Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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133 The <strong>Tattoo</strong> Relationship<br />
O<strong>the</strong>r participants in <strong>the</strong> setting-fellow tattooists. regular<br />
hangers-on. and so forth-help to support <strong>the</strong> tattooist's controlling<br />
definition of <strong>the</strong> situation. The regulars act as members of<br />
<strong>the</strong> tattooist's "team." By engaging in casual conversations about<br />
arcane features of <strong>the</strong> tattooing subculture and off-hand discussion<br />
of technical issues and o<strong>the</strong>r matters that are unfamiliar to<br />
<strong>the</strong> client. team members aid <strong>the</strong> tattooist in creating <strong>the</strong> "front"<br />
that he or she needs in order to exercise interactional control (see<br />
Goffman. 1959).<br />
Without this concerted display of expertise. <strong>the</strong> tattooist would<br />
have difficulty managing some of <strong>the</strong> necessary features of <strong>the</strong> tattoo<br />
process. In most settings in <strong>the</strong> everyday world extensive<br />
physical contact. infliction of pain. and exposure of intimate body<br />
parts are severe violations of <strong>the</strong> norms regulating interaction<br />
among strangers. TattOOing interaction-which routinely involves<br />
<strong>the</strong>se elements-would be highly conflictual if clients did not define<br />
<strong>the</strong> tattooist as skilled. knowledgeable. in control, and. consequently.<br />
cede to him or her <strong>the</strong> right to treat <strong>the</strong>m as technical<br />
objects.<br />
But <strong>the</strong> objectification of <strong>the</strong> client can increase <strong>the</strong> potential<br />
for conflict and threaten <strong>the</strong> tattooist's interactional control.<br />
Therefore. <strong>the</strong> tattooist must also develop certain "expressive<br />
skills" (Govenar. 1977: 48-501. which indicate to <strong>the</strong> client that<br />
he or she is being dealt with as a person. Skilled tattooists employ<br />
humor. indicate concern. ask clients about aspects of <strong>the</strong>ir lives.<br />
and prOVide reassurance in order to put <strong>the</strong>m at ease. Through<br />
<strong>the</strong> use of <strong>the</strong>se acqUired interpersonal skills <strong>the</strong> tattooist affirms<br />
<strong>the</strong> client's indiViduality and fur<strong>the</strong>r decreases <strong>the</strong> likelihood of<br />
conflict.<br />
<strong>Tattoo</strong>ists'Typifications of Clients<br />
The general discussions of service work (for example. Mennerick.<br />
1974; Spiggle and Sanders. 1983) and sociological analyses of<br />
specific service delivery interactions (for example. Sudnow. 1965;<br />
Browne. 1976; Roebuck and Frese. 1976; Faulkner. 1983) clearly<br />
demonstrate two key features of commercial settings in which<br />
<strong>the</strong>re is direct contact between buyer and seller of an intangible<br />
and relatively nonstandardized product. Service workers. from