The Arts in Schools - Calouste Gulbenkian Foundation
The Arts in Schools - Calouste Gulbenkian Foundation The Arts in Schools - Calouste Gulbenkian Foundation
stresses the need for a broad approach to educationrather than a narrow emphasis on vocational qualifications.Many young people now at schools may neverget jobs — not through lack of qualifications but throughlack of jobs. This problem is not peculiar to Britain. It isinternational. Whatever steps are taken to deal with this,it is clear that there must be a response within theschools to what is taking place outside them. To seeeducation mainly as a preparation for forms of workthat are fast disappearing is clearly short-sighted.e Academic constraintsThe emphasis on education for employment is upholdingtraditional pressures in schools for academic attainment.These tighten the grip of examination courses onthe curriculum and make it resistant to change. Academicsuccess is also often pursued at the expense ofother equally important abilities in young people. Theundervaluing of these other capabilities instils into manypupils an undeserved sense of failure and wastes enormousreserves of talent and potential.Society needs and values more than academic abilities. Childrenand young people have much more to offer. The artsexemplify some of these other capacities — of intuition,creativity, sensibility and practical skills. We maintain thatan education in these is quite as important for all childrenas an education of the more academic kind and that notto have this is to stunt and distort their growth as intelligent,feeling and capable individuals.3 Cultural It is not just the patterns of working life which are changing.change The general culture of our society is becoming ever morecomplex and diverse. We live in an increasingly multi-racialand multi-cultural society in which we must learn to understandand respond to other ways of seeing and doing. Educationmust enable children to do this. We share the view ofHMI who concluded in their survey of Primary Education inEngland (DBS, 1978) that much more might be done inschools'. . . to make all children aware of other beliefs and toextend their understanding of the multi-cultural natureof contemporary society.' (DBS, 1978, para 8.24)We are sure that, in the forms of education needed in thischanging situation, the arts and the principles and methods ofteaching they represent, will prove to be more and not less
significant than at present.4 The need We would maintain the value of the arts in education whateverfor action the social or economic circumstances of the day. The reasonswe have given make increased provision and respect for thema matter of urgency. For the reasons we are about to give,however, actual provision for the arts in schools, so far fromgetting better, is facing serious deterioration.a Falling rollsThe DES has estimated 3 that the decline in the birthratefrom the mid-1960s and into the 1970s will result in afall in the primary school population from 4.7 millionsin 1977 to 3.3 millions in 1986. It is thought that thenumbers in secondary schools will fall from 4 millions in1977 to 2.8 millions in 1991.There are many problems in prospect, as ProfessorEric Briault and his team (1980) have made clear. Aparticular danger is posed to the teaching of specialistand minority subjects as staffing levels need to bereduced. As some schools close down altogether, there isthe likelihood of specialist facilities and spaces fallinginto dis-use. This affects the arts in two ways. First, theteaching of the arts disciplines requires specialist skillsin teachers and specialist facilities: instruments, studios,and so on. The availability of these is threatened.Second, in some schools and authorities, the arts arestill seen as minority activities and are at particularrisk in the search for economies.b Cuts in expenditureIn February 1981 HMI reported on the effects of cuts inpublic spending on education. 4 In several passages thereport comments specifically on the adverse effects onexisting provision for the arts. These come through staffredundancies, reductions in part-time and peripateticteachers and through deterioration or the simple lack offacilities and equipment.A recent series of articles in the Times EducationalSupplement has also drawn attention to the damagebeing done through retirement, redundancy and redeploymentof arts specialists both in schools and inthe advisory service. In a letter to The Times, the Chairmanof the Drama Board reports that in the past 12months,'. . . no fewer than ten authorities have redeployedtheir drama staff or prematurely retired their drama
- Page 1 and 2: THEARTSSCHOOLSPrinciples, practice
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- Page 5 and 6: Chapter 4 Provision: the arts in pr
- Page 7 and 8: The Advisory CommitteeChairmanMembe
- Page 9 and 10: Foreword by the Chairman of the Inq
- Page 11 and 12: Introduction—1989This is not a re
- Page 13 and 14: and many others have done so since.
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- Page 19 and 20: REFERENCESArts in Schools Project (
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- Page 25 and 26: likely to be measured publicly by e
- Page 27 and 28: seem to improve when taught as part
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- Page 31 and 32: ence essential to education? Why th
- Page 33 and 34: 10 The artsare notoptions11 Notwith
- Page 35 and 36: 1 Education, schooling and the arts
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- Page 49 and 50: 38 Quality Quantity by itself is in
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- Page 55 and 56: universally valued archive of stabl
- Page 57 and 58: a helps pupils to understand cultur
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- Page 61 and 62: their cultural identity'. Haley's b
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- Page 67 and 68: a What should be aimed at?b What pr
- Page 69 and 70: composition — Western and non-Wes
- Page 71 and 72: learning.' (Schools Council, 1981a,
stresses the need for a broad approach to educationrather than a narrow emphasis on vocational qualifications.Many young people now at schools may neverget jobs — not through lack of qualifications but throughlack of jobs. This problem is not peculiar to Brita<strong>in</strong>. It is<strong>in</strong>ternational. Whatever steps are taken to deal with this,it is clear that there must be a response with<strong>in</strong> theschools to what is tak<strong>in</strong>g place outside them. To seeeducation ma<strong>in</strong>ly as a preparation for forms of workthat are fast disappear<strong>in</strong>g is clearly short-sighted.e Academic constra<strong>in</strong>ts<strong>The</strong> emphasis on education for employment is uphold<strong>in</strong>gtraditional pressures <strong>in</strong> schools for academic atta<strong>in</strong>ment.<strong>The</strong>se tighten the grip of exam<strong>in</strong>ation courses onthe curriculum and make it resistant to change. Academicsuccess is also often pursued at the expense ofother equally important abilities <strong>in</strong> young people. <strong>The</strong>undervalu<strong>in</strong>g of these other capabilities <strong>in</strong>stils <strong>in</strong>to manypupils an undeserved sense of failure and wastes enormousreserves of talent and potential.Society needs and values more than academic abilities. Childrenand young people have much more to offer. <strong>The</strong> artsexemplify some of these other capacities — of <strong>in</strong>tuition,creativity, sensibility and practical skills. We ma<strong>in</strong>ta<strong>in</strong> thatan education <strong>in</strong> these is quite as important for all childrenas an education of the more academic k<strong>in</strong>d and that notto have this is to stunt and distort their growth as <strong>in</strong>telligent,feel<strong>in</strong>g and capable <strong>in</strong>dividuals.3 Cultural It is not just the patterns of work<strong>in</strong>g life which are chang<strong>in</strong>g.change <strong>The</strong> general culture of our society is becom<strong>in</strong>g ever morecomplex and diverse. We live <strong>in</strong> an <strong>in</strong>creas<strong>in</strong>gly multi-racialand multi-cultural society <strong>in</strong> which we must learn to understandand respond to other ways of see<strong>in</strong>g and do<strong>in</strong>g. Educationmust enable children to do this. We share the view ofHMI who concluded <strong>in</strong> their survey of Primary Education <strong>in</strong>England (DBS, 1978) that much more might be done <strong>in</strong>schools'. . . to make all children aware of other beliefs and toextend their understand<strong>in</strong>g of the multi-cultural natureof contemporary society.' (DBS, 1978, para 8.24)We are sure that, <strong>in</strong> the forms of education needed <strong>in</strong> thischang<strong>in</strong>g situation, the arts and the pr<strong>in</strong>ciples and methods ofteach<strong>in</strong>g they represent, will prove to be more and not less