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The Arts in Schools - Calouste Gulbenkian Foundation

The Arts in Schools - Calouste Gulbenkian Foundation

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is a need, <strong>in</strong> achiev<strong>in</strong>g this, to improve the quality of<strong>in</strong>-service tra<strong>in</strong><strong>in</strong>g and advisory work. We very muchregret that economies are be<strong>in</strong>g made <strong>in</strong> these two vitalareas of education and want to emphasise the dangers <strong>in</strong>this, <strong>in</strong> both the short- and the long-term, for thegeneral quality of education.e Co-ord<strong>in</strong>ation and cont<strong>in</strong>uityWe are deal<strong>in</strong>g <strong>in</strong> this report with the value of the arts <strong>in</strong>all schools, for all children. Some of the problems wehave touched on lie outside the immediate control ofschools and teachers. Some others do not. In particular,there are those which arise from a lack of co-ord<strong>in</strong>ationand cont<strong>in</strong>uity <strong>in</strong> arts education. <strong>The</strong>re are three aspectsto this. First, there is little contact between teacherswork<strong>in</strong>g <strong>in</strong> different arts — even with<strong>in</strong> the same schools.Second, there is little co-ord<strong>in</strong>ation between the threema<strong>in</strong> sectors of education, primary, secondary andtertiary, and, as a result, too little cont<strong>in</strong>uity <strong>in</strong> children'sand young people's arts education. Third, there is toolittle contact between educationalists and professionalartists. We see a need to tackle these problems ofliaison and want to propose some strategies for do<strong>in</strong>gthis and to br<strong>in</strong>g attention to exist<strong>in</strong>g ways <strong>in</strong> which thisis be<strong>in</strong>g done.5 Attitudes <strong>The</strong>se are some of the many practical problems confront<strong>in</strong>gto the arts the development of the arts <strong>in</strong> schools. Some of them are todo with a lack of resources: others are not. <strong>The</strong>y are theresult of long-established attitudes towards the arts whichdeprive them of an equitable share of the resources which doexist. To those who see education ma<strong>in</strong>ly as a preparation forwork, it may seem that the arts are unimportant for children<strong>in</strong> schools unless they <strong>in</strong>tend to make a career <strong>in</strong> them. Or, ifthey have a value, it is merely as leisure time pursuits outsidethe formal curriculum. For those who see education ma<strong>in</strong>lyas the pursuit of academic achievement, the arts may seemunimportant except for 'less able' children.We seek to correct such misconceptions. In do<strong>in</strong>g so, wewill reject any tendency to polarise the issues. We do notaccept that the quality of education can be improved only byfocus<strong>in</strong>g on high standards of literacy and numeracy througha specialised curriculum; by choos<strong>in</strong>g between, for example,science or arts, vocational qualifications or education forleisure. We reject these polarities for two reasons. First, allof these should be represented <strong>in</strong> a well-balanced curriculum.Second, each stands to ga<strong>in</strong> through be<strong>in</strong>g taught <strong>in</strong> conjuctionwith the others. As HMI have <strong>in</strong>dicated, literacy and numeracy

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