Customizing the Body (PDF file) - Print My Tattoo

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f styles. (Photo by D. Angus Vail)
tive tattoo by (l-r) Horitoshi, Bill Salmon, Junii, ttoo The Earth, Oakland, CA. Serious collectors ose who are capable of, and experienced with, dy scale. (Photo by D. Angus Vail)
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CUSTOMIZING THE BODY
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Temple University Press 1601 North
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Preface to the Revised and Expanded
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ix Preface to the Revised and Expan
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xi Preface to the Revised and Expan
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xiii Preface to the Revised and Exp
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xv Preface to the Revised and Expan
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xvii Preface to the Revised and Exp
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xix Preface to the Revised and Expa
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Preface to the First Edition xxiii
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Preface to the First Edition xxv Pr
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3 Introduction duction world that r
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5 Introduction Body painting is anc
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7 Introduction erogenous zones and
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9 Introduction painful, it is commo
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11 Introduction for example, Kayan
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13 Introduction underworld (Richie,
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15 Introduction a heavily tattooed
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17 Introduction pain and necessitat
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19 Introduction were typically seen
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21 Introduction the corporeal chang
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23 Introduction ent within worlds o
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25 Introduction surrounding tattoo
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27 Introduction These dominant pers
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29 Introduction style. the occupati
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31 Introduction communicable diseas
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33 Introduction is presented as res
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35 Introduction artistic endeavor.
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38 Becoming and Being a Tattooed Pe
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Figure 3. The Tattoo as Social Symb
Page 88: 61 Becoming and Being a Tattooed Pe
Page 91 and 92: 64 The Tattooist been my safe place
Page 93 and 94: 66 The Tattooist and psychologicall
Page 95 and 96: 68 The Tattooist Few tattooists mak
Page 97 and 98: 70 The Tattooist people in the busi
Page 100 and 101: 73 The Tattooist (The tattoo artist
Page 102 and 103: 75 The Tattooist complete tattoo. I
Page 104 and 105: 77 The Tattooist in her kitchen. Ev
Page 106 and 107: 79 The Tattooist reer which strongl
Page 108 and 109: 81 The Tattooist does it hurtT "Com
Page 110 and 111: 83 The Tattooist THE TATTOOIST'S CA
Page 112: 85 The Tattooist me to tattoo the b
Page 115 and 116: 88 The Tattooist like Burger King .
Page 117 and 118: 90 The Tattooist the individual to
Page 119 and 120: 92 The Tattooist Tattooists also ha
Page 121 and 122: 94 The Tattooist tomorrow and let y
Page 123 and 124: 96 The Tattooist that there is a ch
Page 125 and 126: 98 The Tattooist above, tattooists,
Page 127 and 128: 100 The Tattooist and fifty. Those
Page 129 and 130: 102 The Tattooist "totemic" desires
Page 131 and 132: 104 The Tattooist available to them
Page 133 and 134: 106 The Tattooist I refused a guy l
Page 135: 108 The Tattooist This change in th
Page 140 and 141: above: Tattoo by Filip Leu, The Le
Page 142 and 143: imi Hendrix and John Coltrane by Fi
Page 145 and 146: 118 The Tattoo Relationship As is t
Page 147 and 148: 120 The Tattoo Relationship he coul
Page 149 and 150: 122 The Tattoo Relationship blouse
Page 151 and 152: 124 The Tattoo Relationship name "R
Page 154 and 155: 127 The Tattoo Relationship Positiv
Page 156 and 157: 129 The Tattoo Relationship experie
Page 158 and 159: 131 The Tattoo Relationship The reg
Page 160 and 161: 133 The Tattoo Relationship Other p
Page 162 and 163: 135 The Tattoo Relationship inexper
Page 164: 137 The Tattoo Relationship the nee
Page 167 and 168: 140 The Tattoo Relationship Followi
Page 169 and 170: 142 The Tattoo Relationship expecte
Page 171 and 172: 144 The Tattoo Relationship In rece
Page 173 and 174: 146 The Tattoo Relationship tattooi
Page 175: 148 The Tattoo Relationship the tat
Page 178 and 179: 151 Conclusion tutional theory of a
Page 180 and 181: 153 Conclusion arisen and learn fro
Page 182 and 183: 155 Conclusion and give money to it
Page 184 and 185: 157 Conclusion what are the chances
Page 186 and 187: 159 Conclusion Works of Idea Art fr
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161 Conclusion the artistic redefin
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163 Conclusion symbolic demonstrati
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165 Epilogue 2008 ters, all would l
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167 Epilogue 2008 and the emphasis
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169 Epilogue 2008 The term “colle
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171 Epilogue 2008 design and execut
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173 Epilogue 2008 for three or four
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175 Epilogue 2008 1990s, become an
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177 Epilogue 2008 eyebrows and “l
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179 Epilogue 2008 The most recent m
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181 Epilogue 2008 distinguish among
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183 Epilogue 2008 supposedly made i
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185 Epilogue 2008 and perceptions o
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187 Epilogue 2008 become more commi
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190 Methodological Appendix Fairly
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192 Methodological Appendix laborer
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194 Methodological Appendix Figure
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196 Methodological Appendix guys wh
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198 Methodological Appendix increas
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200 Methodological Appendix because
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202 Methodological Appendix nomenon
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204 Selected Tattoo Artist Websites
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206 Notes to Preface to the Revised
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208 Notes to Chapter 2 example, “
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210 Notes to Chapter 2 of negative
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212 Notes to Chapter 4 of female cl
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214 Notes to Chapter 4 your mother
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216 Notes to Chapter 5 Chapter 5 1.
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218 Notes to Chapter 5 and resulted
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220 Notes to Epilogue 2008 only foo
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222 References ———. 1967. “
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224 References Cummings, William, a
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226 References Gittleson, N., G. Wa
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228 References Research. Hirschman,
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230 References University Press. Le
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232 References 6 (May): 18 ff. Parr
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234 References Carl (Shotsie) Gorma
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236 References Investigation of Con
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Index Adler, Patricia and Peter, 11
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241 Index Fellman, Sandi, 13, 160,
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243 Index O’Reilly, Samuel F., 16
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245 Index 214; process described, 4
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