Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
123 The Tattoo Relationship dio. They are generally careful to follow the aftercare instructions provided (we will see later in this chapter that tattooists negatively define those clients who disregard the basic rules about how to care for a new tattoo). The symbolic hygiene of the tattoo establishment and the tattooist's ritual display of competence are effective in reducing this aspect of the client's risk experience. Before I got my first tattoo the only other tattoo parlor I had ever been in was near a military base in Texas. I was just a kid and I remember I had shorts on and the guy offered to tattoo my knees for free. The place was real dingy and dark and the guy looked like a bum. Years later when I decided to get a tattoo I went down to the (shop) in N---{city] and looked around. It was like a doctor's office-white walls and plants and a waiting room. The guy even had one of those white coats that doctors wear and he wore rubber gloves. It wasn't like I expected. I thought it was a good experience ... I went to bed that night, got up the next day and washed it. didn't pick the scab or anything. I did all the things they said-put that vaseline stuff on it. It worked out all right. I'd do it again. Even when he or she chooses a small design, the tattoo client, armed with minimal pre-purchase information, encounters an unanticipatedly high "financial risk." Confronted by this risk, the tattooee may attempt to bargain for a lower price-a practice that is, as presented in the last chapter, not acceptable in most commercial tattoo studios. Discounts are given only to steady customers with whom the tattooist has a friendly relationship or, less frequently, when business is slow and the tattooist is desperate to have, at least, some income for the day. The following excerpt from my fieldnotes describes a typical encounter with a customer who attempted to reduce his financial risk. [Quote from fieldnotes] the door to the shop opens and a middle-aged, working-class guy with a sizable beer belly comes in. He says he called before and that he wants to get Yosemite Sam put on his arm. He shows us a standard conventional Marine tattoo on his left forearm-a skull with dagger and "Death Before Dishonor." On the other bicep is a rose with the
124 The Tattoo Relationship name "Rose" in the scrollwork. He finds the design he wants on a sheet and begins to dicker about the price (I know this is a prime example of client assholeness in Randy's view). Randy-That one is fifty bucks--5am with two smoking guns. Client-You said it was $45 on the phone. I only brought $50 and have to get some beer for the ride home. R (annoyedl-I told you it was $45 or $50 on the phone! C-You think we can work something out? I want to have some other work done. How much is that? (Points out a large grim reaper. Randy tells him it is $85.) I really like that. I want to get my arms covered; none of that other bullshit. I want to be able to see them. (Pause.) Can I get Sam for $45? R (very annoyedl-Youl1 have to wait until the boss gets back and talk to him. C-Yeah, I really like that one. I got this (indicates skull with dagger) twenty years ago for $11. When confronted with the "sticker shock" generated by the prices posted on the flash lor, in the case of those requesting custom work. hearing about the estimated length of time the tattoo will take and the artist's hourly rate). inexperienced tattooees usually either swallow hard and pay the money up front or they reduce their risk by revising their expectations and picking a smaller and less expensive design. It is interesting that tattoo selection on the basis of price-a common approach when a consumer is making an impulse or "low involvement" purchase-is so common in what should be. by all rights. a "high involvement" transaction (AssaeI. 1984: 80-102). The tattoo process is also more time-consuming than most novice clients anticipate. Typically, tattoo artists are reluctant to make appointments. Except in the case of complicated custom work. tattooists usually work on a first-come-first-served basis. The novice tattooee. therefore, often confronts the problem of "time loss" (Roselius. 1971) as an aspect of risk. Except for pushyclient attempts to negotiate cost. dissatisfaction about waiting and arguments about who-was-here-before-whom were the most common sources of conflict within the tattoo settings observed. While commercial tattooists commonly see the rather languid
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123 The <strong>Tattoo</strong> Relationship<br />
dio. They are generally careful to follow <strong>the</strong> aftercare instructions<br />
provided (we will see later in this chapter that tattooists negatively<br />
define those clients who disregard <strong>the</strong> basic rules about<br />
how to care for a new tattoo). The symbolic hygiene of <strong>the</strong> tattoo<br />
establishment and <strong>the</strong> tattooist's ritual display of competence are<br />
effective in reducing this aspect of <strong>the</strong> client's risk experience.<br />
Before I got my first tattoo <strong>the</strong> only o<strong>the</strong>r tattoo parlor I had<br />
ever been in was near a military base in Texas. I was just a kid<br />
and I remember I had shorts on and <strong>the</strong> guy offered to tattoo<br />
my knees for free. The place was real dingy and dark and <strong>the</strong><br />
guy looked like a bum. Years later when I decided to get a tattoo<br />
I went down to <strong>the</strong> (shop) in N---{city] and looked around. It<br />
was like a doctor's office-white walls and plants and a waiting<br />
room. The guy even had one of those white coats that doctors<br />
wear and he wore rubber gloves. It wasn't like I expected. I<br />
thought it was a good experience ... I went to bed that night,<br />
got up <strong>the</strong> next day and washed it. didn't pick <strong>the</strong> scab or<br />
anything. I did all <strong>the</strong> things <strong>the</strong>y said-put that vaseline stuff<br />
on it. It worked out all right. I'd do it again.<br />
Even when he or she chooses a small design, <strong>the</strong> tattoo client,<br />
armed with minimal pre-purchase information, encounters an<br />
unanticipatedly high "financial risk." Confronted by this risk, <strong>the</strong><br />
tattooee may attempt to bargain for a lower price-a practice that<br />
is, as presented in <strong>the</strong> last chapter, not acceptable in most commercial<br />
tattoo studios. Discounts are given only to steady customers<br />
with whom <strong>the</strong> tattooist has a friendly relationship or, less<br />
frequently, when business is slow and <strong>the</strong> tattooist is desperate to<br />
have, at least, some income for <strong>the</strong> day. The following excerpt<br />
from my fieldnotes describes a typical encounter with a customer<br />
who attempted to reduce his financial risk.<br />
[Quote from fieldnotes] <strong>the</strong> door to <strong>the</strong> shop opens and a<br />
middle-aged, working-class guy with a sizable beer belly comes<br />
in. He says he called before and that he wants to get Yosemite<br />
Sam put on his arm. He shows us a standard conventional<br />
Marine tattoo on his left forearm-a skull with dagger and<br />
"Death Before Dishonor." On <strong>the</strong> o<strong>the</strong>r bicep is a rose with <strong>the</strong>