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Customizing the Body (PDF file) - Print My Tattoo

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186 Epilogue 2008<br />

street-shop social control covered in Chapters 3 and 4 of <strong>Customizing</strong><br />

<strong>the</strong> <strong>Body</strong>. He focuses on <strong>the</strong> moral and ethical instruction<br />

that tattoo artists undergo as <strong>the</strong>y come to see <strong>the</strong>mselves as<br />

artists and as <strong>the</strong>y seek validation for those claims among <strong>the</strong>ir<br />

peers in <strong>the</strong> broader world of professional tattooing. Part of this<br />

process involves a form of retroactive apprenticeship that many<br />

artists seek after <strong>the</strong>y have bypassed <strong>the</strong> formal apprenticeship<br />

system. Realizing that <strong>the</strong>ir autodidactic instruction in tattooing<br />

has left out <strong>the</strong> history and ethics of <strong>the</strong> trade, <strong>the</strong>y seek instruction<br />

from those who are more established and who have access to<br />

<strong>the</strong> institutional memory that is such an important part of <strong>the</strong><br />

social networks that comprise <strong>the</strong> broader professional world of<br />

tattooing.<br />

In his most explicit departure from <strong>Customizing</strong> <strong>the</strong> <strong>Body</strong>, Vail’s<br />

(1999a) comparison of tattoo collectors and opera fans shows how<br />

members of art worlds use <strong>the</strong> time <strong>the</strong>y have spent developing<br />

and refining <strong>the</strong>ir taste in art as a resource in convincing o<strong>the</strong>rs<br />

of <strong>the</strong> legitimacy of <strong>the</strong>ir claims to membership in elite art worlds.<br />

In focusing on <strong>the</strong> time it takes to learn about and consume art,<br />

and <strong>the</strong> often strenuous physical demands of consuming art, Vail<br />

shows how art-world participants justify <strong>the</strong>ir claims to sophisticated,<br />

and sometimes explicitly superior, taste.<br />

CONCLUSION<br />

Predicting <strong>the</strong> future of any social phenomenon is always a hazardous<br />

endeavor. However, it is not unreasonable to expect that,<br />

for a time, tattooing will continue to expand since more people are<br />

now wearing or choosing to acquire tattoos and, as emphasized in<br />

Chapter 2, <strong>the</strong> choice to get tattooed typically is prompted by <strong>the</strong><br />

fact that a person one knows is tattooed. In short, <strong>the</strong> more<br />

people who are tattooed, <strong>the</strong> more “unmarked” people have contact<br />

with friends and acquaintances who are tattooed and <strong>the</strong><br />

more likely <strong>the</strong>y <strong>the</strong>mselves are to move along <strong>the</strong> path to being<br />

tattooed. There are also more tattoo shops available to both serious<br />

and novice tattooees. The increased opportunity to acquire a<br />

tattoo is also likely help to prolong tattooing’s popularity.<br />

But, like all fads, tattooing will probably decline as a widespread<br />

decorative practice. Because a certain, relatively small,<br />

proportion of those who get tattooed move on to eventually

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