Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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78 The <strong>Tattoo</strong>ist<br />
DEVELOPING SOCIAL SKILLS<br />
The social relationship that develops between <strong>the</strong> tattooist and<br />
his or her client is of primary importance. If <strong>the</strong> novice tattooist<br />
is to be moderately successful as a service deliverer ancLbr a commercial<br />
artist. it is necessary to gain skill in defining client needs<br />
and devising tactics by which those needs can be both shaped<br />
and met. The street tattooist's basic goal in this regard is maximizing<br />
financial rewards while maintaining interactional control<br />
during <strong>the</strong> tattoo process. Learning to tattoo. <strong>the</strong>refore. involves<br />
learning how to structure <strong>the</strong> ritual performance that is central to<br />
building client trust (cf. Hughes, 1971b: 321-323; Rosenblum.<br />
1978: 77: Schroder, 1973: 198-218; Henslin. 1968).<br />
Fostering client trust is of particular importance in tattooing.<br />
Customers typically feel some degree of anxiety when entering <strong>the</strong><br />
tattoo studio. The major source of this apprehension is <strong>the</strong> anticipation<br />
of pain. Unfam1l1arity with those commercial settings in<br />
which tattoos are applied is ano<strong>the</strong>r source of anxiety since most<br />
tattoo customers have never been in a tattoo studio prior to entering<br />
one to be tattooed for <strong>the</strong> first time.<br />
The interactional skills fostered by <strong>the</strong> tattooist are more than<br />
ways to maximize income while minimizing conflict. The ab1l1ty to<br />
"read" <strong>the</strong> client and shape his or her needs have ano<strong>the</strong>r practical<br />
function. Simply complying with <strong>the</strong> customer's requests may<br />
result in a product that will have negative consequences for <strong>the</strong><br />
tattooist. <strong>the</strong> client ancLbr <strong>the</strong> reputation of tattOOing. Most tattooists<br />
routinely refuse to place tattoos on "public skin" (usually<br />
defined as above <strong>the</strong> neck and below <strong>the</strong> wrist) or to inscribe<br />
overtly anti-social or racist symbols on <strong>the</strong>ir customers. <strong>Tattoo</strong>ists<br />
understandably see <strong>the</strong>ir trade as being defined by <strong>the</strong> general<br />
public as. at best, of marginal propriety. The creation of permanent<br />
stigmatizing marks could well generate increased public outcry<br />
and intensified efforts at legal repreSSion.<br />
The desire to become skilled at defining client needs and controlling<br />
<strong>the</strong> commercial outcome also derives from an ethical concern<br />
for <strong>the</strong> impact of <strong>the</strong> tattoo on <strong>the</strong> social and psychological<br />
well-being of <strong>the</strong> client. In a particularly moving account one fine<br />
art tattooist described an encounter with a client early in his ca-