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Customizing the Body (PDF file) - Print My Tattoo

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84 The <strong>Tattoo</strong>ist<br />

with <strong>the</strong> apparent lack of evenhandedness in <strong>the</strong> choice of published<br />

photographs showing exemplary work. <strong>Tattoo</strong>ists strongly<br />

suspected that <strong>the</strong> choices are made on <strong>the</strong> basis of membership<br />

in personal networks or regional chauvinism (especially East<br />

Coast versus West Coast) ra<strong>the</strong>r than <strong>the</strong> quality of <strong>the</strong> represented<br />

work.<br />

A third potential means of reputation building is through winning<br />

competitions held as part of <strong>the</strong> annual conventions sponsored<br />

by tattoo organizations such as <strong>the</strong> National <strong>Tattoo</strong><br />

Association. However. only a small proportion of practicing tattooists<br />

attend <strong>the</strong>se conventions and. as with tattoo publications.<br />

<strong>the</strong>re is general suspicion among tattooists that prizes are<br />

awarded on personal grounds ra<strong>the</strong>r than on <strong>the</strong> grounds of an<br />

objective evaluation of technical and artistic merit.<br />

<strong>Tattoo</strong>ists aspire to reputational status not only for its own rewards.<br />

Gaining a reputation for quality work also allows one to<br />

exercise significantly more control over one's work life and leadsat<br />

least potentially-to increased income. As is <strong>the</strong> case in most<br />

craft and art activities. <strong>the</strong> product's market value is determined<br />

on <strong>the</strong> basis of <strong>the</strong> reputation of <strong>the</strong> creator as well as its technical<br />

and aes<strong>the</strong>tic quality (cf.. Sinha. 1979: 19). More importantly.<br />

however, acquiring a reputation allows <strong>the</strong> tattooist to be more<br />

selective in deciding to accede to some client requests while rejecting<br />

o<strong>the</strong>rs. Specifically, accomplished and well-known tattooists<br />

can concentrate on doing custom work while turning down requests<br />

to apply <strong>the</strong> mundane and routine traditional designs (for<br />

example. black pan<strong>the</strong>rs. grim reapers. cartoon figures. Harley­<br />

Davidson insignia, snakes, and daggers) that are <strong>the</strong> bread-andbutter<br />

of <strong>the</strong> street shop (cf. Faulkner. 1983: 24; Sinha, 1979: 11;<br />

Richie and Buruma, 1980: 85-88). One fine art tattooist with an<br />

established reputation presented his decisions to refuse certain<br />

client requests in political as well as aes<strong>the</strong>tic terms.<br />

I refuse to put down business logos, company imagery. To me<br />

that is <strong>the</strong> most repulsive shit in <strong>the</strong> world. Here <strong>the</strong>y are<br />

totally crushed by <strong>the</strong> corporate structure in America-cogs in<br />

<strong>the</strong> wheel. They're complaining about <strong>the</strong>ir inability to be<br />

effectual in <strong>the</strong> culture. totally apa<strong>the</strong>tic. And now <strong>the</strong>y want

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