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The Arts in Schools - Calouste Gulbenkian Foundation

The Arts in Schools - Calouste Gulbenkian Foundation

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school curriculum fall <strong>in</strong>to this second class of value. <strong>The</strong>yhave an <strong>in</strong>strumental value <strong>in</strong> acquir<strong>in</strong>g th<strong>in</strong>gs that arevalued <strong>in</strong> themselves. <strong>The</strong> activities of the arts fall <strong>in</strong>to thefirst class. <strong>The</strong>y are absolutely worthwhile spend<strong>in</strong>g time onfor the sake of satisfactions that are <strong>in</strong>tr<strong>in</strong>sic to them. <strong>The</strong>more far-sighted <strong>in</strong>dustrialists and politicians realised thislong ago. 6 <strong>The</strong> successes of the Workers' Education Association,of M<strong>in</strong>ers' and Mechanics' Institutes, of Adult Educationand of such places as Rusk<strong>in</strong> College further illustratethis view: that <strong>in</strong> abandon<strong>in</strong>g the arts, we should be abandon<strong>in</strong>gboth our heritage and our future and putt<strong>in</strong>g even furtherat risk the whole quality of community life. A recent editorial<strong>in</strong> the Times Educational Supplement was even moreemphatic:'Art <strong>in</strong> all its forms has been s<strong>in</strong>ce time immemorial themeans by which humans keep up their collective spiritsand make sense of each other and of their world. A humanand <strong>in</strong>telligently conceived arts education, shad<strong>in</strong>g off <strong>in</strong>a medley of other directions while reta<strong>in</strong><strong>in</strong>g its own <strong>in</strong>alienablecharacter, is someth<strong>in</strong>g whose value only thebigoted or the very stupid could deny.' (TES, 6th February,1981)31 Summary In this chapter, we have argued that the arts are importantways of know<strong>in</strong>g the world and of <strong>in</strong>terpret<strong>in</strong>g our experiences<strong>in</strong> it. <strong>The</strong>ir <strong>in</strong>clusion <strong>in</strong> the school curriculum is anobligation of general education. We have also argued thatthis is morally desirable. Moreover, the arts are part of thefabric of our culture and civilisation and a knowledge andunderstand<strong>in</strong>g of them is essential on these grounds too. Wehave emphasised that 'do<strong>in</strong>g' the arts is as important asappreciat<strong>in</strong>g the work of others and we have challenged theidea that 'excellence' is exclusively related to any particulartype of art. We have discounted the tendency to dichotomisearts and sciences and emphasised the complementary relationshipsbetween different ways of know<strong>in</strong>g. <strong>The</strong> arts arecrucial elements <strong>in</strong> a balanced curriculum: not more norless, but certa<strong>in</strong>ly as important as other forms of knowledge.We have concluded by argu<strong>in</strong>g that the arts also enrichthe life of <strong>in</strong>dividuals and the social culture and this isimportant as an end <strong>in</strong> itself. Throughout this chapter wehave referred to the idea of creativity <strong>in</strong> the arts and <strong>in</strong>other areas of activity. In the next chapter we look at this <strong>in</strong>more detail and draw out its implications for the wholecurriculum.28

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