Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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128 The <strong>Tattoo</strong> Relationship<br />
<strong>the</strong> flash, <strong>the</strong> appearance and demeanor of fellow customers, and<br />
photos of past work are important sources of information. The<br />
customer's interaction with <strong>the</strong> tattooist is of particular importance,<br />
since this is <strong>the</strong> primary source of <strong>the</strong> information he or<br />
she uses to calculate trust.<br />
The literature on patient satisfaction with medical service (for<br />
example, Ben-Sira, 1976; Greenley and Schoenherr, 1981) clearly<br />
shows that <strong>the</strong> client's evaluation of <strong>the</strong> service is, to a major extent,<br />
shaped by his or her interactional experience with and relationship<br />
to <strong>the</strong> service deliverer. The tattooee's experience of risk<br />
in <strong>the</strong> tattoo shop and post-purchase satisfaction depend largely<br />
upon <strong>the</strong> psychosocial care provided by <strong>the</strong> tattooist. Interviewees<br />
consistently stated that those tattooists who were friendly, answered<br />
<strong>the</strong>ir questions patiently, allowed <strong>the</strong>m to playa significant<br />
role in planning <strong>the</strong> tattoo, and behaved in what was often<br />
referred to as a "professional" style eased <strong>the</strong>ir anxieties and created<br />
a tattoo that was a significant source of pride. The key importance<br />
of <strong>the</strong> tattooist's demeanor is especially apparent in<br />
<strong>the</strong>se descriptions prOVided by two women interviewees.<br />
(The artist) didn't seem to want to get to know me socially. It<br />
was very professional. Actually, that was a good attitude that<br />
he had. It showed that he was a professional. That was <strong>the</strong> way<br />
our conversation went. He didn't try to persuade me to get<br />
anything in particular-like when you go to a hairdresser and<br />
<strong>the</strong>y want to cut all your hair off. I expected him to be a little<br />
more rugged. He was very nice-answered all my questions<br />
and if I would slouch or anything he would just nicely ask me<br />
to get back into <strong>the</strong> position I was in.<br />
I was standing <strong>the</strong>re in <strong>the</strong> studio talking to <strong>the</strong> artist and<br />
said, "Well, I want this kind of curly design but can you do a<br />
dragon?" Then we sat down and he began to draw-asking me<br />
if I wanted whiskers, did I want it to look sleepy, passive,<br />
ferocious, or feminine, things like that. I said that I didn't want<br />
it too fierce or too passive. It was really lovely what he drew. He<br />
drew it backwards on this paper so I could place it where I<br />
wanted it. It was good to be sort of able to preview it. He asked<br />
me about <strong>the</strong> color. That I hadn't really decided.... Mter this