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The Arts in Schools - Calouste Gulbenkian Foundation

The Arts in Schools - Calouste Gulbenkian Foundation

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to be essential to the future development of this work andhope that other arts associations will recognise the potentialhere.Individual companies have also seen this need. Among thefirst to act on it was the Greenwich Young People's <strong>The</strong>atre<strong>in</strong> their appo<strong>in</strong>tment of a <strong>Schools</strong> Liaison Officer. Sheargues that companies need a liaison officer, operat<strong>in</strong>g witha full knowledge of the company's educational policy,'. . . to <strong>in</strong>itiate putt<strong>in</strong>g theory <strong>in</strong>to practice with teachers,to understand teachers' struggles <strong>in</strong> schools, to fulfil theneed for cont<strong>in</strong>uity of contact, to be available to teacherswhen actor/teachers are rehears<strong>in</strong>g, designers design<strong>in</strong>g etc.It is a role whose priority and responsibility is to formand ma<strong>in</strong>ta<strong>in</strong> l<strong>in</strong>ks with teachers, the focal po<strong>in</strong>t of contact,facilitat<strong>in</strong>g access to the process that makes teachersaware of TIE as part of a coherent educational framework,not as a peripheral activity.' (Bennion, 1980, p48)Equally, the role of liaison officers now be<strong>in</strong>g appo<strong>in</strong>ted tothe national subsidised companies goes far beyond address<strong>in</strong>gmarket<strong>in</strong>g policies to schools. <strong>The</strong> task is to project suchcompanies as educational resources and to encourage greaterunderstand<strong>in</strong>g both of their work and work<strong>in</strong>g methods.212 Creat<strong>in</strong>ga problem213 <strong>The</strong>need forco-operationA successful education policy assumes a company's capacityto deal with the extra demand on performances, workshopsand lectures which it is likely to create. Some exist<strong>in</strong>g schemesare mov<strong>in</strong>g forward tentatively both for lack of experienceof the educational world and also for lack of fund<strong>in</strong>g forthe extension of exist<strong>in</strong>g activities. This is one of a numberof reasons for look<strong>in</strong>g for new patterns of co-operationbetween arts organisations and educational bodies.We see a clear need for closer co-operation between regionalarts associations and local education authorities. A number ofregions have already taken this step. In Leicestershire, <strong>in</strong>1974, the County Council agreed that its responsibilities<strong>in</strong> the arts should be delegated to a newly-formed <strong>Arts</strong>Committee of the Education Committee. This has facilitatedcloser l<strong>in</strong>ks between the schools, the District Council and theRegional <strong>Arts</strong> Association. It has also led to a number of thosefrom the professional arts jo<strong>in</strong><strong>in</strong>g the <strong>Arts</strong> Committee asHonorary Advisers to work with elected members.<strong>The</strong> L<strong>in</strong>colnshire and Humberside <strong>Arts</strong> Association hasformed an Education Liaison Committee which drawstogether representatives from each local education authority<strong>in</strong> the region to discuss educational policies and fund<strong>in</strong>g with124

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