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The Arts in Schools - Calouste Gulbenkian Foundation

The Arts in Schools - Calouste Gulbenkian Foundation

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where there are 'books on the shelves, parents who listen tomusic and visit the theatre'. 1 This is the sense <strong>in</strong> which weare apt to refer to people as be<strong>in</strong>g 'cultured'. This view ofculture is <strong>in</strong>adequate for a proper understand<strong>in</strong>g of culturaleducation. <strong>The</strong> arts are only one aspect — albeit an importantone — of the life of any community. To talk of itsculture is to connote the whole network of habits, beliefs,customs, attitudes and forms of behaviour which hold ittogether as a community. Even to talk of the culture of asociety is mislead<strong>in</strong>g <strong>in</strong>sofar as each section, group, or classwith<strong>in</strong> a society has vary<strong>in</strong>g cultural forms and values. Thislarger view of culture suggests three features of the culturesof <strong>in</strong>dustrial societies which need to be taken <strong>in</strong>to account<strong>in</strong> education: those of diversity, relativity and change.48 Diversity Modern <strong>in</strong>dustrial societies are diverse <strong>in</strong> their cultures.'Culture' is not the same as 'nationality'. To possess British,French or American nationality provides little guide to aperson's cultural identity. Brita<strong>in</strong>, for example, does nothave, and never did have, one s<strong>in</strong>gle, common culture. Italways has been a patchwork of overlapp<strong>in</strong>g cultures: arich mixture of regional, racial and class differences — differences<strong>in</strong> language, values, religion, political and cultural<strong>in</strong>terests. <strong>The</strong>re may be a dom<strong>in</strong>ant culture but it would bewrong to take it now for the British culture.49 Relativity A second feature of modern <strong>in</strong>dustrial societies is the relativityof their cultures. Children are not born with a cultureas they are born with brown eyes. <strong>The</strong>y are born <strong>in</strong>to aculture and for as long as they live <strong>in</strong> it they are underpressure to live by it. Cultural differences <strong>in</strong> language, dress,behaviour and religion often reflect profound differences <strong>in</strong>ways of see<strong>in</strong>g the world and <strong>in</strong>terpret<strong>in</strong>g its mean<strong>in</strong>g.Events which may be steeped <strong>in</strong> significance with<strong>in</strong> oneculture may have no significance <strong>in</strong> another.50 Change Advanced <strong>in</strong>dustrial cultures are also <strong>in</strong> a cont<strong>in</strong>uous state ofchange. Indeed, the word 'culture' implies organic growthand development. 2 Individuals who <strong>in</strong>herit cultural ideasand values also contribute to them, evaluat<strong>in</strong>g and chang<strong>in</strong>gthem. Cultures evolve. <strong>The</strong> most strik<strong>in</strong>g l<strong>in</strong>e of evolution <strong>in</strong>the past 20 years or so has been towards an unprecedentedmix<strong>in</strong>g of cultures across and with<strong>in</strong> national boundaries.51 Impli- <strong>The</strong> idea that arts teach<strong>in</strong>g is a simple matter of pass<strong>in</strong>g oncations 'the cultural heritage' is a mislead<strong>in</strong>g simplification. Incontrast to the diverse, relative and evolutionary nature ofculture as it actually exists, a picture is conjured up of a37

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