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Customizing the Body (PDF file) - Print My Tattoo

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134 The <strong>Tattoo</strong> Relationship<br />

tattoo artists to psychiatrists, are determined to control <strong>the</strong> service<br />

interaction. They show a related tendency to typologize <strong>the</strong>ir<br />

clients in order to better predict interactional problems and devise<br />

utilitarian approaches to cope with conflict. In general. <strong>the</strong> typologies<br />

employed by service deliverers are based on five definitional<br />

dimensions.<br />

1. Facilitation of work: does <strong>the</strong> client assist or hinder <strong>the</strong><br />

service worker in his or her service delivery activities?<br />

2. Control: does <strong>the</strong> client allow <strong>the</strong> service worker to exercise<br />

maximum control over service delivery or does he or she attempt<br />

to wrest control from <strong>the</strong> service provider?<br />

3. Gain: does <strong>the</strong> client allow <strong>the</strong> worker to profit or does <strong>the</strong><br />

interaction require extensive expenditures of time and effort<br />

while providing little payoff?<br />

4. Danger: does <strong>the</strong> client pose a physical and/or psychological<br />

threat to <strong>the</strong> service worker?<br />

5. Moral acceptability: is <strong>the</strong> client morally acceptable or does he<br />

or she violate <strong>the</strong> service worker's values and normative<br />

expectations (Mennerick, 1974: 400-406)?<br />

Although tattooists routinely employ all of <strong>the</strong>se dimensions to<br />

catergorize customers, <strong>the</strong>ir typological schemes are relatively<br />

simple-clients are typically defined as ei<strong>the</strong>r "good" or "bad." The<br />

simplicity of <strong>the</strong> tattooist's client typology is due to three important<br />

characteristics of <strong>the</strong> tattoo service and <strong>the</strong> corresponding<br />

interactional settings. First. commercial tattOOing, while it requires.<br />

at least. a minimum of technical skill and experience, is<br />

not particularly complex relative to o<strong>the</strong>r service activities (for example,<br />

that of airline ticket agents or plastic surgeons). Secondly.<br />

even with <strong>the</strong> recent diffusion of tattooing into an increasingly<br />

wide variety of economic groups and subcultures, <strong>the</strong> clientele encountered<br />

in most commercial studiOS is relatively homogenous.<br />

Finally. <strong>the</strong> tattooist's customer typology is not particularly complex<br />

because <strong>the</strong> tattoo service is proVided in a setting over which<br />

<strong>the</strong> service deliverer exercises significant control. <strong>Tattoo</strong>ists work<br />

in <strong>the</strong>ir familiar "home territory" with clients who are commonly

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