Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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178 Epilogue 2008<br />
in pairs), and <strong>the</strong> guiche (a horizontal piercing of <strong>the</strong> perineum).<br />
Men often combine piercings in “ladders,” usually a series of<br />
frenum piercings that run down <strong>the</strong> shaft of <strong>the</strong> penis, often continuing<br />
to run <strong>the</strong> length of <strong>the</strong> scrotum and ending in a guiche.<br />
The term “scarification” refers to a wide range of permanent<br />
body modifications that result in a scar. The most common scarification<br />
practices are cutting, burning (or branding), and “flesh<br />
peeling.” Cutting is <strong>the</strong> most precise of <strong>the</strong>se techniques and it<br />
allows for <strong>the</strong> creation of scars that display <strong>the</strong> most obvious<br />
artistic features. Designs are usually incised with a scalpel on an<br />
outline placed on <strong>the</strong> skin with a stencil. The fresh wound is <strong>the</strong>n<br />
coated in flammable liquid such as alcohol or lighter fluid and<br />
<strong>the</strong>n set alight to cauterize <strong>the</strong> wound channel. The process is<br />
often repeated several times to create a sufficiently deep wound<br />
channel and, thus, a more visible scar.<br />
Branding has a rich history in sub-Saharan Africa, where members<br />
of tribal groups were often branded in honor of, or to simulate<br />
<strong>the</strong> appearance of, religious totems (for example, raising<br />
keloids to simulate <strong>the</strong> bumps on <strong>the</strong> backs of crocodiles<br />
[Roberts, 1988]). The most common contemporary form of branding<br />
is found within traditionally African American fraternities.<br />
Those who wear brands often describe <strong>the</strong>ir marks as co-opting a<br />
symbol of oppression from slavery and embracing it as a statement<br />
of pride in <strong>the</strong>ir black heritage. Branding also addresses<br />
purely pragmatic issues. <strong>Tattoo</strong> pigment is often masked by<br />
melanin and thus hard to see in dark skin. Fur<strong>the</strong>r, <strong>the</strong> skin of<br />
those with African heritage tends to raise larger, and <strong>the</strong>refore<br />
more dramatic, keloid scars. Brands can be applied in a variety of<br />
ways, <strong>the</strong> most common of which features heating strips of metal<br />
held in pliers with a torch until <strong>the</strong>y become red hot. The hot<br />
metal is <strong>the</strong>n applied to <strong>the</strong> recipient’s skin. The metal strips can<br />
be shaped to create a variety of designs or to achieve various effects.<br />
Practitioners and recipients of brands often call this process<br />
“<strong>the</strong> kiss of fire.”<br />
Flesh peeling is <strong>the</strong> most recent innovation in scarification<br />
practices. It involves cutting designs composed of two parallel<br />
lines into <strong>the</strong> skin and removing <strong>the</strong> ribbons of flesh between <strong>the</strong><br />
double outline. This practice allows for broader lines in <strong>the</strong> scar,<br />
an effect that is difficult to achieve with standard cutting practice<br />
and difficult to control with branding.