Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
143 The Tattoo Relationship that they are involved in a profit-oriented business. Consequently, tattooees are evaluated on the basis of the potential (largely economic) gain they offer measured against the amount of time and energy they require. Recipients who shop for a tattoo on the basis of price or who enter the setting with no clear concept of what they want and are unable to find a suitable tattoo on the standard flash sheets are commonly defined by tattooists as interfering with their opportunity to make a profit and, thereby, being more trouble than they are worth. Here is a description of an interaction with a problematic client whose uncertainty interferes with the tattooist's interest in maximizing gain while limiting time and energy expended. [Quote from fieldnotesl the shop is unusually busy for a weekday afternoon. A husky biker type has been waiting for some custom work. He has a large skeleton with a gun on his left bicep and wants Fred to do some work around the existing piece. "I don't care what you do. Just make it look good. You know, maybe a cemetery or something like that:' Fred grimaces as he takes out his hectograph pen and begins to draw tombstones on the guy's arm. He works slowly-drawing, making a face, spraying the arm with green soap and rubbing off the sketch, trying again. Finally, he puts down the pen and says, "Why don't you just look around at the flash and see if there is something you want. We're busy here and I can't take the time with this shit. If you want a tattoo 111 do it, but you come in here and don't know what you want and expect me to do it all for you. You don't want a piece, you just want to get tattooed:' There is a certain amount of danger associated with all businesses that operate on a cash basis. Tattooists, who commonly work at night, frequently have sizable quantities of cash on hand, and tend to encounter a rather rough clientele, are well aware of the risks they run, They typologize clients with regard to their apparent dangerousness. Like police officers (Wilson, 1970), prostitutes (Hirschi, 1962), cab drivers (Henslin, 1968), and other service workers who routinely find themselves in high-risk situations, tattooists are attentive to clientele who make furtive movements, ask unusual questions, or exhibit other forms of behavior that are out of the ordinary.
144 The Tattoo Relationship In recent years tattooists have also become more aware of the physical risks inherent in working in such close proximity to the blood of strangers. The possibility of contracting hepatitis. herpes. AIDS. and other diseases transmitted through contact with blood is of increasing concern to tattooists (cf. Becker et aI.. 1961: 317-318). Most will refuse to work on customers with rashes or obvious skin lesions. It has also becoming conventional for tattooists to wear surgical gloves while working on clients. 9 Finally. tattooists typologize recipients on the basis of their moral acceptability. Objectionable personal hygiene. choice of overtly socially deviant symbols. and requests for tattoo placement on genital areas or highly visible and stigmatizing body sites are the major cues used by tattooists to make negative judgments about the values. lifestyles. and attitudes of certain clients. It is common for tattooists to refuse to service those individuals who overtly appear to violate standards of good taste and propriety. Given the close physical contact involved in the delivery of the tattoo service. it is understandable that cleanliness is one of the most common characteristics tattooists mention when asked about the differential acceptability of clients. One of the more misanthropic interviewees put it this way: On the negative side of tattOOing you have the scum element of the public; the ones that don't think it is necessary to bathe. or change their clothes. or whatever after work before coming to the tattoo shop. They think dirt is flne. There's the asshole biker types who thrive on dirt and want to talk about their motorcycle life constantly while you are tattooing them. These are the ones I dislike the most because I could care less about their motorcycles or their biker life-style. But when you work with the public you have to expect a certain percentage of geeks. filthy people. and scum in general because a large percentage of tattooing is done on this type of person. As discussed in a preceding chapter. the tattoo recipient's choice of design and body location reveal much about his or her interests. values. and attitudes. Tattooee choice is. therefore. an important indicator tattooists use to evaluate the taste and moral acceptability of their clients. Under most circumstances. most
- Page 119 and 120: 92 The Tattooist Tattooists also ha
- Page 121 and 122: 94 The Tattooist tomorrow and let y
- Page 123 and 124: 96 The Tattooist that there is a ch
- Page 125 and 126: 98 The Tattooist above, tattooists,
- Page 127 and 128: 100 The Tattooist and fifty. Those
- Page 129 and 130: 102 The Tattooist "totemic" desires
- Page 131 and 132: 104 The Tattooist available to them
- Page 133 and 134: 106 The Tattooist I refused a guy l
- Page 135: 108 The Tattooist This change in th
- Page 138 and 139: f styles. (Photo by D. Angus Vail)
- Page 140 and 141: above: Tattoo by Filip Leu, The Le
- Page 142 and 143: imi Hendrix and John Coltrane by Fi
- Page 145 and 146: 118 The Tattoo Relationship As is t
- Page 147 and 148: 120 The Tattoo Relationship he coul
- Page 149 and 150: 122 The Tattoo Relationship blouse
- Page 151 and 152: 124 The Tattoo Relationship name "R
- Page 154 and 155: 127 The Tattoo Relationship Positiv
- Page 156 and 157: 129 The Tattoo Relationship experie
- Page 158 and 159: 131 The Tattoo Relationship The reg
- Page 160 and 161: 133 The Tattoo Relationship Other p
- Page 162 and 163: 135 The Tattoo Relationship inexper
- Page 164: 137 The Tattoo Relationship the nee
- Page 167 and 168: 140 The Tattoo Relationship Followi
- Page 169: 142 The Tattoo Relationship expecte
- Page 173 and 174: 146 The Tattoo Relationship tattooi
- Page 175: 148 The Tattoo Relationship the tat
- Page 178 and 179: 151 Conclusion tutional theory of a
- Page 180 and 181: 153 Conclusion arisen and learn fro
- Page 182 and 183: 155 Conclusion and give money to it
- Page 184 and 185: 157 Conclusion what are the chances
- Page 186 and 187: 159 Conclusion Works of Idea Art fr
- Page 188 and 189: 161 Conclusion the artistic redefin
- Page 190 and 191: 163 Conclusion symbolic demonstrati
- Page 192 and 193: 165 Epilogue 2008 ters, all would l
- Page 194 and 195: 167 Epilogue 2008 and the emphasis
- Page 196 and 197: 169 Epilogue 2008 The term “colle
- Page 198 and 199: 171 Epilogue 2008 design and execut
- Page 200 and 201: 173 Epilogue 2008 for three or four
- Page 202 and 203: 175 Epilogue 2008 1990s, become an
- Page 204 and 205: 177 Epilogue 2008 eyebrows and “l
- Page 206 and 207: 179 Epilogue 2008 The most recent m
- Page 208 and 209: 181 Epilogue 2008 distinguish among
- Page 210 and 211: 183 Epilogue 2008 supposedly made i
- Page 212 and 213: 185 Epilogue 2008 and perceptions o
- Page 214 and 215: 187 Epilogue 2008 become more commi
- Page 217 and 218: 190 Methodological Appendix Fairly
- Page 219 and 220: 192 Methodological Appendix laborer
144 The <strong>Tattoo</strong> Relationship<br />
In recent years tattooists have also become more aware of <strong>the</strong><br />
physical risks inherent in working in such close proximity to <strong>the</strong><br />
blood of strangers. The possibility of contracting hepatitis.<br />
herpes. AIDS. and o<strong>the</strong>r diseases transmitted through contact<br />
with blood is of increasing concern to tattooists (cf. Becker et aI..<br />
1961: 317-318). Most will refuse to work on customers with<br />
rashes or obvious skin lesions. It has also becoming conventional<br />
for tattooists to wear surgical gloves while working on clients. 9<br />
Finally. tattooists typologize recipients on <strong>the</strong> basis of <strong>the</strong>ir<br />
moral acceptability. Objectionable personal hygiene. choice of<br />
overtly socially deviant symbols. and requests for tattoo placement<br />
on genital areas or highly visible and stigmatizing body sites are<br />
<strong>the</strong> major cues used by tattooists to make negative judgments<br />
about <strong>the</strong> values. lifestyles. and attitudes of certain clients. It is<br />
common for tattooists to refuse to service those individuals who<br />
overtly appear to violate standards of good taste and propriety.<br />
Given <strong>the</strong> close physical contact involved in <strong>the</strong> delivery of <strong>the</strong><br />
tattoo service. it is understandable that cleanliness is one of <strong>the</strong><br />
most common characteristics tattooists mention when asked<br />
about <strong>the</strong> differential acceptability of clients. One of <strong>the</strong> more misanthropic<br />
interviewees put it this way:<br />
On <strong>the</strong> negative side of tattOOing you have <strong>the</strong> scum element of<br />
<strong>the</strong> public; <strong>the</strong> ones that don't think it is necessary to ba<strong>the</strong>.<br />
or change <strong>the</strong>ir clo<strong>the</strong>s. or whatever after work before coming<br />
to <strong>the</strong> tattoo shop. They think dirt is flne. There's <strong>the</strong> asshole<br />
biker types who thrive on dirt and want to talk about <strong>the</strong>ir<br />
motorcycle life constantly while you are tattooing <strong>the</strong>m. These<br />
are <strong>the</strong> ones I dislike <strong>the</strong> most because I could care less about<br />
<strong>the</strong>ir motorcycles or <strong>the</strong>ir biker life-style. But when you work<br />
with <strong>the</strong> public you have to expect a certain percentage of<br />
geeks. filthy people. and scum in general because a large<br />
percentage of tattooing is done on this type of person.<br />
As discussed in a preceding chapter. <strong>the</strong> tattoo recipient's<br />
choice of design and body location reveal much about his or her<br />
interests. values. and attitudes. <strong>Tattoo</strong>ee choice is. <strong>the</strong>refore. an<br />
important indicator tattooists use to evaluate <strong>the</strong> taste and moral<br />
acceptability of <strong>the</strong>ir clients. Under most circumstances. most