CARTOON BY: OHANNES ÄAÄKAL [TURKEY] - Yeni Akrep
CARTOON BY: OHANNES ÄAÄKAL [TURKEY] - Yeni Akrep
CARTOON BY: OHANNES ÄAÄKAL [TURKEY] - Yeni Akrep
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ULUSLARARASI KARÝKATÜR VE MÝZAH DERGÝSÝ (AÐUSTOS 2012) YIL: 10 SAYI: 111<strong>CARTOON</strong> <strong>BY</strong>: <strong>OHANNES</strong> ÞAÞKAL [<strong>TURKEY</strong>]
(YENÝ AKREP) SAYFA - PAGE: 2 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111Hello!..I am sending to you Similarites in the Worl Cartoon art in youre - mail address... Best Regards!..Resad SultanovicKladanj, Bosnia-Herzegovina (Europe)RESAD SULTANOVIC (BOSNIA - HERCEGOVINA)International Saitama Cartoon Exhibition 2007"The Best Cartoons of Nippon" Album [Saitama - Nippon]OTTO LOTHAR [GERMANY]"First Award"40th World Gallery of Cartoons 2012 Album[Skopje - Macedonia]HUSEYIN CAKMAKn Bu sayfada yayýnlayacaðýmýz karikatürler, DünyaKarikatür Sanatý'ndaki benzer karikatürlerdenoluþacaktýr... Benzer karikatürleri yayýnlamamýzdakiamaç herhangi bir tartýþma ortamý veya suçlamayaratmak amacýný taþýmamaktadýr; sadece ve sadeceDünya Karikatür Sanatý'ndaki benzerlikleri-ilginçlikleriortaya çýkartmak ve tekrarlanmasýný önlemektir...n The cartoons we are going to publish in thispage are those examples from the World Cartoon Artwhich are similar to each other... By doing this, wedo not have any aim of creating an atmosphere ofdiscussion or accusing anyone... We aim only andonly at showing the similarities in the World CartoonArt and preventing their repeat...http://sinirsizkarikatur.blogspot.com/Turgut Çeviker - http://turgutceviker.blogspot.com
(YENÝ AKREP) SAYFA - PAGE: 3 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111KARiKATÜR VE MÝZAH ÜZERÝNE YAZILAR-ANILAR-NOTLAR-ANEKTODLAR-AKTARMALAR-ALINTILARBEDRÝ KORAMAN "SONSERGÝSÝNÝ" HÜZÜNLE AÇTIBedri Koraman: "Artýk böylekarikatür çizenler olmayacak, olsada basýnda yer bulamayacaklar!"Karikatürcü Bedri Koraman,Hollanda'daki son sergisinden tam 10yýl sonra Bodrum'da karikatür sergisiaçtý.Serginin en önemli özelliði, BedriKoraman'ýn bu sergiyi "Son Sergi"olarak nitelemesi.Basýnýn artýk eskisi gibi olmadýðýnýbelirten Bedri Koraman, artýk eskisigibi basýnda böyle karikatürleringörülemeyeceðini çünkü basýnýnbaský altýna alýndýðýný,alýnamayanlarýn ise satýn alýndýðýnýbelirtti."BÖYLE ÇÝZENLER OLMAYACAK"Bedri Koraman sözlerini þöylesürdürdü; "Bundan sonra Türkiye'dehiç bir zaman böyle karikatürleryayýnlanmayacak. Ne böyle çizen veboyayan insanlar olacak ne de bunlarýbasacak yayýn organý. Dolayýsýyla buson!.. Ülkemiz, Cumhuriyet veAtatürkçülük'e reaksiyon duyan biriktidarýn elinde. Aðýr kaçacak belkiama 'pençesinde' bile diyebilirim.""BASIN HIRPALANDI,BASKI ALTINA ALINDI"Bir dönem iktidar olmuþ siyasikiþiliklerden Turgut Özal, MesutYýlmaz, Tansu Çiller, NecmettinErbakan ve Bülent Ecevit'inkarikatürlerini çizip yayýnlayabilenBedri Koraman; basýnýnhýrpalandýðýný, baský altýna alýndýðýný,baský altýna alýnamayanlarýn satýnalýndýðýný ve hatta satýnalýnamayanlarýn ilan baskýsý ya dadiðer baskýlarla ürkütüldüðünüsöyledi."BASINDAN DIÞLANDIM!"Karikatürcülerimizin çok yetenekliolduðuna da deðinen Koraman, "Butarz çalýþanlar olsa bile, basýnda yerbulabileceklerini zannetmiyorum."dedi ve sözlerini þöyle sürdürdü; "Birikiyayýn organý halen direnmekte.Ama onlar dahi bu karikatürleribasmaya hevesli görünmedilerbugüne kadar. Ben de kapý kapýdolaþacak adam deðilim. Kimse debenim kapýmý çalmadý. Zaten buyaþtan sonra da hevesli de deðilimartýk.Bir dönemin yýldýzý, en çok bilinen,en çok sevilen hatta tiraj unsuruolarak peþinden koþulan ben, basýndünyasýndan dýþlanmýþbulunmaktayým" dedi.Karikatürlerini, yaþadýðýBodrum'da sergileyen sanatçýnýnsergisi 21 Temmuz 2012 tarihinekadar açýk kaldý.[cartooncolors.blogspot.com]
(YENÝ AKREP) SAYFA - PAGE: 4 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111MEKTUP-LETTER-MEKTUP-LETTER-MEKTUP-LETTER-Dear Colleague Huseyin Cakmak: I send you a new infofor your magazine. Thank you very much for the publish,and Greetings...Freddy Pibaque. (14.12.2011)FREDDY PIBAQUETWO CASES: WORLD PRESS<strong>CARTOON</strong> AND PARAGUACU<strong>CARTOON</strong> SALOONOn 2007 (4 years ago) I won the second prize in the worldpress cartoon, Sintra, Portugal, and even today theorganization has not paid me my prize.They have not sent me the catalog that also wpc promisein his rules for those selected. And nor has sent me thepromised trophy.When I claim that he paid, Mr. antunes, from wpc, writesto colleagues saying he paid a lot of euros in his contest,etc, etc. (Which no one is wondering), but he do not say whyhe did not pay the 2500 euros of my award, which is what Iam claiming.He says he paid, but never shows the copy of bankdeposit. The last time he sent me a copy of a deposit thatwas rejected by Citibank. Therefore, he did not make suchpayment and I do not received my money. (In his messageclearly stated that the Cibitank rejected hisdeposit (*).But there is more evidence of a lack of seriousness of Mr.antunes and World Press Cartoon: As I could not travel toreceive my prize, told me in a message that he woulddiscount the value of the flight. But this is illegal because itis not in the rules of the competition. And it's dishonest,because the value of travel tickets for winners not pay wpc,but are courtesy of TAP (portuguese airlines) sponsoring ofthe event.They also told me that of my prize money he will deductthe cost of shipping the trophy and of the event catalog. Butthis is not in the regulations. And besides, all wpc shipmentsare paid by the company TNT, one of the many corporatesponsors. (But Mr. Antunez never answers these questions).To complete your lack of seriousness, Mr. Antunesthreatened me with criminal charges for making public thealleged fraud that I am a victim. The bird pulling a gun!.OTHER CASE: I recently received a message from MrTawan Chuntra, he said that the PARAGUACU HUMOURSALOON, from Brazil, had not paid their prize.But then Paraguaçu organizers sent a copy of bankdeposit, which is very easy to do. And that showed they werea serious cartoon contest, which pay the awards.Unfortunately, Mr. Antunes, from world press cartoon, cannot do the same, because he can not send a copy of a depositthat never did.But (ALERT!) he is again calling the naive cartoonists tosubmit cartoons.It is my duty to warn all colleagues: World Press CartoonIS BLACKLISTED. NOT PAID ME MY PRIZE FROM THREEYEARS AGO. Never returns the original drawings, aspromised in its rules. But wpc sell the original artworks. Howthe artists can know if your cartoons were sold?. WpC evendo not the event catalog do not sent me.With best regards,NOTE: (*) I keep copies of all messages received fromWPC. Attached is a copy of the deposit paid to winnercartoonist in the International Humour Saloon of Paraguacu,Brazil, aserious event.www.osten.com.mk
(YENÝ AKREP) SAYFA - PAGE: 5 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111ÝZMÝR'DEN KARÝKATÜRLÜ HABERLERMUSTAFA YILDIZn BASIN ÖZGÜRLÜÐÜ KARÝKATÜR SERGÝSÝ AÇILDIÝzmir Gazeteciler Cemiyeti, "24 Temmuz GazetecilerGünü" ve "Sansüre Direniþin 104. Yýlý"nda, "TutukluGazeteciler ve Basýn Özgürlüðü" konulu karikatür sergisiaçýldý.Ýzmir ve Türkiye'nin deðiþik illerinden 41 karikatürcünün68 eseri ile katýldýðý sergi, basýn özgürlüðü konusunda çarpýcýmesajlar içeriyor. Ýzmir 1. Kordon'da açýk havada oluþturulansergi 15 gün açýk kaldý.Ýzmir Gazeteciler Cemiyeti Baþkaný Atilla Sertel ve ÝGCYönetim Kurulu'nun ev sahipliðinde gerçekleþtirilen sergininaçýlýþýnda konuþan Türkiye Gazeteciler Federasyonu GenelBaþkaný ve Ýzmir Gazeteciler Cemiyeti Baþkaný Atilla Sertel,"24 Temmuz sansürün kaldýrýlýþýnýn yýldönümünde açtýðýmýzsergi, basýnýn içinde bulunduðu durumu anlatan, özgür basýnözlemiyle çizilen ve günümüz Türkiye'sine ýþýk tutankarikatürlerden oluþuyor. Yurt içi ve yurtdýþýndan çok deðerliçizer arkadaþlarýmýzýn katký koyduðu bu sergiyi gezenlerbasýn ve ifade özgürlüðü konusunda yüzlerce sayfa yazýokumuþ kadar olacaktýr. Tüm Ýzmirliler'i sergiyi görmeyedavet ediyorum" diye konuþtu.Baþkan Sertel, sergide yer alan 68 karikatürün 28 Temmuz2012 tarihinde yayýn hayatýna Baþlayacak olan "9 EylülGazetesi"nde de her gün yayýnlanacaðýný belirtti. Sertel'inkonuþmasýnýn ardýndan katýlýmcýlar hep birlikte sergiyigezdiler.n GÜZELBAHÇE KARÝKATÜR YARIÞMASIÖDÜLLERÝ VERÝLDÝGüzelbahçe Belediyesi 1. Ulusal "Balýk ve Balýkçýlýk"Karikatür Yarýþmasý'nýn ödül töreni gerçekleþtirildi.Güzelbahçe 2. Denizcilik Festivali kapsamýndagerçekleþen ödül töreni renkli görüntülere sahne oldu.Ödül törenine, Güzelbahçe Belediye Baþkaný MustafaÝnce, CHP Ýzmir Milletvekilleri Hülya Güven, Mustafa Moroðlu,Güzelbahçe Belediyesi Meclis Üyeleri ve yarýþmada ödülkazanan çizerler katýldý.Yarýþma karikatürlerinin sergilendiði þenlik 4 gün devametti.
(YENÝ AKREP) SAYFA - PAGE: 6 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111Güzelyurt BelediyesiTarafýndan Düzenlenen35. Portokal FestivaliÇerçevesinde..."KIBRIS TÜRKKARÝKATÜRÜ"SERGÝSÝGüzelyurt Belediyesi Tarafýndan, 22 Haziran - 8 Temmuz2012 tarihleri arasýnda, Güzelyurt Belediyesi Festival Alaný'ndagerçekleþtirilen 3. Geleneksel "Portokal Festivali" çerçevesinde,3 - 4 Temmuz 2012 tarihlerinde, 21 Kýbrýslý Türk karikatürcününeserlerinden oluþan karma karikatür sergisi açýldý...Karikatür sergisi kapsamýnda, Kýbrýs Türk KarikatürcülerDerneði üyelerinden M. Serhan gazioðlu, Mustafa Tozaký veSerkan Sürek, canlý portre karikatür çizim çalýþmasýgerçekleþtirdiler.Canlý portre karikatür çizim çalýþmasý nedeni ile, festivaliziyaret eden vatandaþlar karikatürlerini çizdirebilmek için sýrayagirdiler. Etkinliðin sonunda M. Serhan Gazioðlu, Mustafa Tozakýve Serkan Sürek’e aný plaketi takdim edildi.Çeþitli konularýn yer aldýðý ve toplam 63 karikatürünsergilendiði karma karikatür sergisinde ise, þu çizerlerin eserleriyer aldý: M. Serhan Gazioðlu, Musa Kayra, Hüseyin Çakmak,Alper Susuzlu, Mustafa C. Azizoðlu, Mehmet Ulubatlý, ZuhalDenizci, Mustafa Tozaký, Cemal Tunceri, Arif A. Albayrak, BertanSoyer, Mehmet Ýlkerli, Sevcan Çerkez, Erdinç Ýlkerli, ZaferTutkulu, Elif Atamaz Aþýcýoðlu, Ezcan Özsoy, Serkan Sürek,Dolgun Dalgýçoðlu, Devran Öztunç, Cengiz Beysoydan...
(YENÝ AKREP) SAYFA - PAGE: 7 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111INTERNATIONAL <strong>CARTOON</strong> WEB SITE: http://www.irancartoon.comHasan Bleibelhttp://www.cari-cature.com/http://www.saeedartoon.blogfa.comFARUK ÇAÐLACartoon Web Pagehttp://www.farukcagla.comHUMORGRAFE(<strong>CARTOON</strong>&HUMOR NEWS)www.humorgrafe.blogspot.comKarcomic Magazine Cartoon Lessonshttp://www.ismailkar.com/ders.htmhttp://artefacto.deartistas.com
(YENÝ AKREP) SAYFA - PAGE: 8 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111MEKTUP-LETTER-MEKTUP-LETTER-MEKTUP-LETTER-"MALÝ RAPOR" ÜYELEREKÜRSÜDEN OKUNARAK DEÐIL,DÖKÜMLER VERÝLEREKULAÞTIRILIR…COÞKUN GÖLEKarikatürcüler Derneði 38. Olaðan Genel Kurulu'nu,ihtisas alaným olan mali açýdan da deðerlendirmekgerektiðini düþünmekteyim....Bir genel kurulun temel amaçlarýndan biri derneðin malianlamda ödevlerini yerine getirip getirmediðinin ortayakonmasý, mali açýdan yonetim kurulunun ibra edilmesi/edilmemesi. Yani, yönetim kurulunu temize çýkarmak,yaptýklarýný onaylamak yada onaylamamaktýr.Bir apartmanýn genel kurulunda bile ibra iþlemi için"MALÝ RAPOR" üyelere kürsüden okunarak deðil, ellerinedökümler verilerek ve onlarýn incelemelerine, analizlerineolanak verecek þekilde ulaþtýrýlýr. Dernek yönetimi, derneküyelerinin bu iþlere "kafasý basmaz" mantýðýylayaklaþmýþtýr...Üyelere mali rapor sadece okunmuþtur. Üç dakika içindede ibra ettirmiþlerdir.Dökümler verilmeyince, oylama üç dakikaya sýðdýrýlýncacevapsýz sorular bir baþka bahara bile kalmamýþtir. Busorulardan sadece biri belki þöyle olabilirdi...Derneðin düzenlediði uluslararasý yarýþmalardadereceye girenlerin hepsi ödüllerini almýþ mýdýr?Ya da dereceye giren bazý çizerlere ödülleri,"karikatürünüzün benzeri çýktý" denilerek verilmeyip ýsrarlýtalep üzerine aylarca geciktirilmiþ midir?Eðer durum bu þekilde ise Türk Karikatürü'neuluslararasý düzeyde YAZIK edilmemiþ midir?Don Quichottehttp://www.donquichotte.org04 Aralýk 2011TÜRK KARÝKATÜRÜ BU ÞEKÝLDEMÝ ULUSLARARASI ALANDATANITILACAK?!…HÝCABÝ DEMÝRCÝSevgili Çizer dostlar,Karikatürcüler Derneði 38. Genel Kurulu'nda deðindiðimbir konuyu, genel kurula gelemeyen çizerler için tekrarele alýyorum.2011 yýlýnda düzenlenen Uluslararasý Nasreddin HocaKarikatür Yarýþmasý'nýn Jüri tanýtým broþürünün ilksayfasýnda yer alan logodan dolayý bu broþürün KoçGrubu'nun sponsorü ile çýkartýldýðýný anlýyoruz.Koç Grubu'nun Türk Karikatürü'ne hizmet verdiðinisanarak bu broþürün basýlmasýna katký saðladýðýný tahminediyoruz.Broþürün sadece yabancý çizerlere ayrýldýðýný görse yinede ayný þekilde düþünürler miydi bilemeyiz.Benim bildiðim herhangi bir yarýþmada bile juri olanherkesin eþit derecede tanýtýmýnýn yapýlmasý vekamuoyunu bilgilendirmesi gerektiðidir.Özellikle Türkiye'de yapýlan bir uluslararasý yarýþmadaTürk jurinin týrpanlanmasýný manidar bulmaktayým.Bu þekilde mi Türk Karikatürü uluslararasý alandatanýtýlacak?!Kendi ülkesinde kendi çizerinize sahip cýkmayacaksýnýzsonra Türk Karikatürü'nün ölüme mahkum edildiðindendem vuracaksýnýz.Soru iþaretlerini artýran bu durumu nasýl açýklayabiliriz?!Son ana kadar belli olmayan Türk jurisinin içindeuluslararasý alanda hiç bir baþarýsý olmayan ve bu yüzdenyabancý çizerlerin yanýna kendi çizimlerini koyamýyan amaher sene juri olabilmeye cesaret eden çizer(-lerin)varlýðýndan mýdýr yoksa bu durum?Son bir sorum da Türk jurisine:Broþüre yer almayacak kadar deðer verilmeyen Türkjurisi bu durumdan hiç mi rahatsýz deðil? Yoksa, hakettiðimizi yaþýyoruz diye düþünuyorlar?Bunun nedenlerini ve hesabýný sormadan tekrar juriolmaya niyetleri var mý?Bakýn yine çenemi tutamadým. Huyum kurusun. Yineavuçlarýmý yalýyacaðým.Oysa bütün bunlarý biraraya geldiðim çizerlerlededikodusunu yapar, dilimin þiþkinliðini indirir sonra inkarederdim.Ben adam olmam!..Don Quichottehttp://www.donquichotte.org10 Aralýk 2011
(YENÝ AKREP) SAYFA - PAGE: 9 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111HOMURDANANLARIN SENFONÝK HOMURTUSUwww.homur.blogspot.comPETARPISMESTROVIChttp://www.pismestrovic.comFOTOLOG.COMINT. <strong>CARTOON</strong> WEB PAGEhttp://www.fotolog.com/biradantasSEZER ODABAÞIOÐLU<strong>CARTOON</strong> WEB PAGEwww.sezerodabasioglu.comAZERBAIJAN <strong>CARTOON</strong>WEB PAGEwww.azercartoon.comFECO WEB PAGEFederation ofCartoonists Organizationhttp://www.fecocartoon.comAFRICAN <strong>CARTOON</strong>ISTSWEB PAGEwww.africancartoonist.com<strong>CARTOON</strong>NEWS CENTERwww.cartooncenter.netM. BONDAROWICZ(Cartoonist & Illustrator)www.bondarowiczart.republika.plhttp://www.licurici.eu
(YENÝ AKREP) SAYFA - PAGE: 10 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111SIMILARITIES OR PLAGIARISMINTERVIEW WITH JULIAN PENA-PAI [01]SASKIA GHEYSENS (*)Julian Pena - Pai is a we known Romanian cartoonist, with40 year - cartooning experience and 90 international prizesawarded in worldwide cartoon contests. We should mentionthe ECC - Kruishoutem first prize, in 1989. He a so participatedin over 20 international juries.He is a genuine professional, passionate about cartooningevolution in general and the history of ideas in cartooning inparticular. Pena - Pai is considered an artist with a trained eye,capable of finding similarities in cartoon art.- Which are in your opinion the elements that make agood cartoon?- A good cartoon lives first and foremost through its concept/idea and only secondly through its graphic "coat". The originalIDEA is the author's intelectual product and his pride. The wholeintelligence of a cartoonist is quantified in his idea, the copyrightis applied to the idea, not to the quality of the drawing.The idea is like a ROOT - a good root - which, after you have"planted", and you have drawn nicely, a good cartoon will comeout of it. The idea is accepted as original only when it belongsto the first author.If out of ignorance, human error memory or coincidence youtake over/borrow the "root" of another author, you will definitelynot create an original cartoon (based on your own inspirationand creativity). Instead, you will produce Similarity, similaritywhich can be the same as Plagiarism. This is the first lessonany cartoonist should learn.- How would you define these two words "Similarities"and "Plagiarism?"- I have just defined them, but I haven't finished the topic yet.We all know that similarity cannot be confused with originality,but there are similarities of ideas that can give rise to goodcartoons. The key to this issue can be found in the two conceptsthat I created: NEGATIVE similarity triggered by repetition, whenyou have taken the other's "root" or idea, you have NOT ADDEDany new element, any intellectual potential or message change.As a member of a jury, I would never award a prize to a cartoonin this category. In my opinion, this category is also a form ofplagiarism.POSITIVE similarity manifests itself by diference, i.e., whenyou have borrowed the "root" of someone else, but you haveADDED clear, visible elements of novelty and creativity. Thecartoons that belong to this category cannot be compared tothose that have an original value; however, some cartoons,judged in terms of the novelty they ADDED, can be awardedprizes in contests. Summing up, in cartooning there are only 3cartoon categories: -ORIGINAL cartoons (containing an originalidea); NEGATIVE similarities by repetition, or PLAGIARISM;POSITIVE similarities by difference. NEGATIVE similarities- You are we known as the godfather of the similaritiesin cartooning. How come you are so passionate aboutthis theme?- The Godfather of similarities is H. Cakmak, who had theidea of showing them, 15 years ago. I have only developed thisCWN<strong>CARTOON</strong> WORLD NEWShttp://www.rahimcartoon.comCartoonColorsCartoonColorsKARÝKATÜR, MÝZAH VE SANATA DAÝRhttp://cartooncolors.blogspot.com
(YENÝ AKREP) SAYFA - PAGE: 11 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111SIMILARITIES OR PLAGIARISMINTERVIEW WITH JULIAN PENA-PAI [02]idea making a history out of it. I consider that this art, cartooning,is in decline because of the over - reiteration of the old ideas orof plagiarism. The 1980 - 2000's ideas - the best cartooningage - are redrawn in a negative way, with no creativity ordiscernment. Albert Einstein once said: "The secret to creativityis knowing how to hide your sources".As a sincere researcher, honest and dispassionate, everyday I discover the sources of inspiration of the new currentcartoons in the old cartoon albums of the 80s or 90s. That iswhere the passion for my "HISTORY OF IDEA IN<strong>CARTOON</strong>ING" comes from.- What do you want to achieve with your actions?- I want to stop this decline, to contribute to cartooningdevelopment and to prevent the replication of ideas. Even if myaction is not a vendetta against any author, -I am just studyingideas and drawings - there are already some opponents whoseem to be irritated by my research.They do not manage to see "the forest" (my history) for "thetrees" (their similar drawings). But I will continue to show mycollection of similarities, as it is useful to many. I have a too richcollection and nothing can prevent me from showing it.NEGATIVE similarities- Do you think that cartoonists now are ess creative,innovative than f.e. 20, 30 years ago? Why?- Because creativity is on the verge of extinction. Everythingfrom the past is being duplicated. Cartooning is not like fashion,where trends come and go after a number of years 'cycle. Onthe other hand, getting back to the ideas of the 80s or 90s hasalso a moral and ethical aspect.How can a cartoon of today be awarded a prize if it is basedon an obsolete idea. Have you thought of the first author'sfeelings when he sees his idea getting a prize, but this award isnot for him but for someone else?Since you are not a cartoonist you will never understand.Life shows us that you may be awarded undeservedly, as it ismuch easier to "borrow" than to strain your own mind. Pastisha,"coincidence" and theft have become a bad habit.ANE VASILEVSKI (MACEDONIA)XI. Int. "Simavi" Cartoon Contest Album (Turkiye) 1993- Can it be inked to communication technology, thatwe have more access to cartoons from a over the world,VLADIMIR STANKOVSKI (SERBIA)International UMO Cartoon Contest 2010www.usabilitymatters.org (27.02.2011)TRAYKO POPOV (BULGARIA)International UMO Cartoon Contest 2010 - Indiahttp://www.usabilitymatters.org (27.02.2011)
(YENÝ AKREP) SAYFA - PAGE: 12 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111SIMILARITIES OR PLAGIARISMINTERVIEW WITH JULIAN PENA-PAI [03]DARKO DRLJEVIC (SERBIA-MONTENEGRO)"<strong>Yeni</strong> <strong>Akrep</strong>" International Digital Cartoon and Humour Magazine,Issue: 24, July 2004-Cyprus.and that 'similarities' are more visib e today than before?- Similarities were visibile before, too, but there was nobodyto research and to display them. There is now. And I am notalone, I have a lot of collaborators and supporters.- I'm convinced that no serious cartoon organizationdoes accept plagiarism, and that prizes were withdrawnimmediately in the past when plagiarism did took place.The story about 'Similarities'is something more compicated. Isn't it often a coincidence?- I'm afraid you are wrong, organizations implicitly acceptplagiarism out of ignorance. There are more and more types ofplagiarism which are awarded prizes. The "Similarities" issueis complex, but I have simplified it.NEGATIVE similaritiy by repetition (plagiarism) andPOSITIVE similarity by difference are 2 concepts that will makea career in cartooning, since they reflect the present day reality.The similarity by coincidence can be seldom demostrated, theargument being just an "escape" excuse. I would rather believein human error memory, i.e., once you saw the idea somewhere,but you have forgotten it and by mistake you reiterate it. I cantell you from my experience that I don't believe in merecoincidences.- Isn't it possible that your work has a reversed effect?That it will not stimulate cartoonists to be more creative,but that it will stop a creativity because cartoonistsbecome afraid of having the same idea and that they quit?IVAN SARIC (CROATIA)12 International "Zagreb" Cartoon Exhibition Albume,2007-Croatia.I know that some cartoonists think of stopping cartooningbecause of that.- This demonstrates that I am right. It shows that somecartoonists' inspiration and creativity were based on othercartoonists' ideas. Or that they are not confident about theirabilities to continue. So we cannot sweep the old ideas underthe carpet and pretend they don't exist.- Also jury members are having doubts to participatein juries, even those who know the cartoon world verywe and observe all resuts. They seem to be afraid thatthe winner they choose will be 'similar' to another one,somewhere in a catalogue that they missed.- Oh, no... I don't believe that. You, organizers, not jurymembers, you are the ones that have all these fears lest youshould compromise the Salon by awarding undeserved prizes.- Isn't there any risk that in that way, only a few 'perfect'jury members will remain in a cartoon contests andwe'miss some diversity and'a fresh ook'of non traditionaljury members? What is your idea of a good jury?- What do you mean by... 'a fresh look' Only a nonprofessionalcan have a 'fresh look'. Do you think that the Mayor or sponsorcan decide on the prizes? Only the cartoonists in the jury havethis right and they are responsible for their choices.A good jury should be composed of highly experiencedprofessionals, people who have seen a lot of drawings in their
(YENÝ AKREP) SAYFA - PAGE: 13 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111SIMILARITIES OR PLAGIARISMINTERVIEW WITH JULIAN PENA-PAI [04]lives. Not a jury made up of some caricaTOURISTS, (the jokeisn't mine). In my opinion, Aydin Dogan Cartoon Contest jurywill tell the "right time" in cartooning in the future, too. Just likeGreenwich.- What do you like to give as advice to cartoonists aover the world and especially to young, startingcartoonists?created the wheel, while the modern man - taking the conceptover - created the COGwheel. By analogy, I would like thecartoonists to do the same. If they are not capable of creatingoriginal cartoons, at least they should get the old ideas to ahigher level.- Do you like to add something I might have forgottento ask?- I have a piece of advice only for the young cartoonists. Ifsomone wants to become a writer, he reads Tolstoy or Balzacbefore starting to write.The young ones who would like to become cartoonists shouldstudy first the works of the old cartoonists, because they canlearn a lot from them. During my 40 year cartooning experienceI have collected an impressive archive for them, posted on http://bestcartoons.smugmug.com/- What is your personal dream about cartooning foryourse f and cartoon art in general?- I have already fulfilled my dreams related to my artisticcareer, but as far as cartooning is concerned, I wish it a betterfuture, based on innovation and creativity. The prehistorical man- I want to conclude by saying that there isn't any singlecartoonist that can assert that his work is similarity - free. I have10 similarities in a 300 Salon cartoon portfolio. One of mycolleagues has 60 similarities in 300 cartoons, too. And a goodartist, awarded by you, has 15 similarities per 50 cartoons inhis portfolio.Please, ponder over this proportion, number of similaritiesper portfolio, and you will understand much more aboutinspiration, imagination and creativity. The key to characterizing/describing a cartoonist can be found in this relationship.- Dear Julian, thank you very much.(*) European Cartoon CenterKruishoutem - BelgiumERCAN AKYOL (<strong>TURKEY</strong>)Int. "Knokke-Heist" Cartoon Festival Albume, 1987-BelgiumKURD MOHAMMAD KAMÝL (PAKISTAN)Int. "Simavi" Cartoon Competition Albume, 1989-TurkeyOÐUZ GÜREL (<strong>TURKEY</strong>)<strong>Yeni</strong> <strong>Akrep</strong> International Digital Cartoon and Humor Magazine,No: 26 , 2004, Page: 9, Nicosia-CyprusMARINA TUROVSKAYA (UKRAINA)12.08.2007, Cartoonists Rights Web Page (http://cartoonistrights.com/home/)
(YENÝ AKREP) SAYFA - PAGE: 15 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111M. Serhan Gazioðlu'nun Ýlk Kiþisel Karikatür Sergisi Maðusa'da Açýldý..."ÇÝZGÝ TADINDA MAÐUSA" [1955 - 2012]Sekreteri'dir...M. SERHAN GAZÝOÐLU'NUNSERGI AÇILIÞINDA YAPTIÐIKONUÞMA…"Yirminci yüzyýlýn ortasýnda, 12 Mart1950'de, Maðusa Suriçi, TabakhaneMahallesi'ndeki kendi evimizdedoðmuþum. Annem, kýzlýk adýyla, BeraatSalahi Mansur; babam ise, Ziraat Dairesieski memurlarýndan Hüseyin Nevzat'dýr.Babam, Vuda doðumlu olmasýna karþýn,görevi nedeni ile, daha bekarlýkyýllarýndan itibaren Maðusa'ya yerleþmiþve 1957 yýlýna dek sürekli olarak buradayaþamýþtýr. Eski Maðusalýlar onu iyihatýrlarlar.Çocukluðumun ilk yýllarý, 1957 yýlýnakadari, Maðusa'da geçti. Maðusalý TürkRum insanlar, tarihi doku, 'delik' denizideveler, sandallar, vapurlar, tayfalar,hammallar, liman, balýklar, sinekler,cümbez, tankerlerle sulanan ÇarþýMeydaný, mezdekili sýcak çörekler,Bandabuliya kokulu sayýlý etkinlikler, ogünlerin dokusunun beynimdeki temelmotifleridir. Özellikle VenedikEgemenliði'nin sembolü olan "Lion of St.Mark" ile Ýngiliz Koloni Dönemi'nde "AsarýAtika" yapýlarýn üzerine çakýlmýþ ArslanYürekli Richard'ýn amblemi (Kor'de Lion)çift arslanlý bronz armalar ve Kýbrýs TrenTarihi'nden geriye kalmýþ 1 no'lulokomotif, Maðusa ile bütünleþmiþ asýltutkularým olmuþlardýr.Babamýn tayini nedeni ile, 1957yýlýndan itibaren Lefkoþa'da yaþamayabaþladýk ve artýk hep orda kaldýk. Ancak,ailemizin birçok ferdi Maðusa'da kaldýklarýiçin, uzun sure, 15 günde bir, hafta sonlarý,Maðusa'ya gelmeyi sürdürdük. Buziyaretler daha az sýklýkta olsa da, yýllarcave 10 yýl öncesine kadar sürdü.1960 yýlýnda, Gazi Ýlkokulu'na bir yýldevam ettim. O dönemdeki okulmüdürümüz Galatyalý Ýsmet Veziroðlu,sýnýf öðretmenimiz ise MinareliköylüEmine Mazhar'dý. Çarpýþmalarýn 1963'debaþlamasý ile, 1968 yýlýna kadar,Maðusa'ya gelemedik. O yýllarda MaðusaSuriçi hep rüyalarýmdaydý ve burüyalarýmda daha once hiç görmediðimyeni Maðusa dehlizlerini keþfediyordum.Ýlk ve Orta eðitimin ardýndan, YüksekÖðrenim için, 1969 yýlýnda, Ýstanbul'agittim. Ada'ya kesin dönüþüm 1975 yýlýnadenk gelir; yani savaþ sonrasýna.Çocukluðumun Maðusa'sýnýndokusunda Rum komþular, Rumca sesler,Eczacý Andrea, Ay. Xerinos Kilisesi,Papaz ve babagyasý ve yaþadýklarý evleri.Ayný kilisede yapýlan tören, panayýrlarvede "Muaggap" yani Mogabgab var. Birde, evleri ziyaret eden ve ellerindekitanýtýcý dini kitaplarý daðýtan,yanýlmýyorsam Katolik Hristiyanmisyonerleri anýmsýyorum.1950'li yýllarýn ikinci yarýsýndan itibaren,toplumlarýn ayrýþtýrýlmasý politikalarýsonucu, yerli Rumlarýn Suriçi'ndengitmesiyle Tarihi Maðusa'dan bazýrenklerin, seslerin ve tatlarýn bütününüoluþturan bir kültürün de birlikte gittiðinien iyi, uzun yýllar birlikte yaþamýþ olanMaðusalýlar mutlaka hatýrlarlar.Çarþý Meydaný'nda Necetaðabeyimizin kitap - kýrtasiye dükkaný ilePembe hanýmlarýn konaðý karþýsýndakitaþ basamaklardan çýkýlan Türk GücüKulübü'nün emektar büfecisi, anneminteyze oðlu rahmetli Hasan NihatFenercioðluydu ve okuma yazmayameraklý birisiydi. Kulübe gelen dergi vegazeteleri görevi gereði biriktirirdi.1950'li yýllarda çok popüler olan veTürkiye'de yayýnlanan mizah dergisiAkbaba'yý, Hasan dayýmýn avantajý ilekeþfettim. Babam ile ya da yeðenlerimlekulübe gittiðim zamanlarda, dayýmýnýsmarladýðý Süper Kola, Gül Suyu, yadaAyran'ý yudumlarken, bir yandan daAkbaba'larýn sayfalarýný karýþtýrýpkarikatürleri inceliyordum. Tabii, çoðukarikatürün verdiði mesajýalgýlayamýyordum. Ancak, özellikle veöncelikle, karikatürist Cafer Zorlu'nunçizgileri beni çok etkiliyordu. Cafer Zorluyanýnda Zeki Beyner'i, Mim Uykusuz'u,Semih Balcýoðlu'nu, Nehar Tüblek'i,Ferruh Doðan'ý, Necmi Rýza Ayça'yý,Mýstýk'ý, Burhan'ý, Turhan Selçuk'u, SadiDinçað'ý, Tetsu'yu, Kiraz'ý ve dahalarýnýyýllar sonra bu sayede çizgileriyle biliroldum.Ýstanbul'daki öðrenciliðimin son
(YENÝ AKREP) SAYFA - PAGE: 16 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111M. Serhan Gazioðlu'nun Ýlk Kiþisel Karikatür Sergisi Maðusa'da Açýldý..."ÇÝZGÝ TADINDA MAÐUSA" [1955 - 2012]döneminde, bir yarýþma dolayýsý ile,çizdiðim bir karikatürüm Akbaba mizahdergisinde yayýnlandý. Yine aynýdönemlerde, Kýbrýs Öðrenci Derneðiaracýlýðý ile çizdiðim bazý siyasikarikatürlerim Halkýn Sesi gazetesindeyayýnlanmýþtý.1975 yýlýnda, Kýbrýs'a döndükten sonra,<strong>Yeni</strong> Düzen, Yurtsever Kýbrýslý, BirleþikKýbrýs, Haberdar gibi gazetelerdekarikatürler çizdim. Haftalýk olarakyayýmlanan <strong>Yeni</strong> Çað gazetesine,gazetenin yayýn hayatýna baþladýðý ilksayýdan itibaren çiziyorum. Son birkaçyýldýr Afrika gazetesi için de günlükkarikatürler çiziyorum.Geçenlerde, tesadüfen tanýþtýðýmMASDER Yönetim Kurulu üyesi sayýnZafer Usman, MASDER binasýnýn açýlýþýiçin karikatür sergisi açmamý önerdiðindeoldukça heyecanlandýðýmý belirtmekisterim. Nedenine gelince: Belleðimdehep var olan, benim için çok deðerliMaðusa anýlarýmý bir þekilde eski ve yenijenerasyon Maðusalýlarla paylaþmaolanaðý bulacaktým; hem de Maðusa'davede o zamanlar Deniz ve Kara Ýzcileri'ninmerkezi olan ve benim de boru ve trampetsesleri arasýnda izci elbiselerimi giydiðimtarihi binada.Teklifin yapýldýðý günün akþamýnda,kaðýda - kaleme sarýldým. Sizlere,karikatür çizgisi tadýnda benim Maðusamýve Maðusalýlarýmý, ilk anda aklýmagelenlerle sunmaya çalýþtým. Çizilenler,gözlemlediklerim, anýmsadýklarým,okuduklarým, duyduklarým vehissettiklerimden oluþuyor. Bu çalýþmayýgerçekleþtirirken, akan zamanýn götürüpgetirdikleriyle, anýlarýmdaki insanlarlayaþadýklarý mekanlarýn birbirlerini nasýl datamamladýklarýný biraz da hüzünle veürpererek hissettim. Öte yandan, neþekilde olursa olsun kayýt altýna alýnmýþyaþanmýþlýklarýn, akan zamana karþý birkentin belleðinin oluþturulmasýndakiönemini bir defa daha düþünme fýrsatýbuldum.Halen Lefkoþa'da oturuyorum. EþimEmine, üç çocuðum, toruncuðum,karikatürlerim ve balýkçýlýk hobimle mutlubir emeklilik yaþýyorum. Bana, anýlarýmýnMaðusasý'nda sergi açma olanaðý verenbaþta MASDER Yönetim Kurulu Üyeleriolmak üzere, ilgili herkese sonsuzteþekkür eder saygýlarýmý sunarým."http://www.afghancartoon.org/
(YENÝ AKREP) SAYFA - PAGE: 17 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111www.pavlidiscartoons.comhttp://www.tabrizcartoons.comhttp://karadenizmizah.blogspot.com/>>>>>>>Marilena Nardi Web Page
(YENÝ AKREP) SAYFA - PAGE: 18 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111GEÇMÝÞ ZAMAN-P-PASTTENSERAMÝZ GÖKÇE PORTRE KARÝKATÜRÜ: ERICO JUNQUEIRA AYRES (BREZÝLYA)ÖLÜMÜNÜN 11. YILINDAÜSTAD RAMÝZ GÖKÇE'YÝSAYGI, SEVGÝ VE ÖZLEMLE ANIYORUZKIBRIS TÜRK KARÝKATÜRCÜLER DERNEÐÝ
(YENÝ AKREP) SAYFA - PAGE: 19 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111DUVAR YAZILARIÝBRAHÝM ORMANCIn Kral olmadým belki ama,Kral Dairesi'nde kalabiliyorum hacý!...n Bülbülü sevgilisiyle altýn kafese koyun,"Ýlle de vataným'' diyor mu bakalým!...n Ahhh rüzgar ah... Kimi zaman gazeteokutmazsýn bana...Kimi zaman da Mini Etekli geçer esmezsin.Ne yapayým ben seni !...n Dante gibi ortasýndayým ömrün...Ama Dantelli bir sevgilim olamadý hala!...n Kendime Hakim olamýyorum...Ön-Yargý'larýmdan kurtulamýyorum!...n Bazý erkekler Ayak Fetiþisti...Bazý kadýnlar Dayak Fetiþisti!....n Leyleðin ömrü ya Facebook'ta, ya Twitter'de,ya da Televizyon baþýnda geçiyor!...n Artýk çocuklar,''Ben büyüyünce Ýç Güveyisi olacaðým baba''diyor yahu!...n Manda mangal yapmýþ söðüt dalýna....Görgüsüzlük zor zanaat hacý!....n Çaptan düþmeye baþladým galiba,Çapkýnlýk yaparken enselendim hatuna!...n Sýrtý yere yapýþýnca güreþçinin,herkes sýrtýný döner yahu!....n Çocukta yaparým, kariyer de dedin...Çocukluk yaptýn hamile kalýnca kariyerini yarýdabýraktýn!....n Evvel zaman içinde, Kalbur saman içinde...Yine Kalburüstü adamlar var mý ki dünyada?n Eee sular saat kesik olunca,Siz de Vana avrat düz gidebilirsiniz yani!....n Asýl-sýz dedikodular bunlar;kime asýlmýþým ben yahu?n Eeee adam Seyis...Elbette yangýndan Nal kaçýracak!...n Niye hep Derviþ'ler erkeklerden çýkýyor?Kadýnlarýn sabýrsýzlýðýndan olabilir mi acaba?n Halka mal olacaðým dedi...Halk anladý ne mal olduðunu!...n Kara kaþlý yar...Patlattýn kredi kartýmýn limitlerini be!...n Ne Baba Parasý yiyebildim...Ne Para Babasý olabildim hacým yahu!...n Bence artýk en büyük korkumuz,Cep telefonu burada çekmiyor korkusu oldu!...n Eee çok Fýndýk yersen,çok Fýndýk kýrarsýn normal yani!...n Avlanma yasaðý,plajda hatunlarý kapsýyor mu?n Kýzýlcýklar oldu mu? Market raflarýna kondu mu?n Makara fabrikasýnda,iþçiler makara yaparsa, patron kýzar yahu!...n Uzaydan Mars Cumhurbaþkaný gelse,önüne uçan halý mý sermek gerek?n Feministler o sözü deðiþtirmek istiyorlar,''Önce Canan sonra Can'' olsun istiyorlar!..n Karasabandan kurtuldu, traktör oldu...Borcunu ödeyemedi... Karabasanlar görüyor!...n Beni Kamusal Alanlar'dan daha çok,Kamusal Yalanlar enterese ediyor!..n Güzel bir hatunun saçlarýna itifat ettim,çantayý yedim...''Ben sizin bildiðiniz Kýzýl'lardan deðilim'' diye!...n Saksýyý çalýþtýrdý...Saksý üretmeye baþladým iyi mi?n Seher yeli çýk daðlara...Sýcaktan geceleri yatýlmýyor yahu...Bari daðlarda uyuyalým!....n Hasretinden Paradigmalar eskittim,bitip tükenmez polemiklerde kendimden geçtim!..n Bu balýn hakiki bal olmadýðýna,bal gibi eminim hacým!...n Zülfüyare dokundum galiba...Bir dokunamadan, koklayamadan,Darýlttým yarimi!...ÝBRAHÝM ORMANCI - HARBÝCÝ MÝZAH http://www.harbicimizah.blogspot.com
(YENÝ AKREP) SAYFA - PAGE: 20 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111FÝRUZ KUTALYENÝ BÝR MÝZAH DERGÝSÝNÝELÝNÝZDE TUTUYORSUNUZBu dergiyi anlamak bir degil birçokmizah anlayýþý olduðunu anlamak veseçim yapmadan her birine açýk olmakanlamýna gelir.Bu derginin farklý bir dergi olmasýnýistedik. Amacýmýz ezberci olmayan birmizah anlayýþýný benimsediðimizigöstermekti. Kendini tekrar eden birmizah yerine, ironiyi baþkaldýrýnýn birifadesi olarak gören bir mizahtan yanayýz.Söyleyeceklerimiz hayata dair; estetikkaygýlarý elden býrakmadan bir yandangüldürüyor bir yandan da yaralarýmýzýdeðiyoruz.Daha yolun baþýndayken bizimle birþekilde irtibata geçen Türkiyeli çizerlerincir çekirdeðini doldurmayansebeplerden dolayý bizimle çalýþmaktanvazgeçtiler. Bu eksilmeye fire vermeyegönderme yapmak adýna derginin adýnýFire koyduk. Fire, elimizden kayýp gidendeðerleri vurguluyor bir bakýma. Ýsterdikki fikir ayrýlýklarý kiþiseldoyumsuzluklardan deðil, sanatsalyaklaþým farklarýndan kaynaklansýn.Ýsterdik ki farklý ideolojik duruþlara sahipolma biribirine tahammül edememeyedönüþmesin. Zira toplumsal beðeniyi vebeklentileri büyük oranda belirleyenmaalesef böyle bir ortamda ortaya çýkaniþler.Dergimiz yerel olduðu kadar küresel debir dergi. Bu yüzden Ýngilizce ateþ,sýcaklýk anlamlarýný da çaðrýþtýrýyor.Böylece "yangýn var" diye baðýrmak içinbir fýrsat geçiyor elimize. Haksýzlýðakarþýyýz, ezilenin yanýndayýz. Tümzorluklara raðmen bu dergiyi ortayakoymaya çabalarken yangýna körüklegidiyor ve ister istemez fire veriyoruz.Elbette bu çabaya karikatürde, grafikte,mizahta deðil, resimde, ilüstrasyonda,stand - up'da hatta fotoðrafta rastlamakmümkün. Bu dergiyi oluþtururken farklýgörsel sanatlar alanlarýný bir aradatutmaya, birini ötekinden üstün tutmadanhepsine yer vermeye çalýþtýk. Bu yüzdendergide çizgi romandan duvar yazýlarýnakadar çeþitli çalýþmalar bulacaksýnýz. Birrenk, bir bakýþ bin söze bedeldir dedik vedergimizde disiplinlere ayýrmadan hertürden çalýþmaya yer vermeye çalýþtýk.Sanatýn bir kültür ve yaþam tarzý olarakiç hesaplaþmalarýmýza ýþýk tutmasýgerektiðini savunuyoruz; bu yüzden desanat alanýnda fire vermemek adýna buzor günlerde fire adlý mizah dergimizibeðeninize sunuyoruz.Hayata, insana dair yaþanan sorunlarküreselleþtiðinden, Türkiye'de olan bitendünyanýn herhangi bir yerinde deyaþanabileceðinden, yerel ve yerelFIRE 1 HUMOUR MAGAZINEolmayaný bir arada sunmaya çabaladýk.Destekleriniz sayesinde bu çabanýzýndevamlýlýðýný diliyoruz. Hüzün, drama,abartý, yapýþ yapýþ duygusallýk, þiddet vekýskançlýk günümüzde yoðun talepgörüyor.Bakalým fire vermiþ bir mizah nasýlkarþýlanacak...Baþka bir deðiþle: Feel the fire!________________________________________________Size: 21x29.5 cm.,86 Page.,Full Coloured.,TASK Vakfý Yayýnlarý.,(Ýstanbul - Türkiye)http://muratgook.blogspot.com
(YENÝ AKREP) SAYFA - PAGE: 21 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111DÝLEK MAKTAL CANKO (*)MEDITERRANEAN JOYDrawing is one of the oldest, the mostpowerful and effective means ofexpression among the mankind.According to Ferit Ongoren "Humor iseverything which makes people laugh ina healthy way". However according toAziz Nesin "Humor is full of pain andthought". As for Tan Oral "with itsinnovation humor makes people thinkimmediately, clearly and healthy".Cartoon is born by the association ofdrawing and humor. We can see the flrstsigned cartoons in the drawings ofCarracci, Bruegel and Daumier. Ofcourse, Seeds of Cartoon have beenobserved during the medieval inByzantine pottery, tiles of Seljuk andOttoman miniatures. However,development has been accelerated withthe illumination of the "dark" Middle Ages.Humor, which makes people look to theworld as a way of tolerance, has beenreplaced in the history of art with a wink.Izmir Joy and Cartoon Museum withthe awareness of museum's developing,growing, and creating and sharingcorporate knowledge, begins with a lineextending life to share with a modestcollection especially to assess theaccumulation of visual or written humorof the Mediterranean sea by hiding andprotecting to reach these outstandingexamples to the next generation fromlocal to globalone.Undoubtedly, this museum will put itsexistence of formation by growing,evolving developing, educating andentertaining over time.Stages of our museum's foundationprocess is as fun and exciting as its name.Thought of Cartoon museumsfoundation has been an existing ideain the mind of Konak Municipality MayorDr. Hakan Tartan from the beginning tothe end. Studies of the Museum ofCartoon has begun with taking intoconsideration of the needs of lzmir in2010. Meetings which began in Octoberhave taken days, nights and months withthe members of the Museum AdvisoryBoard Tan Oral, Eray Ozbek and TurgutÇeviker. It has been discussed for hoursin order to create a museum which wouldbe visited by from an every age. With longdebates, the exchange of ideas and as aresult of archives, our museum is openingits door and begins to breathe by the firstexhibition of the "Mediterranean Joy".There is a Turkish discourse "Akdenizliolunmaz, Akdenizli doðulur" which meanspeople who are not born in Mediterraneancan not be from Mediterranean. I am sure,that the Mediterranean people feel thisMEDITERRANEAN JOY - AKDENÝZ NEÞESÝ<strong>CARTOON</strong> EXHIBITION ALBUMEdiscourse very good. Through the ages,Mediterranean people often toldhumorous elements with their spiritualand the physical ecstasy. There is nodoubt, the biggest share of thisoverflowing belongs to sea. We can notsee Mediterranean only with our owneyes. We remember Mediterranean fromthe metaphor of vergillius as his saying"crystal clear as the sky", such as Homer'smetaphor with dark color wine and evendarker than night.Marine nourishes the dreams, dreamsnourishes the humor. Perhaps this is thereason that the Mediterranean has beenalways cheerful. We also wanted toemphasize Mediterranean's cheerful sidein our first exhibition.We wanted to accompanied bycheerful Mediterranean.Matvejevic Predrag from Bosnia andHerzegovina stated that it is a kind of jobto thank those who helped by people inthe Mediterranean.Although the museums installation hasnot finished yet I would like to thank veryimportant people for their assistance. Wewould like to thank on behalf of Joy andCartoon Museum to Mr. Tan Oral, whoshared his ideas and the experiences withus about our museums area of expertiseand who design ed our logo, to Mr. TurgutÇeviker who has almost a complete roleof constructing the Museum archive andmuseum library, to Mr. Metin Deniz whodesigned our first exhibition and ourmuseum and also we would like to thankto Mr. Eray Ozbek who has alwayssupported us at the every stage ofinstallation of our museum.According to Hungarian humoristGeorge Mikes "life is really like a bigjoke,but at the same time it is also a realtragedy and an endless bore. lts up to youwhether or not such a thing will happen".All in all we set out in this way in order tocompare joy and boredom and make yousmile."Our goal is to promote the side ofhumors peaceful and unifying as well asthe side of humor's "critical power," andto create a cheerful cultural institution"I hope lzmir Joy and CaricatureMuseum, would a kind of museum whicheveryone will fo llo w with delight, interest,curiosity and particularly with a joy.(*) Art Historian and Coordinator ofthe Museum of Joy and Cartoon________________________________________________Size: 22x22 cm., 117 Page.,Black White and Coloured.,(Konak - Ýzmir - Turkey)
(YENÝ AKREP) SAYFA - PAGE: 22 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111JIAXING INTERNATIONALINTERNATIONAL<strong>CARTOON</strong> CONTESTOF VISUAL ART(UKRAINA)8TH INTERNATIONAL"GOLDEN SMILE"<strong>CARTOON</strong> BIENNALE(SERBIA)THE 21TH "DAEJEON"INTERNATIONAL<strong>CARTOON</strong> CONTEST(SOUTH KOREA)6TH CHINESE JIAXINGINTERNATIONAL<strong>CARTOON</strong> EXHIBITION(CHINA)Themes:A) "Castle..." Ancient, old,New, Ultra New Castles..."B) "Rest and Entertainment..."Size:A4 or A3Work:The amount of works isunreserved, minimum 2works from every theme...Deadline:15 AUGUST 2012Prizes:(Main and Other Theme)1 Prize:Gold Medal and Diplom.,2 Prize:Silver Medal and Diplom.,3 Prize:Bronze Medal andDiplom.,Special Prizes...Mail Address:International Contest ofCartoon"Fun in Vassylivka Style"Tchekist str. 7/96Vassylivka City,Zaporozhye reg. 71600(Ukraine)E-Mail Address:vasarthumor@mail.uaDetail Info:www.vasarthumor.at.uaContact Persons:Organizing CommitteePhone:NoneThemes:A) "Tennis..."B) "Portrait Cartoon offamous players, coachesetc. from Serbia andaround the world..."Size:Max: A3, but format A4 isrecommended...Work:Digital prints signed by theauthor, will also be accepted,preferably accompa-nied with aCD (JPG, TIFF, PSD, 300DPI)... Black & white or colored,any style, any technique will beaccepted... Digital artworks(CD&Disk) and good qualityphotocopies will be accepted...Deadline:31 AUGUST 2012Prizes:Golden Medal + 1.500 €.,Silver Medal + 1.000 €.,Bronze Medal + 500 €...UCS FECO Award: 2.000 $Mail Address:ULUPUDS("The Golden Smile")Terazije 26/II, (11000)Beograd (Serbia)Web:www.ulupuds.org.rsResponsible:Jugoslav VlahovicMail Address:jugovlah@yahoo.comPhone:+381 11 268 57 80Themes:A) "New City & Eco Story"B) "Free"Size:Max. 297mm×420mm...Work:Any color, free style, andunlimited items (+2 Works)Each entrant shouldprovide title, name, age,address, career, andtelephone number onreverse...Deadline:31 AUGUST 2012Prizes:The most creative cartoonwill win the Grand Prizeof $3,000., Gold Prize of$1,000., Silver Prize of$500., Bronze prize of$300 and 300 Selectedworks will be awarded...Address:Daejeon InternationalCartoon Institute, 450,Wolpyongdong, Daejeon,Seoul 302-280,(Korea)E-Mail:csanlim@naver.comDetail Info:http://www.dicaco.comResponsible:(Ph.D) Cheong San LimPhone:82 (42) 487-503482 (11) 425-6115Themes:A) "Water, Human andHomeland..."B) Free Choice.Size:Max. 420X297mm...Work:3 works for each section...Deadline:31 AUGUST 2012Prizes:The Jury committee will choose120 works for exhibition, there are10 works provided for The BestTheme Prize of 2500 RMB each,10 work provided for The Best Freechoice Prize of 2500 RMB each,the total 20 winning works will beawarded with top grade trophy andPrizes... Each author whose workselected for exhibition will get onecopy of the catalogue of exhibitionand certificate, and 600 RMBprizes...Address:"The 6th Chinese JiaxingInternational CartoonExhibition 2012"No. 36 Zhonghe Road,Jiaxing Gallery, Jiaxing City,Zhejiang Province,P. R. China Post Code:314000 (China)E-Mail Address:cartoonfestival@126.comWeb:http://www.jxmsg.comResponsible:Organizing CommitteePhone:0086 573 82091028...
(YENÝ AKREP) SAYFA - PAGE: 23 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111INTERNATIONAL"SÝNOP VALÝLÝÐÝ"<strong>CARTOON</strong> CONTEST(<strong>TURKEY</strong>)7TH INTERNATIONAL"BRAILA"<strong>CARTOON</strong> CONTEST(ROMANIA)INTERNATIONALGRAPHIC HUMOR OFPERNAMBUCO(BRAZIL)INTERNATIONAL"DUBA<strong>CARTOON</strong>"EXHIBITION(COSTA RICA)Theme:"Youth, Sports, Peace,and Tolerance..."Work:Maximum of 5 cartoons,but each cartoonist canonly have one award...Size:The maximum size forthe cartoons must be A3(29,9X42 cm), 300 DPI bywidth in JPG format....Deadline:01 SEPTEMBER 2012Prizes:First Prize:$1000 + Plaquet.,Second Prize:$750 + Plaquet.,Third Prize:$500+ Plaquet.,Three contestants whoseages are under 18$100 there will be privateawards of otherassociations...All the expenses of thewinners except for thetransportation will bepaid...E-Mail Address:sinopghsimcartoon@gmail.comWeb:www.sinop.gov.trResponsible:Organizing CommitteePhone:+90 (368) 261 15 00Theme:"Rich Man, Poor Man..."Size:A4 (210x297 mm)A3 (297x420 mm)Work:Maximum 5 Work...Technique:Free...Deadline:01 SEPTEMBER 2012Prizes:Great Prize: 1500 €;First Prize: 1000 €;Second Prize: 800 €;Third Prize: 500 €;3 Special Prizes:3 x 300 € (each)Mail Address:The County Center forPreservation andPromotion ofTraditional CultureBrailaNo. 2, PiataTraian 810153Braila(Romania)E-Mail Address:centrul_creatie@portal-braila.roContact Details:costel_patrascan@yahoo.co.ukResponsible:Organizing CommitteePhone:(No Phone)Theme: "Woman..."(The idea is to promote,through the contest ofcartoons and caricatures, thedebate on equality andgender inequality anddifferences between thesexes...)Section:A) Cartoon; B) Caricature...Size:A3 format, horizontal orvertical, JPEG, withresolution of 300 DPI...Work:Each contestant may submitone (1) or two (2) unpublishedworks in each category:Cartoon and Caricature...Deadline:01 SEPTEMBER 2012Prizes:(Separately, each will beawarded in two sections)1st Place: $ 6,000.00+ Trophy.,2nd Place: $ 3,000.00+ Trophy.,3rd Place: $ 1,000.00+ Trophy...Address:http://www.sihg.com.br/inscricoes.phpDetail Info:www.sihg.com.brResponsible:Organizing CommitteePhone:Nonexistent...Theme:"Animal Rights andAnimal Welfare..."Size:Participation is upload aJPG image, no more than2 MB, 300 DPI, theartwork that wish toregister, page http://dubacartoon.wspala.org...Work:Each author canparticipate with amaximum of 3 works...Catalog:Forty works will be selectedby the jury for a printedcatalog and digital supportthe Universal Declarationon Representing AnimalWelfare... This catalog willbe distributed through ourWeb site and socialnetworks (Facebook,Twitter)...Deadline:01 SEPTEMBER 2012Sending Address:http://dubacartoon.wspala.org/inscripcion.phpDetail Info:http://dubacartoon.wspala.orgResponsible:Organizing CommitteePhone:Nonexistent...
(YENÝ AKREP) SAYFA - PAGE: 24 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111VIII. HUMOR HALLOF LIMEIRASÃO PAULO - LIMEIRA(BRAZIL)INTERNATIONAL"ENVIRONMENTAL"<strong>CARTOON</strong> EXHIBITION(BRAZIL)31ST INTERNATIONAL"ST JUST LE MARTEL"<strong>CARTOON</strong> EXHIBITION(FRANCE)INTERNATIONALCREATIVE<strong>CARTOON</strong> CONTEST(RUSSIA)Themes:2012 is This The End?.,Human Beings., Politics.,Women of The World OlympicGames London 2012.,Sustainability Mother Nature...Categories:Cartoon, Charge, Caricature,Comics and Digital (Handmade send by E-Mail)Size:A4 or A3...Work:Original or Digital... We willonly accepted works sent inpaper, and digitals for the 2corresponding categories...Deadline:12 SEPTEMBER 2012Prizes:They will be 6 prizes of R$500,00 in money for the6 categories(Total of R$ 2.000,00) +Trophy PIU + Certifyd ofAwardes and Expositor...Mail Address:VIII. Salâo de Humor deLimeira., Rua Santa Terezinha30 SL 02, Centro, Limeira -SP, CEP 13480 090 (Brazil)E-Mail Address:jornal_opiu@hotmail.comDetail Info:www.jornalopiu.blogspot.comDirector:Roberto BonomiPhone:19 3011 2598Theme:"EnvironmentalEducation..."Size:The cartoons should be inJPEG format, size A3 andbe at 300 DPI...Work:The three digital cartoonsmust be attached in thesame e-mail, whichshows the organization ofthe responsibility toconfirm receipt...Deadline:15 SEPTEMBER 2012Prizes:The three (3) finishers willwin a trophy, certificate andBrazilian graphic humorbooks and EnvironmentalEducation books...Also will be given five (5)honorable mentions withthe right certificates...Other prizes may be addedto the prizes describedabove...E-Mail Address:humoreducacaoambiental@gmail.comDetail Info:http://cpeasul.blogspot.com.brResponsible:Organizing CommitteePhone:Nonexistent...Themes:French Presidential Elections...The American Elections,Obama... England, QueenElisabeth and... the OlympicGames in London... France -Algeria, Crossed Destinies andDrawings... For Cartoons andHumour Drawings... Children...Sprites and Other FairCharacters...Size:A4 or A3...Work:We would like you to send usabout 5-6 drawings...Original or PhotocopyDeadline:15 SEPTEMBER 2012Prizes:Porcelain Pen(One Person-The BestCartoonist)Address:Salon InternationalCaricature DessinPresse&HumourSaint-Just-Le-MartelHaute-Vienne-Limousin5, rue de la Mairie87590 Saint-Just-Le-Martel(France)E-Mail:salon.humour@wanadoo.frWeb:http://www.st-just.comResponsible:Gerard VandenbrouckePhone:05 55 09 26 70Theme:"Clean Pot and Pan...Drainage System..."(Almost everyone knows abouta water supply and its meaningfor men's health.However sometimes we forgetabout the meaning of thedrainage system for people'slife. It is impossible now toimagine our life without thissystem. It has a great meaningfor keeping sanitary state of ourcities and health of citizens.)Size:The works should be sentin a paper A4 or electronicversion in JPG in thehighest quality. The top sizeof one work is 10 MB...Work:One competitor canpresent no more than 5works...Deadline:15 SEPTEMBER 2012Prizes:1st Prize: 20,000 Ruble;2nd Prize: 15,000 Ruble;3rd Prize: 10,000 Ruble(VAT 13%)Send to Cartoons:caco.novogor@gmail.comDetail Info:www.novogor.perm.ruResponsible:Organizing CommitteePhone:Nonexistent...
(YENÝ AKREP) SAYFA - PAGE: 25 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 11124TH INTERNATIONALOF THE "OLENSE"KARTOENALE(BELGIUM)INTERNATIONALDIGITAL MEDIA<strong>CARTOON</strong> CONTEST(IRAN)INTERNATIONAL"PRESOV" <strong>CARTOON</strong>HUMOUR COMPETITION(SLOVAKIA)3RD INTERNATIONAL"CITY AND CITIZEN"<strong>CARTOON</strong> CONTEST(IRAN)Theme:The main theme is "Puzzles andpuzzlers." Also this year AmnestyInternational offers a special prizeto the best cartoon with themeeveryone has right to energy..."Work:Contributions have to beoriginally drawn or printed(digital works) cartoons, inblack and white or colour...They shouldn’t contain anexplanation of the drawing...Number of entries percontestant: Maximum 5...Size:21 x 30 cm (A4).Works sent rolled and workslarger than DIN A4 will notbe returned...Deadline:24 SEPTEMBER 2012Prizes:1st Prize: 1.000 Euro.2 nd Prize: 400 Euro.3rd Prize: 250 Euro.4th Prize: 200 Euro.Address:Olense KartoenaleGemeentehuis Dorp 1B-2250 Olen (Belgium)E-Mail:inge.gerlo@olen.beWeb:http://www.olen.beResponsible:Inge GerloPhone:014 27 94 22Theme:"Digital Media Such as..."(Internet, Digital Media,Mobile, Bluetooth,Information Networks, SMS,MMS, Multimedia Software,Digital Arts, ComputerGames, Social Networks,Chat, E - Mail)Size:Free...Work:Send work should be in 200DPI with 2000 pixel widthorlength & JPG format...Deadline:28 SEPTEMBER 2012Prizes:First Prize: $ 2000 +Honorable Mention andTrophy.,Second Prize: $ 1500 +Honorable Mention andTrophy.,Third Prize: $ 1000 +Honorable Mention andTrophy.,With $ 500 + HonorableMention and Trophy for 5Person...E-Mail Address:info@irancartoon.comWeb:www.irancartoon.comResponsible:Masoud S. TabatabaiFax-Phone:(+98 21)22868600 (or) 22846928Theme:"Balance..."Size:The format of worksshould not exceed the A4dimension...Work:Each author can sendmaximum 5 originalworks...Deadline:30 SEPTEMBER 2012Prizes:1st Prize 500. 00 €.,2nd Prize 300. 00 €.,3rd Prize 100. 00 €.,The competition juryreserves the right to grantother special prizes or notto grant some of theprizes...E-Mail Sending:www.cartooneast.com/index/registrationPost Address:PRERAG, ZdruzenieMgr. Peter RázusDubová 508001 PREŠOV(Slovakia)Detail Info:info@cartooneast.comWeb:www.cartooneast.comProject Manager:Peter RazusPhone:(No Phone)Theme:"City & Citizen"(For example: Traffic, ApartmentLiving Culture, Citizen Right, AirPollution, Neighbor Right, CityImagine Pollution, Irregular CityConstructions Garbage Repelling,Destruction of Traditional Shapeof the Cities)Size:A4 or A3...Work:Maximum 5 cartoons...Sent works should be in 300DPI with 1500 pixel width orheight and JPG format...Deadline:30 SEPTEMBER 2012Prizes:First Winner: $ 1200+Trophy;Second Winner: $ 700Euro+Silver Trophy; ThirdWinner: $ 400 Euro+BronzeTrophy; 5 Honorable MentionE-Mail Address:tabrizcartoons@tabrizcartoons.comPost Address:Tabriz CartoonistsAssociation, AzerbaijanCartoon Museum, FormerTabriz Estate Library,Golestan GardenTabriz (Iran)Web:www.tabrizcartoons.comResponsible:Rahim Baqqal AsghariFax-Phone:(+98 411)2843094
(YENÝ AKREP) SAYFA - PAGE: 26 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111INTERNATIONAL"NOVYE IZVESTIYA"<strong>CARTOON</strong> CONTEST(RUSSIA)INTERNATIONAL"GALLARATE"<strong>CARTOON</strong> CONTEST(ITALIA)7. INTERNATIONAL"ESKISEHIR"<strong>CARTOON</strong> FESTIVAL(<strong>TURKEY</strong>)THE UNITED NATIONSRANAN LURIE 2012<strong>CARTOON</strong> AWARD(UNITED NATIONS)Theme:"Press Without Press..."Size:Maximum size of asubmitted picture is 3 MB,minimum length of thecartoons bigger side is2400 PX. We accept onlyJPG files...Work:All caricatures must besubmitted onlyelectronically via a specialform at the New Izvestiawebsite...Deadline:01 OCTOBER 2012Prizes:Main Prize: $1.500Second Prize: $1.000Third Prize: $500Ten Diplomas of Honor...Note:100 best cartoons will beprinted in the contest catalogueand will be exhibited at the NewIzvestia editorial office and atone or more exhibition hall(s) inMoscow. The expositions willbe held in November 2012...Send to Cartoons:http://www.newizv.ru/fotoreport/sendcaricature/Detail Info:http://www.newizv.ruChairman:Mikhail ZlatkovskyPhone:Nonexistent...Theme:"Theatre..."(Life, Dual, Truth andVerisimilar, Stage, Show,Actors and Audience...)Sections:Graphics - Cartoon, Satire,Caricature... It's possible toparticipate in all the sections...Size:A4 (21x29,7 cm)Technique:Free... Common graphic anddigital prints will be acceptedbut only if signed by theauthor...Work:3 works... Original or digitalprints will be accepted butonly if signed by the author...Deadline:01 OCTOBER 2012Prizes:Grand Prix: "MarcoBiassoni..." Frist Prize...Special Prizes...Special Mention (5)...Address:Pro Loco GallarateVicolo del Gambero N.1021013 Gallarate (VA) ItalyE-Mail:proloco.gallarate@libero.itDetail Info:www.prolocogallarate.itResponsible:Vittorio PizzolatoPhone/Fax:(+39)0331.774968Theme:"Philosophy..."Size:The cartoons size shouldbe at least A4 and notmore than A3...Cartoons should have300 dpi resolution andJPEG formatted...(Max. 2 MB)Work:No limitation for thenumber of works to besent for the exhibition...Technique:Free... Black-Whiteor Colour...Deadline:01 OCTOBER 2012Prizes:Not Prize...E-Mail Address:7.intcartoonfest@gmail.comMail Address:<strong>Yeni</strong> Yuksektepe CulturalAssociation EskisehirBranch, Isiklar Mah.Gultugrul Sok. No: 626120 Eskisehir (Turkiye)E-Mail:eskisehir@aktiffelsefe.orgDetail Info:http://cartoonistfest.orgResponsible:Organizing CommitteePhone:+90 222 220 51 66Theme:"Entries for awards must bereceived on or before October15, 2012, and represent workdone from the beginning ofOctober 2011, to the 12th ofOctober 2012, reflecting theimportance of human dignity,mutual respect and friendshipamong nations, as well aseconomic consideration andenvironmental responsibilitiestowards each other..."Size:9x12 inches...Work:Only reproductions will beaccepted! Two cartoons...Deadline:15 OCTOBER 2012Prizes:1st Prize: of $10,000.00 anda Plaques., 2nd Prize:$5,000.00 and a Plaque.,3rd Prize: $3,000.00 and aPlaque., 10 HonorableMentions (Plaques)...Address:The United NationsRanan Lurie PoliticalCartoon Award,25 Columbus Circle, Suite63E, New York, NY, 10019(USA)Web:http://lurieunaward.comResponsible:Organizing CommitteePhone:(No Phone)
(YENÝ AKREP) SAYFA - PAGE: 27 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 1111ST INTERNATIONAL"SINALOA"<strong>CARTOON</strong>CONTEST 2012(MEXICO)41TH INTERNATIONAL"SKOPJE"<strong>CARTOON</strong> CONTEST(MACEDONIA)4ND INTERNATIONAL"TOURISM"<strong>CARTOON</strong>S CONTEST(<strong>TURKEY</strong>)21. INTERNATIONAL"GOLDEN HELMET"<strong>CARTOON</strong> CONTEST(SERBIA)Theme:"Sexual Diversity..."Work:A maximum of 3 workscan be submitted byE-Mail in any media, inblack and white or colour,but they should not havereceived a prize in othercontests...Size:Works should have aminimum resolution of200 dpi and keep theproportions of a Lettersize paper sheet(21.5x27.9 cm)Deadline:28 OCTOBER 2012Prizes:Frist Prize:$ 2000 US Dollars+ Plate.,Second Prize:$ 1500 US Dollars+ Plate.,Third Prize:$ 1000 US Dollars+ Plate.E-Mail Address:camino2@prodigy.net.mxDetail Info:http://concursosinaloa2012.orgfree.comResponsible:Sergio NavarroPhone:(01) 667 713 67 42Theme:"My Subject"(Free)Size:Maximum A4 or A3...Work:One author may sendmaximum three (3)cartoons...Deadline:13 JANUARY 2013Prizes:Grand Prize:5,000 $.,1st Prize: (For Cartoon):1,000 $.,1st Prize:(For Satiric Drawing):1,000 $.,1st Prize:(For Comics):1,000 $.,10 Special Prizes...Address:Osten Art on Paper -World Gallery of CartoonsSkopje., 8 UdarnaBrigada 2,1000 Skopje,(Republic of Macedonia)E-Mail:osten@t-home.mkDetail Info:www.osten.com.mkResponsible:Emilija DzurovskaPhone:+389 2 3213665Theme:"Resident (*) and touristrelationship The topic of theFourth International TourismCartoon Competition is resident(indigenous people) and tourist(vacationist) relationship..."Size:A4 or A3...Work:Three works...Original or Digital...Deadline:18 JANUARY 2013Prizes:The Grand Award: All inclusiveholiday in a five star hotel inTurkey (7 days, 2 persons).,The Second Award: Allinclusive holiday in a five starhotel in Turkey (6 days, 2persons)., The Third Award: Allinclusive holiday in a five starhotel in Turkey (5 days, 2persons)., Five Mansions...E-Mail:nkozak@anadolu.edu.trMail Address:Volkan GenceAnadolu University, EðitimKarikatürleri Müzesi, AkcamiMah., Malhatun Sokak, No: 6,Odunpazarý, 26030Eskiþehir (Turkey)Detail Info:www.tourismcartoons.comInformation:Nazmi Kozak, Ph.D.Phone:+90 (222) 335-0580/2133Theme:"Eclipse..."Work:Free...Original...All works remain propertyof the Festival...Size:Min. A4., Max. A3...Deadline:20 FEBRUARY 2013Prizes:1st Prize:Golden Helmet (GoldenMedal)+800 €uro+Diplom+One-ManExhibition in 2012.,2nd Prize: 400 €uro.,3rd Prize: 200 €...Address:International Festival ofHumour and Satire"Golden Helmet".,Cultural Center-KrusevacToplicina No: 237 000Krusevac(Serbia)E-Mail:goldenhelmet@ptt.rskck@kck.org.rsWeb:www.kck.org.rsResponsible:Organizing CommitteePhone - Fax:00381 (37) 423 02500381 (37) 421 877
(YENÝ AKREP) SAYFA - PAGE: 28 YIL - YEAR: 10 (AÐUSTOS - AUGUST 2012) SAYI - ISSUE: 111KARÝKATÜR VAKFIWEB SAYFASIhttp://www.nd-karikaturvakfi.org.trCARICATURQUE<strong>CARTOON</strong> BLOGhttp://caricaturque.blogspot.com/KARiKATÜRHABER BLOGhttp://karikaturhaber.blogspot.comCEMAL TUNCERi(TUNCERI'S <strong>CARTOON</strong>S)http://cemaltunceri.tr.cxPANDURANGA RAO<strong>CARTOON</strong>Swww.paanduhumour.blogspot.comKÜRÞAT ZAMANCartoon Web Pagewww.kursatzaman.comJULIAN PENA PAI<strong>CARTOON</strong> WEB PAGEhttp://penapai.ro/DAVID BALDINGER<strong>CARTOON</strong>S & STUFFhttp://www.dbaldinger.comHUMORGRAFE(<strong>CARTOON</strong>&HUMOR NEWS)www.humorgrafe.blogspot.comKARCOMIC<strong>CARTOON</strong>&HUMOUR MAGAZINEhttp://www.ismailkar.comhttp://www.cartoonblues.com/http://mizahvesiir.blogspot.com/
INT. <strong>CARTOON</strong> AND HUMOR MAGAZINE (AUGUST 2012) YEAR: 10 ISSUE: 111RED KÝT'ÝN ÇOCUKLUK MACERALARIn Hikâyesini ve çizimleriniAchdé’nin yazdýðý TürkçesiTürkiye'de ilk defa yayýmlanacakolan yeni bir Red Kit macerasý…Sonrakiler tabancayla olsa da ilkatýþýný sapanla yaptý... Sarý gömlekgiyer, kýrmýzý fularla beyaz kovboyþapkasý takar... Banyo zamaný gelincegölgesinden hýzlý tüyer... Tatlý, þanslýgenç bir kovboydur. Asi saç tutamýndanve aðzýnda tuttuðu saman çöpündentanýrsýnýz... Adý mý? Red Kit. Dahadoðrusu, Red Kit’in çocukkenki hali.Küçük oðlan, Vahþi Batý’daki ilkmaceralarýný Kovboy Çýraðý albümündeyaþýyor. Albümün ilk bölümlerinde RedKit'in yeni doðmuþ bebek olarakbulunuþundan, ilkokul çaðýna kadarolan hayatýný okuyoruz. Albümünsonrasýnda ise birer sayfalýk Red Kitmaceralarý yer alýyor. Çocuk Red Kithenüz “evinden uzaktaki yalnýz kovboy”olmamýþ.Þimdilik hayatý tanýmaya ve okul, eviþleri, arkadaþlarýyla yaramazlýk, herçeþit angarya gibi zorunluluklarýnaalýþmaya çalýþýyor. Kýzlarý daunutmamak gerek. Ah kýzlar ah! RedKit’ten öpücük isteyen süslü küçükhaným ile büyüdüðünde Calamity Jane’ebenzeyecek olan oðlan çocuðugörünümlü arkadaþý arasýnda kalanzavallý küçük Red! Neyse ki gerisinidillere destan þansý sayesinde hemenhemen her zaman halletmeyi baþarýyor.RED KÝT’ÝN ÇOCUKLUÐURed Kit’in çocukluðu daha önce de,1990’lý yýllarýn ortalarýnda, Morris dahahayattayken iþlenmiþti. Léturgie’ninkalemi, Morris ile Pearce’ýn fýrçalarýaltýnda iki tam macera, Red’inÇocukluðu (Yapý Kredi Yayýnlarý 51.sayý) ile Oklahoma Jim (Yapý KrediYayýnlarý 54. sayý) doðmuþtu. Ancakçocuk Red Kit bu defa, Achdé’nin yazýpçizdiði kendi özel maceralarýnakavuþuyor. Achdé, Fransa’da 2004’teyayýmlanan Taþra Güzeli macerasýndanitibaren, çizimlerine ve Red Kit’ininruhuna sadýk kaldýðý Morris’in yerinialacak en uygun kiþi olduðunu gösterdi.Bu diziyi tek kelime tanýmlýyor: Mizah.Red Kit’in henüz, ileride yoluna çýkacakDaltonlar, Jesse James, Billy the Kid,Pat Poker gibi yasalarý tanýmayanadamlarýn, azýlý haydutlarýn,hilebazlarýn en kötülerinin peþindenkoþmasý gerekmiyor. Tabancasý ancakzararsýz mantarlar atýyor, dizeyatýrýlarak dövülme ihtimali de sýrtýndanvurulmasýndan daha yüksek ama yasaadamý karakteri ve bulaþýcý neþesiyledaha o zamandan nasýl biri olacaðý belli.Achdé, Daltonlar gibi, Rintintin gibi,yetiþkin Red Kit’in çevresindekikarakterlere yer vermeye çalýþmýyor.Yalnýzca kovboyun çocukluðunda da enyakýn arkadaþý olan, ip bile atlayabilenatý Düldül’ü kullanýyor. Mizah eðitimeengel olmadýðýndan, genç okurlar hersayfanýn altýndaki, macerayla baðlantýlý“Ýnanýlýr gibi deðil ama...” bölümüsayesinde Vahþi Batý hakkýnda bilgiediniyor.CYPRUSSAHÝBÝ: AKREP YAYINCILIK.GENEL YAYIN YÖNETMENÝ: HÜSEYÝN ÇAKMAK.WEB SAYFASI YÖNETMENÝ: EKREM ERDEMADRES: KIBRIS TÜRKKARÝKATÜRCÜLER DERNEÐÝPOSTA KUTUSU: 87NICOSIA - CYPRUSE-MAIL: yeniakrep@kibris.netWEB PAGE:http://www.yeniakrep.org