Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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186 Epilogue 2008<br />
street-shop social control covered in Chapters 3 and 4 of <strong>Customizing</strong><br />
<strong>the</strong> <strong>Body</strong>. He focuses on <strong>the</strong> moral and ethical instruction<br />
that tattoo artists undergo as <strong>the</strong>y come to see <strong>the</strong>mselves as<br />
artists and as <strong>the</strong>y seek validation for those claims among <strong>the</strong>ir<br />
peers in <strong>the</strong> broader world of professional tattooing. Part of this<br />
process involves a form of retroactive apprenticeship that many<br />
artists seek after <strong>the</strong>y have bypassed <strong>the</strong> formal apprenticeship<br />
system. Realizing that <strong>the</strong>ir autodidactic instruction in tattooing<br />
has left out <strong>the</strong> history and ethics of <strong>the</strong> trade, <strong>the</strong>y seek instruction<br />
from those who are more established and who have access to<br />
<strong>the</strong> institutional memory that is such an important part of <strong>the</strong><br />
social networks that comprise <strong>the</strong> broader professional world of<br />
tattooing.<br />
In his most explicit departure from <strong>Customizing</strong> <strong>the</strong> <strong>Body</strong>, Vail’s<br />
(1999a) comparison of tattoo collectors and opera fans shows how<br />
members of art worlds use <strong>the</strong> time <strong>the</strong>y have spent developing<br />
and refining <strong>the</strong>ir taste in art as a resource in convincing o<strong>the</strong>rs<br />
of <strong>the</strong> legitimacy of <strong>the</strong>ir claims to membership in elite art worlds.<br />
In focusing on <strong>the</strong> time it takes to learn about and consume art,<br />
and <strong>the</strong> often strenuous physical demands of consuming art, Vail<br />
shows how art-world participants justify <strong>the</strong>ir claims to sophisticated,<br />
and sometimes explicitly superior, taste.<br />
CONCLUSION<br />
Predicting <strong>the</strong> future of any social phenomenon is always a hazardous<br />
endeavor. However, it is not unreasonable to expect that,<br />
for a time, tattooing will continue to expand since more people are<br />
now wearing or choosing to acquire tattoos and, as emphasized in<br />
Chapter 2, <strong>the</strong> choice to get tattooed typically is prompted by <strong>the</strong><br />
fact that a person one knows is tattooed. In short, <strong>the</strong> more<br />
people who are tattooed, <strong>the</strong> more “unmarked” people have contact<br />
with friends and acquaintances who are tattooed and <strong>the</strong><br />
more likely <strong>the</strong>y <strong>the</strong>mselves are to move along <strong>the</strong> path to being<br />
tattooed. There are also more tattoo shops available to both serious<br />
and novice tattooees. The increased opportunity to acquire a<br />
tattoo is also likely help to prolong tattooing’s popularity.<br />
But, like all fads, tattooing will probably decline as a widespread<br />
decorative practice. Because a certain, relatively small,<br />
proportion of those who get tattooed move on to eventually