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Customizing the Body (PDF file) - Print My Tattoo

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78 The <strong>Tattoo</strong>ist<br />

DEVELOPING SOCIAL SKILLS<br />

The social relationship that develops between <strong>the</strong> tattooist and<br />

his or her client is of primary importance. If <strong>the</strong> novice tattooist<br />

is to be moderately successful as a service deliverer ancLbr a commercial<br />

artist. it is necessary to gain skill in defining client needs<br />

and devising tactics by which those needs can be both shaped<br />

and met. The street tattooist's basic goal in this regard is maximizing<br />

financial rewards while maintaining interactional control<br />

during <strong>the</strong> tattoo process. Learning to tattoo. <strong>the</strong>refore. involves<br />

learning how to structure <strong>the</strong> ritual performance that is central to<br />

building client trust (cf. Hughes, 1971b: 321-323; Rosenblum.<br />

1978: 77: Schroder, 1973: 198-218; Henslin. 1968).<br />

Fostering client trust is of particular importance in tattooing.<br />

Customers typically feel some degree of anxiety when entering <strong>the</strong><br />

tattoo studio. The major source of this apprehension is <strong>the</strong> anticipation<br />

of pain. Unfam1l1arity with those commercial settings in<br />

which tattoos are applied is ano<strong>the</strong>r source of anxiety since most<br />

tattoo customers have never been in a tattoo studio prior to entering<br />

one to be tattooed for <strong>the</strong> first time.<br />

The interactional skills fostered by <strong>the</strong> tattooist are more than<br />

ways to maximize income while minimizing conflict. The ab1l1ty to<br />

"read" <strong>the</strong> client and shape his or her needs have ano<strong>the</strong>r practical<br />

function. Simply complying with <strong>the</strong> customer's requests may<br />

result in a product that will have negative consequences for <strong>the</strong><br />

tattooist. <strong>the</strong> client ancLbr <strong>the</strong> reputation of tattOOing. Most tattooists<br />

routinely refuse to place tattoos on "public skin" (usually<br />

defined as above <strong>the</strong> neck and below <strong>the</strong> wrist) or to inscribe<br />

overtly anti-social or racist symbols on <strong>the</strong>ir customers. <strong>Tattoo</strong>ists<br />

understandably see <strong>the</strong>ir trade as being defined by <strong>the</strong> general<br />

public as. at best, of marginal propriety. The creation of permanent<br />

stigmatizing marks could well generate increased public outcry<br />

and intensified efforts at legal repreSSion.<br />

The desire to become skilled at defining client needs and controlling<br />

<strong>the</strong> commercial outcome also derives from an ethical concern<br />

for <strong>the</strong> impact of <strong>the</strong> tattoo on <strong>the</strong> social and psychological<br />

well-being of <strong>the</strong> client. In a particularly moving account one fine<br />

art tattooist described an encounter with a client early in his ca-

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