooing has sapped, and will continue<br />
to diminish, <strong>the</strong> power of <strong>the</strong> tattoo to frighten or annoy members<br />
of mainstream society (see DeMello, 2000; Irwin, 2001). This<br />
means that tattooing no longer is effective as a mechanism of conspicuous<br />
outrage and, in order to symbolically divide “us” from<br />
“<strong>the</strong>m,” marginal, alienated, or unconventional members of <strong>the</strong><br />
society must continue to find innovative ways to induce outrage.<br />
This process of <strong>the</strong> escalation of outrage is ongoing and is seen in<br />
<strong>the</strong> spread of <strong>the</strong> alternative forms of body alteration discussed<br />
above and in <strong>the</strong> continuing search for new and different ways of<br />
modifying <strong>the</strong> body. As is frequently emphasized by sociologists<br />
interested in social change, one of <strong>the</strong> factors most responsible<br />
for this process is technological innovation. As advances in medical,<br />
artistic, computer, and o<strong>the</strong>r technologies change and diffuse,<br />
<strong>the</strong> available means of modifying <strong>the</strong> body—and outraging<br />
ordinary folks—will expand in turn. Bladders that are surgically<br />
implanted and can be expanded or deflated at will to alter one’s<br />
physiognomy, tattoo inks that glow in <strong>the</strong> dark, computerdirected<br />
instruments that inscribe burned or cut designs, tattoo<br />
images that move on <strong>the</strong> wearer’s body because of some form of<br />
animation process, decorative piercings of <strong>the</strong> torso or large muscles<br />
in <strong>the</strong> arms and legs, and automated vending machines in<br />
public settings that dispense permanent or semi-permanent body<br />
markings and piercings are but a few of <strong>the</strong> conceivable possibilities.<br />
Since deviant activities and styles typically act as <strong>the</strong> sources<br />
of innovation in popular culture (see Sanders, 1990), it is reasonable<br />
to anticipate that <strong>the</strong> process of spread, commercialization,<br />
and eventual decline of <strong>the</strong>se new forms of outrage will unfold in<br />
much <strong>the</strong> way it did in tattooing.<br />
It is far easier to predict that social, medical, and behavioral<br />
analysts will continue to focus attention on body modification<br />
than it is to predict <strong>the</strong> direction of or changes in purposive body<br />
alteration itself. As seen above, <strong>the</strong>se discussions tend to be lim-