The Arts in Schools - Calouste Gulbenkian Foundation

The Arts in Schools - Calouste Gulbenkian Foundation The Arts in Schools - Calouste Gulbenkian Foundation

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8 Children, teachers and artists180 Reasons Lord Redcliffe-Maud (1976) has argued that arts support andfor the arts education are 'natural allies'. We will go further and saychapter that in key respects they are inter-dependent: that there isa relationship between the status and levels of support forthe arts in education and in society as a whole.One of the implications of this, and of our emphasis on therelationships between participation and appreciation, is theneed to foster contacts between the world of professionalarts and that of education — between children, teachers andartists. In recent years there have been many attempts to dothis. In this chapter we outline the range of these schemes.We discuss the mutual benefits for all concerned and we goon to consider the problems and difficulties they may encounterin practice. We see these initiatives as being ofprime importance to the future development of both thearts and of education.181 Direct For the most part, children come into contact with artistsand indirectly — through experiencing their work. The initiativesindirect we have in mind not only aim to deepen children's undercontactstanding of artists' work but also to bring them into directcontact with artists for joint working projects.182 Current An Arts Council publication on Professional Arts and Schoolsschemes (1980) describes in detail the wide range of existing work inthis area. It concludes that there is probably more going on,and more interest being shown in these ventures, than eventhe most optimistic observer might expect. The Arts Councilpaper is the most detailed description available of theseprojects and we recommend it for fuller background information.Our concern here is with some particular points ofprinciple and with identifying courses of action for thefuture.Ill

We will first outline five main areas of activity. These areclassified not — as in the Arts Council paper — according tothe different art forms, but according to different types ofcontact and organisation. They are:a Artists in Education schemes. These bring practisingartists into schools for specific projects only eg TheArts Council's Writers in Schools scheme.b Arts education companies. These are companies whichhave a primary commitment to educational issues andobjectives eg Theatre in Education.e Arts/education liaison schemes, ie those which areadministered by professional companies — eg EnglishNational Opera and Ballet Rambert — and which aim tofoster links between the companies' work and schoolsthrough education packs, workshops etc.d Arts centrese Other schemes183 Artists Artists in Education schemes now extend across all the majorinart forms. They vary considerably in length and format. WeEducation can distinguish generally between visits and residencies.184 Visits In 1969, the Arts Council, in conjunction with the Departmentof Education and Science, established a scheme toencourage working writers to visit schools, colleges of furtherand higher education and in-service teachers' courses. Writersin Schools provides for single visits, although further visitsmay be arranged. The format and content will vary accordingto the writer and the group concerned — it may be areading, a talk and discussion or a writing workshop. Poetsin Schools is organised by the Poetry Society and funded byW H Smith and Sons Ltd. Not only is this more specialised,it also provides for longer contact between the artist and thegroup. The poet visits the school three times, working eachtime for a whole morning or afternoon with 20 or so childrenwho have shown particular interest in the scheme. Duringthe first two visits he or she aims to stimulate the children'sown writing. After the second visit he or she makes a personalselection from the children's work to be included in ananthology which is produced for the final visit. This is apublic event in the evening for parents, friends and teachersand includes reading of the pupils' and the poet's work. 2Writers on Tour is organised by the Arts Council in conjunctionwith regional arts associations and local educationauthorities. It provides for groups of four writers at a time tovisit the same area, to give public readings in the evening andto visit local schools during the day. The general aim is to112

We will first outl<strong>in</strong>e five ma<strong>in</strong> areas of activity. <strong>The</strong>se areclassified not — as <strong>in</strong> the <strong>Arts</strong> Council paper — accord<strong>in</strong>g tothe different art forms, but accord<strong>in</strong>g to different types ofcontact and organisation. <strong>The</strong>y are:a Artists <strong>in</strong> Education schemes. <strong>The</strong>se br<strong>in</strong>g practis<strong>in</strong>gartists <strong>in</strong>to schools for specific projects only eg <strong>The</strong><strong>Arts</strong> Council's Writers <strong>in</strong> <strong>Schools</strong> scheme.b <strong>Arts</strong> education companies. <strong>The</strong>se are companies whichhave a primary commitment to educational issues andobjectives eg <strong>The</strong>atre <strong>in</strong> Education.e <strong>Arts</strong>/education liaison schemes, ie those which areadm<strong>in</strong>istered by professional companies — eg EnglishNational Opera and Ballet Rambert — and which aim tofoster l<strong>in</strong>ks between the companies' work and schoolsthrough education packs, workshops etc.d <strong>Arts</strong> centrese Other schemes183 Artists Artists <strong>in</strong> Education schemes now extend across all the major<strong>in</strong>art forms. <strong>The</strong>y vary considerably <strong>in</strong> length and format. WeEducation can dist<strong>in</strong>guish generally between visits and residencies.184 Visits In 1969, the <strong>Arts</strong> Council, <strong>in</strong> conjunction with the Departmentof Education and Science, established a scheme toencourage work<strong>in</strong>g writers to visit schools, colleges of furtherand higher education and <strong>in</strong>-service teachers' courses. Writers<strong>in</strong> <strong>Schools</strong> provides for s<strong>in</strong>gle visits, although further visitsmay be arranged. <strong>The</strong> format and content will vary accord<strong>in</strong>gto the writer and the group concerned — it may be aread<strong>in</strong>g, a talk and discussion or a writ<strong>in</strong>g workshop. Poets<strong>in</strong> <strong>Schools</strong> is organised by the Poetry Society and funded byW H Smith and Sons Ltd. Not only is this more specialised,it also provides for longer contact between the artist and thegroup. <strong>The</strong> poet visits the school three times, work<strong>in</strong>g eachtime for a whole morn<strong>in</strong>g or afternoon with 20 or so childrenwho have shown particular <strong>in</strong>terest <strong>in</strong> the scheme. Dur<strong>in</strong>gthe first two visits he or she aims to stimulate the children'sown writ<strong>in</strong>g. After the second visit he or she makes a personalselection from the children's work to be <strong>in</strong>cluded <strong>in</strong> ananthology which is produced for the f<strong>in</strong>al visit. This is apublic event <strong>in</strong> the even<strong>in</strong>g for parents, friends and teachersand <strong>in</strong>cludes read<strong>in</strong>g of the pupils' and the poet's work. 2Writers on Tour is organised by the <strong>Arts</strong> Council <strong>in</strong> conjunctionwith regional arts associations and local educationauthorities. It provides for groups of four writers at a time tovisit the same area, to give public read<strong>in</strong>gs <strong>in</strong> the even<strong>in</strong>g andto visit local schools dur<strong>in</strong>g the day. <strong>The</strong> general aim is to112

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