The Arts in Schools - Calouste Gulbenkian Foundation
The Arts in Schools - Calouste Gulbenkian Foundation The Arts in Schools - Calouste Gulbenkian Foundation
Psychology of Consciousness, Robert Ornstein summarisesthese findings:'The left hemisphere ... is predominantly involved withanalytic, logical thinking, especially in verbal and mathematicalfunctions. Its mode of operation is primarilylinear. This hemisphere seems to process informationsequentially. This ... of necessity must underlie logicalthought, since logic depends on sequence and order . . . theright hemisphere is primarily responsible for our orientationin space, artistic endeavour, crafts, body image,recognition of faces. It processes information more diffusely... is more holistic and relational and more simultaneousin its mode of operation.' (Ornstein, 1975, p67)In the view of Ornstein and others, education has concentratedtoo much on the rationality of the left-hand hemisphereat the expense of the more sensuous, intuitive andholistic aspects of consciousness and perception. We haveargued that education is not only a preparation for laterlife. But even those who do see it in those terms will findit difficult to deny that the pre-occupation with academicintelligence in schools is like'training a person for a race by constantly exercising oneleg while leaving the muscles of the other leg to atrophy.'(Hemmings, 1980, p32)We need forms of education which recognise and cater forthe development of both modes of consciousness, to promotea much wider and richer realm of human potential. Moreovera synthesis of these would also help to bring about'a more complete science of human consciousness with anextended conception of our own capabilities.' (Ornstein,1975,p68)26 The The arts are of vital importance in this undertaking for theyimportance are expressions of these other forms of rationality of centralof balance importance in the balanced growth and development of thechild. 7 Without the balance that an education in both thesciences and the arts can give, we should have a societyundignified by a predilection for beauty in art and dignityin relationships. We should have, rather, a nation of beingswith heads like computers, hands like robots and heartslike Caliban's. People know this. They value vocationalskills. But they also demand that young people should have afirm grounding in educational knowledge and a commitment25
to and an understanding of certain values: tolerance, freedom,equality and a respect for other people including a regard forthe excellent and a disdain for the shoddy and the secondrate.For, even if it is true that economics demand that ourpupils be schooled, it is also true that parents and societywant them educated. For all of these reasons, the schoolcurriculum must provide for development and work in thebalancing activities of art, music, literature, dance, drama andmovement.27 Other Arts activities have other beneficial effects. First, they canoutcomes help to develop qualities and abilities that have very practicalof the arts applications: grace, poise and balance in gesture and movement;sharpness of vision, hearing and touch; a high degreeof co-ordination between hand and eye; an ability to expressoneself in precise terms. Second, the visual arts, drama,dance, and music, for example, can have valuable therapeuticfunctions in the treatment of some physical and/or emotionaldisorders (see Chapter 6). Certainly, the arts have been usedto beneficial effect in schemes of therapy in hospitals andclinics. Third, there are the opportunities they provide forre-creation of the individual, in giving him or her differentperspectives and challenges away from the pre-occupationsof the everyday business, industrial or domestic worlds.28 The arts We must emphasise here that we do not see the importanceandof the arts only in terms of a much-discussed need nowadaysrecreation to provide 'education for leisure'. There are two reasons forthis. First, the arts are of central importance to humanbeings whatever the social and economic circumstances. Theyare not to be seen simply as pastimes, whose importanceincreases as the opportunities for 'real' work decline. Forthe reasons we have given, although they are, in an importantsense, recreative, to associate them only with leisure isto set them apart from the 'serious' aspects of life withwhich they are intimately involved.Second, whether several million long-term unemployedmen and women will consider themselves to be leisuredremains to be seen. Economically and psychologically theneed in our culture to work is so deeply rooted that thelong-term consequences of unemployment on the scale nowin prospect are hard to envisage. It is easier to see that theequation of less work with more leisure is simplistic. Thearts are not a palliative for unemployment. By introducingpupils to these possibilities in our schools, however, wemay help them to prepare more fully for future problems,opportunities and needs while opening a wide spectrum ofinterests in the present.26
- Page 1 and 2: THEARTSSCHOOLSPrinciples, practice
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- Page 19 and 20: REFERENCESArts in Schools Project (
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- Page 27 and 28: seem to improve when taught as part
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Psychology of Consciousness, Robert Ornste<strong>in</strong> summarisesthese f<strong>in</strong>d<strong>in</strong>gs:'<strong>The</strong> left hemisphere ... is predom<strong>in</strong>antly <strong>in</strong>volved withanalytic, logical th<strong>in</strong>k<strong>in</strong>g, especially <strong>in</strong> verbal and mathematicalfunctions. Its mode of operation is primarilyl<strong>in</strong>ear. This hemisphere seems to process <strong>in</strong>formationsequentially. This ... of necessity must underlie logicalthought, s<strong>in</strong>ce logic depends on sequence and order . . . theright hemisphere is primarily responsible for our orientation<strong>in</strong> space, artistic endeavour, crafts, body image,recognition of faces. It processes <strong>in</strong>formation more diffusely... is more holistic and relational and more simultaneous<strong>in</strong> its mode of operation.' (Ornste<strong>in</strong>, 1975, p67)In the view of Ornste<strong>in</strong> and others, education has concentratedtoo much on the rationality of the left-hand hemisphereat the expense of the more sensuous, <strong>in</strong>tuitive andholistic aspects of consciousness and perception. We haveargued that education is not only a preparation for laterlife. But even those who do see it <strong>in</strong> those terms will f<strong>in</strong>dit difficult to deny that the pre-occupation with academic<strong>in</strong>telligence <strong>in</strong> schools is like'tra<strong>in</strong><strong>in</strong>g a person for a race by constantly exercis<strong>in</strong>g oneleg while leav<strong>in</strong>g the muscles of the other leg to atrophy.'(Hemm<strong>in</strong>gs, 1980, p32)We need forms of education which recognise and cater forthe development of both modes of consciousness, to promotea much wider and richer realm of human potential. Moreovera synthesis of these would also help to br<strong>in</strong>g about'a more complete science of human consciousness with anextended conception of our own capabilities.' (Ornste<strong>in</strong>,1975,p68)26 <strong>The</strong> <strong>The</strong> arts are of vital importance <strong>in</strong> this undertak<strong>in</strong>g for theyimportance are expressions of these other forms of rationality of centralof balance importance <strong>in</strong> the balanced growth and development of thechild. 7 Without the balance that an education <strong>in</strong> both thesciences and the arts can give, we should have a societyundignified by a predilection for beauty <strong>in</strong> art and dignity<strong>in</strong> relationships. We should have, rather, a nation of be<strong>in</strong>gswith heads like computers, hands like robots and heartslike Caliban's. People know this. <strong>The</strong>y value vocationalskills. But they also demand that young people should have afirm ground<strong>in</strong>g <strong>in</strong> educational knowledge and a commitment25