Customizing the Body (PDF file) - Print My Tattoo

More documents

Recommendations

Info

left: Black panther claws by Mike Nich of the most conven designs for men, it placed on the uppe (Photo by Mike Nicholso
Page 2:
CUSTOMIZING THE BODY
Page 5 and 6:
Temple University Press 1601 North
Page 8 and 9:
Preface to the Revised and Expanded
Page 10 and 11:
ix Preface to the Revised and Expan
Page 12 and 13:
xi Preface to the Revised and Expan
Page 14 and 15:
xiii Preface to the Revised and Exp
Page 16 and 17:
xv Preface to the Revised and Expan
Page 18 and 19:
xvii Preface to the Revised and Exp
Page 20:
xix Preface to the Revised and Expa
Page 24 and 25:
Preface to the First Edition xxiii
Page 26:
Preface to the First Edition xxv Pr
Page 30 and 31:
3 Introduction duction world that r
Page 32 and 33:
5 Introduction Body painting is anc
Page 34 and 35:
7 Introduction erogenous zones and
Page 36 and 37:
9 Introduction painful, it is commo
Page 38 and 39:
11 Introduction for example, Kayan
Page 40 and 41:
13 Introduction underworld (Richie,
Page 42 and 43:
15 Introduction a heavily tattooed
Page 44 and 45:
17 Introduction pain and necessitat
Page 46 and 47:
19 Introduction were typically seen
Page 48 and 49:
21 Introduction the corporeal chang
Page 50 and 51:
23 Introduction ent within worlds o
Page 52 and 53:
25 Introduction surrounding tattoo
Page 54 and 55:
27 Introduction These dominant pers
Page 56 and 57:
29 Introduction style. the occupati
Page 58 and 59:
31 Introduction communicable diseas
Page 60 and 61:
33 Introduction is presented as res
Page 62:
35 Introduction artistic endeavor.
Page 65 and 66:
38 Becoming and Being a Tattooed Pe
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75:
Page 78 and 79:
Page 80 and 81:
Page 82 and 83:
Page 84 and 85:
Page 86 and 87: Figure 3. The Tattoo as Social Symb
Page 88: 61 Becoming and Being a Tattooed Pe
Page 91 and 92: 64 The Tattooist been my safe place
Page 93 and 94: 66 The Tattooist and psychologicall
Page 95 and 96: 68 The Tattooist Few tattooists mak
Page 97 and 98: 70 The Tattooist people in the busi
Page 100 and 101: 73 The Tattooist (The tattoo artist
Page 102 and 103: 75 The Tattooist complete tattoo. I
Page 104 and 105: 77 The Tattooist in her kitchen. Ev
Page 106 and 107: 79 The Tattooist reer which strongl
Page 108 and 109: 81 The Tattooist does it hurtT "Com
Page 110 and 111: 83 The Tattooist THE TATTOOIST'S CA
Page 112: 85 The Tattooist me to tattoo the b
Page 115 and 116: 88 The Tattooist like Burger King .
Page 117 and 118: 90 The Tattooist the individual to
Page 119 and 120: 92 The Tattooist Tattooists also ha
Page 121 and 122: 94 The Tattooist tomorrow and let y
Page 123 and 124: 96 The Tattooist that there is a ch
Page 125 and 126: 98 The Tattooist above, tattooists,
Page 127 and 128: 100 The Tattooist and fifty. Those
Page 129 and 130: 102 The Tattooist "totemic" desires
Page 131 and 132: 104 The Tattooist available to them
Page 133 and 134: 106 The Tattooist I refused a guy l
Page 135: 108 The Tattooist This change in th
Page 139 and 140: tive tattoo by (l-r) Horitoshi, Bil
Page 141 and 142: ary Japanese aesthetics, as practic
Page 143: Leo Zulueta. Photo by Nelson. So-ca
Page 146 and 147: 119 The Tattoo Relationship RISK, R
Page 148 and 149: 121 The Tattoo Relationship going t
Page 150 and 151: 123 The Tattoo Relationship dio. Th
Page 152: 125 The Tattoo Relationship pace of
Page 155 and 156: 128 The Tattoo Relationship the fla
Page 157 and 158: 130 The Tattoo Relationship As seen
Page 159 and 160: 132 The Tattoo Relationship of know
Page 161 and 162: 134 The Tattoo Relationship tattoo
Page 163 and 164: 136 The Tattoo Relationship Clients
Page 166 and 167: 139 The Tattoo Relationship body si
Page 168 and 169: 141 The Tattoo Relationship the bus
Page 170 and 171: 143 The Tattoo Relationship that th
Page 172 and 173: 145 The Tattoo Relationship reputab
Page 174 and 175: 147 The Tattoo Relationship recipie
Page 177 and 178: 150 Conclusion about through the co
Page 179 and 180: 152 Conclusion ular cultural themes
Page 181 and 182: 154 Conclusion attributed to these
Page 183 and 184: 156 Conclusion Figure 4. Factors Af
Page 185 and 186: 158 Conclusion uate the negative re
Page 187 and 188:
160 Conclusion ticipants with conve
Page 189 and 190:
162 Conclusion "The Aesthetics of G
Page 191 and 192:
Epilogue 2008: Body Modification Th
Page 193 and 194:
166 Epilogue 2008 duced by people w
Page 195 and 196:
168 Epilogue 2008 scale work easier
Page 197 and 198:
170 Epilogue 2008 nents of a full-b
Page 199 and 200:
172 Epilogue 2008 known as a center
Page 201 and 202:
174 Epilogue 2008 sponsored by peop
Page 203 and 204:
176 Epilogue 2008 apprenticeship sy
Page 205 and 206:
178 Epilogue 2008 in pairs), and th
Page 207 and 208:
180 Epilogue 2008 psychologically a
Page 209 and 210:
182 Epilogue 2008 body modification
Page 211 and 212:
184 Epilogue 2008 and to disrupt th
Page 213 and 214:
186 Epilogue 2008 street-shop socia
Page 215:
188 Epilogue 2008 ited by the blind
Page 218 and 219:
191 Methodological Appendix America
Page 220 and 221:
193 Methodological Appendix a tatto
Page 222 and 223:
195 Methodological Appendix it was
Page 224 and 225:
197 Methodological Appendix times b
Page 226 and 227:
199 Methodological Appendix ment wi
Page 228 and 229:
201 Methodological Appendix realize
Page 230 and 231:
Selected Tattoo Artist Websites Bio
Page 232 and 233:
Notes Preface to the Revised and Ex
Page 234 and 235:
207 Notes to Chapter 2 Tattooists a
Page 236 and 237:
209 Notes to Chapter 2 which five m
Page 238 and 239:
211 Notes to Chapter 4 6. Of the ni
Page 240 and 241:
213 Notes to Chapter 4 increases th
Page 242 and 243:
215 Notes to Chapter 4 cover up the
Page 244 and 245:
217 Notes to Chapter 5 Painless Tat
Page 246 and 247:
219 Notes to Epilogue 2008 standard
Page 248 and 249:
References Adler, Patricia, and Pet
Page 250 and 251:
223 References Briggs, J. 1958. “
Page 252 and 253:
225 References Farina, A., E. Fisch
Page 254 and 255:
227 References Hambly, W. D. 1974 [
Page 256 and 257:
229 References Relationships. New Y
Page 258 and 259:
231 References Jacobs. 30-40. Palo
Page 260 and 261:
233 References Richter, Stefan. 198
Page 262 and 263:
235 References Association for Cons
Page 264:
237 References Young, T. R. 1981.
Page 267 and 268:
240 Index Body suit: construction o
Page 269 and 270:
242 Index Jackobson, Yehuda, 181 Ja
Page 271 and 272:
244 Index Spector, Malcolm, 35 Spig
show all

Customizing the Body (PDF file) - Print My Tattoo

Create successful ePaper yourself

Delete template?

Save as template?