Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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147 The <strong>Tattoo</strong> Relationship<br />
recipient's experience will be more intrinsically rewarding and<br />
less anxiety-producing if he or she attends to <strong>the</strong> cues by which<br />
<strong>the</strong> service proVider communicates <strong>the</strong> normative expectations<br />
that constrain <strong>the</strong> service interaction. In turn. <strong>the</strong> care exercised<br />
by <strong>the</strong> tattooist in <strong>the</strong> service delivery process and <strong>the</strong> final outcome<br />
of <strong>the</strong> transaction are, to a large measure. dependent on <strong>the</strong><br />
quality of <strong>the</strong> relationship which develops.<br />
I can assess people when <strong>the</strong>y come in <strong>the</strong> door and I know<br />
what it is going to take to please that person and who not to<br />
waste <strong>the</strong> effort on. I don't mean not do a good job on <strong>the</strong>m.<br />
cheat <strong>the</strong>m. It's always going to be done properly in here<strong>the</strong>y're<br />
going to get what <strong>the</strong>y see on <strong>the</strong> picture. Someone who<br />
comes with Yosemite Sam over here and down here <strong>the</strong>y got <strong>the</strong><br />
Tasmanian Devil thrOWing <strong>the</strong> finger or something and <strong>the</strong>y<br />
want a Donald Duck over here and <strong>the</strong>y think <strong>the</strong>se crudely<br />
done things are great ... I realize that I don't have to bend<br />
over backwards for this guy. I used to try to go overboard for<br />
everybody and <strong>the</strong>y didn't really appreCiate it. There's a<br />
difference between doing it and putting your heart into it. It's<br />
going to always be technically right. I'm not going to put any<br />
extra effort into something or get into custom free-hand like<br />
stuff on someone who I don't have <strong>the</strong> rapport with and I<br />
can't spend that time with.<br />
CONCLUSION<br />
Conflict is an everpresent possibility in <strong>the</strong> service delivery setting<br />
of <strong>the</strong> tattoo studio. Clients typically are unfamiliar with <strong>the</strong><br />
situation. unknowledgeable about <strong>the</strong> normative constraints to<br />
which <strong>the</strong>y are expected to conform, and fearful of <strong>the</strong> pain of <strong>the</strong><br />
tattoo process. Within this context of risk-physiological, finan<br />
Cial. temporal, and social-tattooees make choices of design and<br />
location based on intrapersonal, aes<strong>the</strong>tic, and socially symbolic<br />
criteria that <strong>the</strong>y have often only vaguely examined and defined.<br />
In order to increase <strong>the</strong>ir store of information and reduce purchase<br />
risk. <strong>the</strong>y limit <strong>the</strong> size and price of <strong>the</strong> tattoo. spend time<br />
watching and interacting with <strong>the</strong> tattooist, and commonly enter