The Arts in Schools - Calouste Gulbenkian Foundation
The Arts in Schools - Calouste Gulbenkian Foundation The Arts in Schools - Calouste Gulbenkian Foundation
February—June 1979Johnny Haynes, mime and classical balletdancer, gave weekly lessons at the DanceCentre.February 1980 continuing Patricia Macdonald, Principal of the NorthernBallet School, gives weekly lessons in Ballet.October 1980 continuingLecture/DemonstrationsMarch 1979October 1979February 1980Bill Craven, lecturer in Dance and PE, givesweekly lessons in technique and composition.Yai Vardi from Ballet Rambert gave a techniqueclass for selected Manchester pupils.John Field from Festival Ballet and a teacherfrom London Contemporary Dance Theatregave technique classes for teachers. Attendedby 70 teachers.Sue Moulson from Inside Out gave a lectureon 'Changing ideas on teaching dance,'attended by 50 teachers.Residencies by professional companiesDecember 1979 Inside OutChoreographer and dancer Sue Moulson and her company Inside Outspent a week at the Dance Centre. They worked with pupils from CardinalNewman RC High School for Girls and South Manchester High and theculmination of their work was a performance called Christmas given by thepupils for their parents and friends. There were also evening performancesgiven by the Inside Out Company.February 1980Extemporary Dance CompanyThis company came to the Dance Centre as part of the Dance Artistsin Education Project sponsored by Manchester Education Authority andthe Arts Council. The company spent three days at the Dance Centre andthey held an open class, a matinee attended by 350 schoolchildren and twoevening performances which were open to the public.September 1980SpiralThree schools spent a week at the Dance Centre and attended classesgiven by choreographer and dancer Irene Dilks and her company Spiral.Pupils from Yew Tree High School, Central Girls High School and theHigh School of Art were given one technique and one workshop sessionper day by Irene or other members of staff. They were joined by pupils151
from other schools to watch two lecture/demonstrations entitled 'An Introductionto Contemporary Dance' and 'Dance Choreography'. One hundredand forty pupils attended the first lecture and seventy older pupils attendedthe second. The company did two evening performances which were opento the public and Irene Dilks gave two practical sessions for Manchesterteachers.What we hope we are achieving is:a Opportunities for teachers to be together for a week working side byside — sharing experiencesplusCross fertilisation of ideas from school to school by Dance Leaderplusseeing dance artists working with them from their own schoolsb Exposing them to a variety of styles and techniques in order thatthey may use these forms to express with greater relevance and claritytheir own inner statement of the dance.Lecture Demonstrations in Secondary SchoolsDancers from Ballet Rambert, Festival Ballet and London ContemporaryDance Theatre have visited schools when the Companies have been dancingin Manchester. Some dancers have now been to the same school for fourconsecutive years and built a relationship with the teacher at the school.They take technique classes, short extracts from a ballet, a movementphrase, and work on the development of it.Primary SchoolsTo further opportunities for primary school teachers to work togetherwe have set up a team of four area teachers and one co-ordinator. Thefour area teachers (themselves primary teachers) work for half of the weekin their own schools as class teachers and for half of the week workingalongside teachers in infant and junior schools helping them to teach dance.They give them confidence to teach dance as part of the education programme,leaving material for them to work with and then returning to seewhat they have done and to help them further. The co-ordinator (a fulltimejunior teacher) organises the programmes of the area teachers and withthem selects teachers who have flair and can be helped further. The coordinatorworks with these teachers. From these teachers working partiesare set up and are linked with the Inspector, the curriculum developmentleader and the Dance Centre leader, thus forming a spiral system.Mornings and afternoons of danceThese are arranged throughout the year so that work can be seen andshared. Children from infant, junior, special and secondary schools take part.3 Dance in the Inner City — a Teacher's AccountThis is a multi-racial, inner city, Middle School in Leeds with 75% of the152
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from other schools to watch two lecture/demonstrations entitled 'An Introductionto Contemporary Dance' and 'Dance Choreography'. One hundredand forty pupils attended the first lecture and seventy older pupils attendedthe second. <strong>The</strong> company did two even<strong>in</strong>g performances which were opento the public and Irene Dilks gave two practical sessions for Manchesterteachers.What we hope we are achiev<strong>in</strong>g is:a Opportunities for teachers to be together for a week work<strong>in</strong>g side byside — shar<strong>in</strong>g experiencesplusCross fertilisation of ideas from school to school by Dance Leaderplussee<strong>in</strong>g dance artists work<strong>in</strong>g with them from their own schoolsb Expos<strong>in</strong>g them to a variety of styles and techniques <strong>in</strong> order thatthey may use these forms to express with greater relevance and claritytheir own <strong>in</strong>ner statement of the dance.Lecture Demonstrations <strong>in</strong> Secondary <strong>Schools</strong>Dancers from Ballet Rambert, Festival Ballet and London ContemporaryDance <strong>The</strong>atre have visited schools when the Companies have been danc<strong>in</strong>g<strong>in</strong> Manchester. Some dancers have now been to the same school for fourconsecutive years and built a relationship with the teacher at the school.<strong>The</strong>y take technique classes, short extracts from a ballet, a movementphrase, and work on the development of it.Primary <strong>Schools</strong>To further opportunities for primary school teachers to work togetherwe have set up a team of four area teachers and one co-ord<strong>in</strong>ator. <strong>The</strong>four area teachers (themselves primary teachers) work for half of the week<strong>in</strong> their own schools as class teachers and for half of the week work<strong>in</strong>galongside teachers <strong>in</strong> <strong>in</strong>fant and junior schools help<strong>in</strong>g them to teach dance.<strong>The</strong>y give them confidence to teach dance as part of the education programme,leav<strong>in</strong>g material for them to work with and then return<strong>in</strong>g to seewhat they have done and to help them further. <strong>The</strong> co-ord<strong>in</strong>ator (a fulltimejunior teacher) organises the programmes of the area teachers and withthem selects teachers who have flair and can be helped further. <strong>The</strong> coord<strong>in</strong>atorworks with these teachers. From these teachers work<strong>in</strong>g partiesare set up and are l<strong>in</strong>ked with the Inspector, the curriculum developmentleader and the Dance Centre leader, thus form<strong>in</strong>g a spiral system.Morn<strong>in</strong>gs and afternoons of dance<strong>The</strong>se are arranged throughout the year so that work can be seen andshared. Children from <strong>in</strong>fant, junior, special and secondary schools take part.3 Dance <strong>in</strong> the Inner City — a Teacher's AccountThis is a multi-racial, <strong>in</strong>ner city, Middle School <strong>in</strong> Leeds with 75% of the152