Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
157 Conclusion<br />
what are <strong>the</strong> chances that tattooing will be incorporated as an artistic<br />
genre within <strong>the</strong> institutional context of <strong>the</strong> conventional<br />
art world? TattOOing is a particularly interesting phenomenon in<br />
this regard because. unlike <strong>the</strong> process whereby craft activities<br />
(cf. Kealy. 1979; Neapolitan. 1986; Christopherson, 1974) or folk<br />
products (cf. Vlach and Bronner. 1986; Fried and Fried. 1978)<br />
have gained artistic legitimacy. tattooing must first be separated<br />
from its deviant associations before it can hope to be included in<br />
<strong>the</strong> repertoire of art forms. 5 As is seen in those situations in<br />
which deviant activities and marginal actors have attempted to<br />
gain public recognition and acceptance, <strong>the</strong> promotional efforts of<br />
organized groups are of key importance.<br />
In general, deviant organizations work to reeducate <strong>the</strong> public<br />
by recasting <strong>the</strong> behavior as socially nonthreatening-or even<br />
beneficial-and emphasizing <strong>the</strong> normative conformity commonly<br />
displayed by most of those who have preViously been stigmatized<br />
and subjected to social reaction (see, Sagarin, 1979; Trice and Roman.<br />
1979). Like groups representing homosexuals. <strong>the</strong> mentally<br />
disordered. alcoholics, and o<strong>the</strong>r disvalued social actors. formal<br />
organizations such as <strong>the</strong> National <strong>Tattoo</strong> Association and similar<br />
alliances are actively involved in redefining tattooing. Information<br />
directed at <strong>the</strong> general public by tattooing organizations and tattooists<br />
who have a vested interest in expanding <strong>the</strong> artistic reputation<br />
of tattooing emphasizes conventionally accepted values.<br />
Promotional materials refer to tattoo studios and tattoo art. display<br />
exemplary work exhibiting aes<strong>the</strong>tic content and technical<br />
skill. stress <strong>the</strong> historical and cultural roots of contemporary tattooing<br />
(especially classical Japanese work). and emphasize <strong>the</strong> academic<br />
training and conventional artistic experience of key<br />
practitioners (see. for example. Ward. 1986; Tucker, 1976, 1981;<br />
Green. 1982; The New Yorker, February 9, 1987, pp. 29-31). In<br />
addition, tattoo organizations take steps to enforce and promote<br />
public knowledge of normative conformity within <strong>the</strong> tattoo community.<br />
Practitioners are actively encouraged to "work clean,"<br />
present and maintain a neat and professional work setting. avoid<br />
tattooing minors or those who are intoxicated, decline client requests<br />
for marking public skin or inscribing overtly obscene or<br />
racist images. and to o<strong>the</strong>rwise avoid practices that would perpet-