The Arts in Schools - Calouste Gulbenkian Foundation
The Arts in Schools - Calouste Gulbenkian Foundation The Arts in Schools - Calouste Gulbenkian Foundation
0 _, COMPULSORY FLEXIBILITY MYr•§ELECTIVETIME*
art, craft, home economics, music and drama. This schoolhas attempted a more imaginative use of this time byrecognising that such a range of subjects can encompassonly certain areas of overlap. Accordingly, it has constructeda programme that allows for both specialistteaching in each of these areas and for some team-teachingwhere this arises naturally and realistically from sharedinterests.The faculty receives only six periods a week for all ofits work. Two periods a week are allocated for combinedwork and the remaining four periods are shared equallybetween the different groups of subjects for work ofspecialist concern. Teachers can opt in or out of combinedtime and in the past both music and domestic science havedone this, leaving teachers of art, needlework (textiles) anddesign (woodwork and metalwork) to pursue areas ofcommon interest.They begin by looking for areas of study that will berelevant to each area: past projects have included, 'Flight','Self-Identity' and 'Camouflage'. The teachers discuss howto link their work together through these themes. Theyhave established a pattern of team-teaching in groups oftwo or three. These are determined by subject specialisms,teaching experience and personal compatibility. Theseteams then work with 40/50 children at a time, developingthe themes in whatever ways they feel able.The pattern is the same for work with the second yearalthough combined time does not run throughout the year.It is thought necessary to allow progressively more timefor specialised work so that children will be able to makeconsidered options for their work within the faculty in thethird year.The crucial elements in the success of this programmeare:a a recognition that specialist interests need to becatered for alongside common programmes of workb some teachers are better left to pursue their ownconcerns rather than be forced into a marriage ofconvenience112 Space What of the provision of space and facilities for the arts? Sirand Alec Clegg, when Education Officer for the West Riding offacilities Yorkshire, once asked his inspectors and advisers how muchspace they would need for their subject in a new secondaryschool for 800 pupils. The school, had it been built, wouldhave covered 18 acres.Obviously there are limits to what is possible. At the same70
- Page 35 and 36: 1 Education, schooling and the arts
- Page 37 and 38: 15 The arts This is the ground on w
- Page 39 and 40: for certain forms of artistic activ
- Page 41 and 42: arts — is 'merely subjective" and
- Page 43 and 44: to and an understanding of certain
- Page 45 and 46: school curriculum fall into this se
- Page 47 and 48: one who is intelligent but who exhi
- Page 49 and 50: 38 Quality Quantity by itself is in
- Page 51 and 52: 43 Freedom Two further points must
- Page 53 and 54: 3 Arts education and the cultural h
- Page 55 and 56: universally valued archive of stabl
- Page 57 and 58: a helps pupils to understand cultur
- Page 59 and 60: Child: "They said it was a march, b
- Page 61 and 62: their cultural identity'. Haley's b
- Page 63 and 64: life and on perceptions and values
- Page 65 and 66: 4 Provision: the arts in primary sc
- Page 67 and 68: a What should be aimed at?b What pr
- Page 69 and 70: composition — Western and non-Wes
- Page 71 and 72: learning.' (Schools Council, 1981a,
- Page 73 and 74: performing arts — music, dance an
- Page 75 and 76: techniques and resources for workin
- Page 77 and 78: are thinking particularly of the ar
- Page 79 and 80: they will suffer disproportionately
- Page 81 and 82: Second, integration can mean many t
- Page 83 and 84: arts have a substantial contributio
- Page 85: distributed equally and equitably a
- Page 89 and 90: FIGURE 2SHEPSHEDCOMMUNITYCOLLEGEope
- Page 91 and 92: in upper schools. Associated with t
- Page 93 and 94: 120 A Implicit in such proposals is
- Page 95 and 96: 78literature and put money and reso
- Page 97 and 98: 80outlined the sorts of provision t
- Page 99 and 100: used — are appropriate to the wor
- Page 101 and 102: 135 Respon- If education involves t
- Page 103 and 104: we look at, or participate in, visu
- Page 105 and 106: MotivationalChildren on examination
- Page 107 and 108: elevant help in compiling the profi
- Page 109 and 110: ible to some form of appropriate as
- Page 111 and 112: 94more in-service training provisio
- Page 113 and 114: 1%—2% of the school population
- Page 115 and 116: tuition under well qualified teache
- Page 117 and 118: it is likely that more children wil
- Page 119 and 120: 102by professional musicians, many
- Page 121 and 122: frequencies and belongs to the Part
- Page 123 and 124: classroom teacher. Nevertheless, th
- Page 125 and 126: 'Within individual schools in certa
- Page 127 and 128: implications of different types of
- Page 129 and 130: We will first outline five main are
- Page 131 and 132: 186 Arts In the schemes we have jus
- Page 133 and 134: schemes. The Arvon Foundation, for
- Page 135 and 136: is likely to give his teaching rele
art, craft, home economics, music and drama. This schoolhas attempted a more imag<strong>in</strong>ative use of this time byrecognis<strong>in</strong>g that such a range of subjects can encompassonly certa<strong>in</strong> areas of overlap. Accord<strong>in</strong>gly, it has constructeda programme that allows for both specialistteach<strong>in</strong>g <strong>in</strong> each of these areas and for some team-teach<strong>in</strong>gwhere this arises naturally and realistically from shared<strong>in</strong>terests.<strong>The</strong> faculty receives only six periods a week for all ofits work. Two periods a week are allocated for comb<strong>in</strong>edwork and the rema<strong>in</strong><strong>in</strong>g four periods are shared equallybetween the different groups of subjects for work ofspecialist concern. Teachers can opt <strong>in</strong> or out of comb<strong>in</strong>edtime and <strong>in</strong> the past both music and domestic science havedone this, leav<strong>in</strong>g teachers of art, needlework (textiles) anddesign (woodwork and metalwork) to pursue areas ofcommon <strong>in</strong>terest.<strong>The</strong>y beg<strong>in</strong> by look<strong>in</strong>g for areas of study that will berelevant to each area: past projects have <strong>in</strong>cluded, 'Flight','Self-Identity' and 'Camouflage'. <strong>The</strong> teachers discuss howto l<strong>in</strong>k their work together through these themes. <strong>The</strong>yhave established a pattern of team-teach<strong>in</strong>g <strong>in</strong> groups oftwo or three. <strong>The</strong>se are determ<strong>in</strong>ed by subject specialisms,teach<strong>in</strong>g experience and personal compatibility. <strong>The</strong>seteams then work with 40/50 children at a time, develop<strong>in</strong>gthe themes <strong>in</strong> whatever ways they feel able.<strong>The</strong> pattern is the same for work with the second yearalthough comb<strong>in</strong>ed time does not run throughout the year.It is thought necessary to allow progressively more timefor specialised work so that children will be able to makeconsidered options for their work with<strong>in</strong> the faculty <strong>in</strong> thethird year.<strong>The</strong> crucial elements <strong>in</strong> the success of this programmeare:a a recognition that specialist <strong>in</strong>terests need to becatered for alongside common programmes of workb some teachers are better left to pursue their ownconcerns rather than be forced <strong>in</strong>to a marriage ofconvenience112 Space What of the provision of space and facilities for the arts? Sirand Alec Clegg, when Education Officer for the West Rid<strong>in</strong>g offacilities Yorkshire, once asked his <strong>in</strong>spectors and advisers how muchspace they would need for their subject <strong>in</strong> a new secondaryschool for 800 pupils. <strong>The</strong> school, had it been built, wouldhave covered 18 acres.Obviously there are limits to what is possible. At the same70