The Arts in Schools - Calouste Gulbenkian Foundation
The Arts in Schools - Calouste Gulbenkian Foundation The Arts in Schools - Calouste Gulbenkian Foundation
the last decade by the development of community arts andby a growing acceptance of cultural pluralism. Even so, thereis a long way to go and much depends upon the schools. Forthem the implications extend not only to a reconsiderationof the balance of the curriculum but also to examinationsyllabuses, the training of teachers and examiners, the needfor greater liaison between regional arts associations andlocal education authorities, and to a recognition that providingfor the special needs of the arts of racial minoritiesliving in Britain, and the arts of other cultures, can not be atemporary commitment. It will have a profound and continuingeffect upon our education system as the most farreachingmeans of underpinning the foundations of a societywhich has become, in the course of a single generation, bothmulti-racial and multi-cultural. This does not mean, ofcourse, that all schools must teach all children about allcultures. It means rather that we must recognise — in theterms which we discussed in Chapter 3 — that all teachingtakes place in a cultural context and that this must be takeninto account by the school.177 Respond- With Section 10 of the 1976 Education Act on the statuteing to the book, the Warnock Report concluded that the spirit ofchallenge integration implied by Section 10 is 'a challenge to theeducation system as a whole'. We believe that this 'challenge'applies directly to helping the special needs which we havediscussed. To meet this challenge we define eight responses:a there should be a source of expert advice within eachauthority through advisers and/or counsellors, withmore trained counsellors at local level free enough toattend to individual requirements in each area of needb there should be more in-service training of teachers inhow to identify and assist the talented, the disabled andthe racial minorities, and to acquire appropriate attitudesand orientatione the arts of other cultures should inform arts teaching ateach level of educationd there should be short courses to assist administrators toan understanding of these special problems and theirsolutionse there should be similar help for parents, seeking especiallyto bridge the gap between school and homewhich often developsf where a career in one of the arts is indicated (andartistic talent can reside in the disabled as well as theable-bodied of whatever race) careers teachers should befamiliar with arts training opportunities as well as the109
implications of different types of abilityg more attention should be given during teacher trainingto problems of this natureh we consider the value of the arts to be underestimatedin hospitals, prisons, and other institutions receivingyoung people for particular periods of time. The roleand possibilities of the arts in these situations should bereassessed in light of experience reported by organisationssuch as Shape178 A special The Warnock Report and the recent surveys of primary andproblem secondary schools by the Inspectorate all point out thatteachers' expectations of their pupils are too low. Thisincreases possibilities that potential will be overlooked ornot encouraged at both ends of the spectrum of specialneed. We think, though, that within the generality of specialneed in the arts there is one group particularly at risk. This isthe economically disadvantaged child of whatever race. Itseems to us reasonable to assume that there are proportionatelyas many gifted and talented children from low incomefamilies as from more wealthy families. There are certainlyas many disabled children, possibly more. What poorerchildren lack is the educational opportunity, environmentand family advantages of the better off. The economicallydisadvantaged talented or disabled are an acute and specialproblem requiring, perhaps, an element of priority treatment.179 Summary In this chapter we have considered areas of special needwithin the general provision for the arts in schools. We haveidentified four such areas and commented on each of them.We have looked at arguments for and against making specialprovision for gifted children and have concluded that it ismerited. We specified what this might mean in terms of theschools and local education authorities. Against this backgroundwe discussed the additional needs of the disabled.The uses of the arts in remedial teaching and in therapywere also recognised and endorsed. In these respects weacknowledged the difficulties in sustaining discrete categoriesof special need and gave an example of the generalvalue of the arts in raising children's self-esteem. We turnedthen to the arts of racial minorities and argued for particularattention to be given to these in the general cultural settingof the curriculum and of the school as a whole. We haveconcluded by pointing to the aggravation of all of theseissues by economic hardship and have recommended anelement of priority attention to certain aspects of this in thearts in schools.110
- Page 75 and 76: techniques and resources for workin
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- Page 163 and 164: AppendixOur arguments in this repor
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implications of different types of abilityg more attention should be given dur<strong>in</strong>g teacher tra<strong>in</strong><strong>in</strong>gto problems of this natureh we consider the value of the arts to be underestimated<strong>in</strong> hospitals, prisons, and other <strong>in</strong>stitutions receiv<strong>in</strong>gyoung people for particular periods of time. <strong>The</strong> roleand possibilities of the arts <strong>in</strong> these situations should bereassessed <strong>in</strong> light of experience reported by organisationssuch as Shape178 A special <strong>The</strong> Warnock Report and the recent surveys of primary andproblem secondary schools by the Inspectorate all po<strong>in</strong>t out thatteachers' expectations of their pupils are too low. This<strong>in</strong>creases possibilities that potential will be overlooked ornot encouraged at both ends of the spectrum of specialneed. We th<strong>in</strong>k, though, that with<strong>in</strong> the generality of specialneed <strong>in</strong> the arts there is one group particularly at risk. This isthe economically disadvantaged child of whatever race. Itseems to us reasonable to assume that there are proportionatelyas many gifted and talented children from low <strong>in</strong>comefamilies as from more wealthy families. <strong>The</strong>re are certa<strong>in</strong>lyas many disabled children, possibly more. What poorerchildren lack is the educational opportunity, environmentand family advantages of the better off. <strong>The</strong> economicallydisadvantaged talented or disabled are an acute and specialproblem requir<strong>in</strong>g, perhaps, an element of priority treatment.179 Summary In this chapter we have considered areas of special needwith<strong>in</strong> the general provision for the arts <strong>in</strong> schools. We haveidentified four such areas and commented on each of them.We have looked at arguments for and aga<strong>in</strong>st mak<strong>in</strong>g specialprovision for gifted children and have concluded that it ismerited. We specified what this might mean <strong>in</strong> terms of theschools and local education authorities. Aga<strong>in</strong>st this backgroundwe discussed the additional needs of the disabled.<strong>The</strong> uses of the arts <strong>in</strong> remedial teach<strong>in</strong>g and <strong>in</strong> therapywere also recognised and endorsed. In these respects weacknowledged the difficulties <strong>in</strong> susta<strong>in</strong><strong>in</strong>g discrete categoriesof special need and gave an example of the generalvalue of the arts <strong>in</strong> rais<strong>in</strong>g children's self-esteem. We turnedthen to the arts of racial m<strong>in</strong>orities and argued for particularattention to be given to these <strong>in</strong> the general cultural sett<strong>in</strong>gof the curriculum and of the school as a whole. We haveconcluded by po<strong>in</strong>t<strong>in</strong>g to the aggravation of all of theseissues by economic hardship and have recommended anelement of priority attention to certa<strong>in</strong> aspects of this <strong>in</strong> thearts <strong>in</strong> schools.110