Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
135 The Tattoo Relationship inexperienced, unknowledgeable, fearful. and interactionally tentative. (See Mennerick. 1974: 407-411 for a general discussion of these issues.) Factors that are both behavioral and physiological affect the tattoo clients' facilitation of the work and their consequent categorization by tattooists. Certain characteristics of the organic "canvas," which the client presents to the tattooists, aid or impede the tattoo process. "Good" clients have finely textured, clear, light skin ("like fine vellum paper"). Dark, coarse skin presents artistic and technical problems. Clear. white, unwrinkled. and unblemished skin is the best. That's one reason I like to work on women. The worst kind of skin is on those guys who have laboring jobs or who are out in the sun all the time. The sun breaks down the elasticity of the skin. That's why when you see sailors or old cowboys they have loose, wrinkled skin thatjust seems to hang there. You see a lot of that in shops around seaports. Some guys come into the shop and you can't really tattoo them. You just mark up their skin. I had one gentleman come in. He worked for twenty-five years in a heat treating plant. His skin is like gritty sandpaper. It is a terrible thing to think that this happened to this human being because of the place he worked. You can't even shave his skin. Red headed people have like albino white skin. All red headed skin is like rubber. The elasticity is unreal. I have small hands and you have a big man come in and it is almost impossible to stretch the skin and get a nice tattoo. Blond headed people with light skin ... say someone of your size.... Tight skin is excellent to work on. The color flows in well; you don't have to repeat yourself. You can do a tattoo in a third of the time it would take you to do a normal person. There are some men that I can't tattoo. I won't because I can't guarantee that the tattoo will come out right. Their arms are so big and the skin is like buffalo hide. You can't seem to puncture the skin under the epidermis. It just stays on the top. I was taught that if the color doesn't go in the first time don't overwork it. By overworking it, it is going to bleed out anyway.
136 The Tattoo Relationship Clients who bleed profusely, whose skin swells in reaction to the needle, or who faint during the process also tend to be negatively defined by tattooists. All tattooists possess a wealth of"horror stories" about the 4 or 5 percent of clients who do not facilitate the tattoo process due to their tendency to faint or get sick. A very small proportion pass out but, generally, they are younger men who come in and try to impress upon me their bravado. Those are always the ones that go out. It's not the ones that come in and say, "I'm scared to shit." They never go. It's the one who says, "Fuck man, just give it to me:' Bam! They're gone like that. I really don't like that. That scares me. I had some guy go into some sort of bizarre fit in front of me at one point early in my career when I first started tattooing. I got about five minutes into the tattoo and he started to pale a little bit. So I said, "Ok. Look, just relax. Loosen your pants... :' I went through the routine as I know it to be done. Head between the knees. And before he got his hands to his pants he went out. I pushed him back into the chair and I took a popper which I have here all the time-I have ammonia caps. I snapped the popper under his nose and at that point his entire body went rigid. He sprung back out of the chair, arched up, his arms and legs went out. It was the summer time and he had shorts on and he had these flip flop shoes on-his toes spread and his fingers spread and he began to tremble all over his entire body. I sat there with this guy in front of me doing this, not having any idea what the fuck was happening. I stood up and I punched him in the chest as hard as I could. He folded up into a little ball, pissed allover the floor and came back to consciousness. I died a thousand deaths at that point. That's it. That's what I don't like about tattooing. There's the potential for that kind of trauma; it does occur every now and then. That's the most distasteful aspect of tattooing. Although the tattooing process is not especially painful, as we have seen, pain is a major concern in the minds of most novice clients. How troublesome the pain of the tattooing process is to the recipient depends on the location of the tattoo, the skill of the tattooist, the quality of the eqUipment (especially the condition of
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135 The <strong>Tattoo</strong> Relationship<br />
inexperienced, unknowledgeable, fearful. and interactionally tentative.<br />
(See Mennerick. 1974: 407-411 for a general discussion of<br />
<strong>the</strong>se issues.)<br />
Factors that are both behavioral and physiological affect <strong>the</strong><br />
tattoo clients' facilitation of <strong>the</strong> work and <strong>the</strong>ir consequent categorization<br />
by tattooists. Certain characteristics of <strong>the</strong> organic<br />
"canvas," which <strong>the</strong> client presents to <strong>the</strong> tattooists, aid or impede<br />
<strong>the</strong> tattoo process. "Good" clients have finely textured, clear, light<br />
skin ("like fine vellum paper"). Dark, coarse skin presents artistic<br />
and technical problems.<br />
Clear. white, unwrinkled. and unblemished skin is <strong>the</strong> best.<br />
That's one reason I like to work on women. The worst kind of<br />
skin is on those guys who have laboring jobs or who are out in<br />
<strong>the</strong> sun all <strong>the</strong> time. The sun breaks down <strong>the</strong> elasticity of <strong>the</strong><br />
skin. That's why when you see sailors or old cowboys <strong>the</strong>y have<br />
loose, wrinkled skin thatjust seems to hang <strong>the</strong>re. You see a lot of<br />
that in shops around seaports. Some guys come into <strong>the</strong> shop<br />
and you can't really tattoo <strong>the</strong>m. You just mark up <strong>the</strong>ir skin.<br />
I had one gentleman come in. He worked for twenty-five years<br />
in a heat treating plant. His skin is like gritty sandpaper. It is a<br />
terrible thing to think that this happened to this human being<br />
because of <strong>the</strong> place he worked. You can't even shave his skin.<br />
Red headed people have like albino white skin. All red headed<br />
skin is like rubber. The elasticity is unreal. I have small hands<br />
and you have a big man come in and it is almost impossible to<br />
stretch <strong>the</strong> skin and get a nice tattoo. Blond headed people<br />
with light skin ... say someone of your size.... Tight skin is<br />
excellent to work on. The color flows in well; you don't have to<br />
repeat yourself. You can do a tattoo in a third of <strong>the</strong> time it<br />
would take you to do a normal person. There are some men<br />
that I can't tattoo. I won't because I can't guarantee that <strong>the</strong><br />
tattoo will come out right. Their arms are so big and <strong>the</strong> skin<br />
is like buffalo hide. You can't seem to puncture <strong>the</strong> skin under<br />
<strong>the</strong> epidermis. It just stays on <strong>the</strong> top. I was taught that if <strong>the</strong><br />
color doesn't go in <strong>the</strong> first time don't overwork it. By<br />
overworking it, it is going to bleed out anyway.