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The Arts in Schools - Calouste Gulbenkian Foundation

The Arts in Schools - Calouste Gulbenkian Foundation

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ible to some form of appropriate assessment. 2Resolv<strong>in</strong>g the problems of assess<strong>in</strong>g and exam<strong>in</strong><strong>in</strong>g the artshowever might assist <strong>in</strong> other areas of the curriculum, <strong>in</strong> twoways. First, the need for some k<strong>in</strong>d of non-competitivesummative assessment for all children is not unique to thearts. Forms of assessment which take account of the specialcharacteristics of the arts might provide stimulat<strong>in</strong>g alternativemodels for others to follow. Second, the need to agreeon criteria for achievement and assessment <strong>in</strong> the arts presentsreal problems of clarity and def<strong>in</strong>ition whose resolution couldbe of value to the curriculum debate as a whole.151 Look<strong>in</strong>g Assessment and evaluation should be seen as a normal partahead of daily practice <strong>in</strong> schools and should provide the meansfor teachers to contribute positively to the formulation andreformulation of the school's general curriculum policy andthe place of their own work with<strong>in</strong> it. <strong>The</strong>re is still far togo along this path. We see two areas <strong>in</strong> particular need ofattention: first, the transfer of <strong>in</strong>formation between primaryand secondary and tertiary education, and second, the tra<strong>in</strong><strong>in</strong>gof teachers <strong>in</strong> the techniques and processes of evaluation andassessment.152 From Primary schools are not under the same exam<strong>in</strong>ation pressuresprimary to as secondary schools. This does not reduce the need for thesecondary k<strong>in</strong>ds of assessment and evaluation which we have described.Primary teachers need to make <strong>in</strong>formed judgements aboutthe progress and atta<strong>in</strong>ment of their pupils and about theappropriateness and effectiveness of their own teach<strong>in</strong>gstyles and materials.We have urged the use of the arts from the earliest ages sothat by the time they leave primary school children willhave a firm ground<strong>in</strong>g and sense of confidence <strong>in</strong> these formsof activity. Too often the only <strong>in</strong>formation which passesbetween the primary and secondary school is conta<strong>in</strong>ed <strong>in</strong>a short record which deals pr<strong>in</strong>cipally with mathematics,writ<strong>in</strong>g and read<strong>in</strong>g. If secondary schools do not know ofchildren's broader experiences and achievements <strong>in</strong> theprimary school, they can take no account of them. <strong>The</strong>advantage of susta<strong>in</strong>ed arts work <strong>in</strong> the primary school isthen lost. For these reasons, one head teacher <strong>in</strong> Kent hasmade a practice of <strong>in</strong>clud<strong>in</strong>g an extra sheet of general comment<strong>in</strong> the pupils' record cards so that <strong>in</strong>formation aboutmore general developments and <strong>in</strong>terests is at least availableto secondary schools. He considers that this is essential toensure some measure of cont<strong>in</strong>uity <strong>in</strong> the children's education.So do we.92

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