Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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132 The <strong>Tattoo</strong> Relationship<br />
of knowledge. As a consequence this is one of a number of commercial<br />
situations in which <strong>the</strong> interaction between <strong>the</strong> buyer and<br />
<strong>the</strong> seller is potentially conflictual (cf. Emerson, 1970; Schroder.<br />
1973: 183-262). The tattooing situation is routine for <strong>the</strong> tattooist<br />
while, as discussed above. it is novel and anxiety-filled for <strong>the</strong><br />
client. In order to avoid problematic "performance incapacity"<br />
(Emerson, 1970) on <strong>the</strong> part of <strong>the</strong> reCipient, <strong>the</strong> tattooist structures<br />
<strong>the</strong> tattoo setting and organizes his or her interaction with<br />
<strong>the</strong> client so as to present a clear indication of expected reCipient<br />
behavior, <strong>the</strong>reby limiting <strong>the</strong> chances of conflict. Diplomas, expertly<br />
rendered design sheets, technical objects (for example, autoclaves,<br />
racks of shiny tattoo machines), signs that overtly present<br />
shop regulations (for example, "NO TATTOOING OF DRUNKS,"<br />
"YOU MUST BE 18 TO GET A TATTOO," "PAY IN CASH-NO<br />
CHECKS") represent <strong>the</strong> ways in which <strong>the</strong> tattooist structures<br />
<strong>the</strong> setting in order to indicate his or her expertise and <strong>the</strong> serious<br />
nature of <strong>the</strong> activity. This physical display of professionalism<br />
helps to reinforce <strong>the</strong> tattooist's right to "manage <strong>the</strong> tattooing<br />
event" (Govenar. 1977: 43).<br />
The tattooist's ability to gUide <strong>the</strong> interaction with <strong>the</strong> client is<br />
fur<strong>the</strong>r supported by his or her display of technical skill and<br />
knowledge. Unhesitating responses to <strong>the</strong> client's questions. routine<br />
ease in handling and adjusting <strong>the</strong> tattooing eqUipment, and<br />
<strong>the</strong> mater-of-fact, almost ritualized, activities surrounding <strong>the</strong><br />
preparation of <strong>the</strong> body area to be tattooed attest to <strong>the</strong> tattooist's<br />
skill and his or her consequent right to control <strong>the</strong> interaction.<br />
This display of expertise is especially important when dealing<br />
with novice clients. As one artist stated:<br />
When someone comes in to get <strong>the</strong>ir first tattoo <strong>the</strong>y are<br />
usually pretty nervous and don't know what to expect. What I<br />
do is go through this ritual. I take my time adjusting <strong>the</strong><br />
machines and I prepare <strong>the</strong> pigments and stuff like that. I'm<br />
getting ready to tattoo <strong>the</strong>m but I'm also shOWing <strong>the</strong>m how<br />
professional I am. They're just sitting <strong>the</strong>re but I know <strong>the</strong>y are<br />
watching. I don't need to go through all of that with people<br />
who have a lot of work because I know <strong>the</strong>y trust me. I just do<br />
it with new people.