Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
75 The Tattooist complete tattoo. In the tattooing settings I observed the novice tattooist was assigned to the most undemanding or least desirable clients. The novice tattooed over needle marks on heroin addicts; covered up crude, homemade ("poke and Joke") marks clients had done on themselves; and attempted to improve the amateurish work some individuals had received while incarcerated. Since the marks being covered or improved were so disfiguring or SOCially stigmatizing, the practice subject was usually quite pleased with even the relatively unsktlled efforts of the nOVice-particularly since the service was commonly provided gratis or at a greatly reduced price. 8 Learning the technical aspects of a sktlled activity provides considerable information about the aesthetics of that activity (Fine, 1985). This linkage between technique and aesthetics is particularly apparent in the process of learning to be a tattooist. Tattooists define the quality of a tattoo primarily on the basis of the technical skill apparent in its execution rather than on the content of the design. A "good" tattoo has clear, unbroken lines; displays symmetry; contains shading that imparts an appropriate dimensionality; and has bright, solid coloring. Further, the tattoo should be appropriately placed on the recipient's body, neither too large or too small for the body area and positioned so as to fit harmoniously with the musculature. Finally, the work should be done with enough technical competence that the area tattooed is not "overworked" or traumatized by the tattoo process (Richie and Buruma, 1980: 98; Bear, 1987). All of the interviewed tattooists emphasized the importance of technical sktll over artistry. There's two distinct parts to being a real tattoo artist. One is the technical side of it and the other is the artistic side. For example, someone can be a fantastic artist but if they don't understand the technical aspects of tattOOing then they aren't going to be able to translate their artwork into reality. It's Just going to stick up in their head. Then, on the other hand, you have people who master the technical aspects of tattooing and they have no artistic abtltty and they never get beyond the stencil. But at least they are doing it properly and they aren't scarring people up ... the lines are solid, the colors are bright.
76 The Tattooist But the ideal person is someone who is a real good artist and understands tattooing technique. For me. before something can be art I have to see craftsmanship. If I see something that I. or anybody. can do and it doesn't show that craftsmanship then I can't respect it as art. To me tattooing is a skilled craft and an art at times, Generally it's not art, It's just the reproduction of simple designs. It's usually not like a fine painting on the skin. There's nothing artistic about copying Yosemite Sam five hundred times. The important thing is to do it right. If they want Yosemite Sam they are going to get something that looks like Yosemite Sam-the lines are sharp and clear. the colors are bright and solid. it heals within a few days and they got what they paid for, That's the most important part. [TattooisUfriendl said. "First master the craft and the art will come on its own," Once I got over the hurdle of getting decent eqUipment and learning something about using it. the art started to develop (cf. Christopherson. 1974b; Sinha. 1979). Independent trial-and-error experience is another common route by which one acquires tattoo skill. 9 This approach has clear liabilities. Commonly. the unaffiliated novice is unfamiliar with the most rudimentary workings of the tattoo machine and must engage in considerable experimentation to discover the right "stroke" and penetration of the needles in order to even begin to inject pigment under the skin. As a consequence. the novice's initial work is generally technically inferior to that produced under the supervision of a knowledgeable tattooist. In addition to haVing surreptitiously observed tattooists while being tattooed or while posing as a potential client. the tattooists also reported haVing sought information from tattoo eqUipment suppliers early in the learning stage of their careers. There was this guy in the factory where I was working that had a homemade tattoo. very large. his whole bicep. He wanted it covered and said that anything was better than the homemade tattoo, He said that he would let me cover it if I did it for nothing, So I drew up this huge dragon. I needed a place to do it so the woman I was going with at the time said I could do it
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- Page 62: 35 Introduction artistic endeavor.
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- Page 104 and 105: 77 The Tattooist in her kitchen. Ev
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- Page 110 and 111: 83 The Tattooist THE TATTOOIST'S CA
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- Page 138 and 139: f styles. (Photo by D. Angus Vail)
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75 The <strong>Tattoo</strong>ist<br />
complete tattoo. In <strong>the</strong> tattooing settings I observed <strong>the</strong> novice<br />
tattooist was assigned to <strong>the</strong> most undemanding or least desirable<br />
clients. The novice tattooed over needle marks on heroin addicts;<br />
covered up crude, homemade ("poke and Joke") marks clients had<br />
done on <strong>the</strong>mselves; and attempted to improve <strong>the</strong> amateurish<br />
work some individuals had received while incarcerated. Since <strong>the</strong><br />
marks being covered or improved were so disfiguring or SOCially<br />
stigmatizing, <strong>the</strong> practice subject was usually quite pleased with<br />
even <strong>the</strong> relatively unsktlled efforts of <strong>the</strong> nOVice-particularly<br />
since <strong>the</strong> service was commonly provided gratis or at a greatly reduced<br />
price. 8<br />
Learning <strong>the</strong> technical aspects of a sktlled activity provides considerable<br />
information about <strong>the</strong> aes<strong>the</strong>tics of that activity (Fine,<br />
1985). This linkage between technique and aes<strong>the</strong>tics is particularly<br />
apparent in <strong>the</strong> process of learning to be a tattooist. <strong>Tattoo</strong>ists<br />
define <strong>the</strong> quality of a tattoo primarily on <strong>the</strong> basis of <strong>the</strong><br />
technical skill apparent in its execution ra<strong>the</strong>r than on <strong>the</strong> content<br />
of <strong>the</strong> design. A "good" tattoo has clear, unbroken lines; displays<br />
symmetry; contains shading that imparts an appropriate<br />
dimensionality; and has bright, solid coloring. Fur<strong>the</strong>r, <strong>the</strong> tattoo<br />
should be appropriately placed on <strong>the</strong> recipient's body, nei<strong>the</strong>r too<br />
large or too small for <strong>the</strong> body area and positioned so as to fit<br />
harmoniously with <strong>the</strong> musculature. Finally, <strong>the</strong> work should be<br />
done with enough technical competence that <strong>the</strong> area tattooed is<br />
not "overworked" or traumatized by <strong>the</strong> tattoo process (Richie and<br />
Buruma, 1980: 98; Bear, 1987). All of <strong>the</strong> interviewed tattooists<br />
emphasized <strong>the</strong> importance of technical sktll over artistry.<br />
There's two distinct parts to being a real tattoo artist. One is<br />
<strong>the</strong> technical side of it and <strong>the</strong> o<strong>the</strong>r is <strong>the</strong> artistic side. For<br />
example, someone can be a fantastic artist but if <strong>the</strong>y don't<br />
understand <strong>the</strong> technical aspects of tattOOing <strong>the</strong>n <strong>the</strong>y aren't<br />
going to be able to translate <strong>the</strong>ir artwork into reality. It's Just<br />
going to stick up in <strong>the</strong>ir head. Then, on <strong>the</strong> o<strong>the</strong>r hand, you<br />
have people who master <strong>the</strong> technical aspects of tattooing and<br />
<strong>the</strong>y have no artistic abtltty and <strong>the</strong>y never get beyond <strong>the</strong><br />
stencil. But at least <strong>the</strong>y are doing it properly and <strong>the</strong>y aren't<br />
scarring people up ... <strong>the</strong> lines are solid, <strong>the</strong> colors are bright.