Owner's Manual - Roland

More documents

Recommendations

Info

MIDI Implementation| 00 04 | 00aa aaaa | Master Key Shift (40 - 88) || | | -24 - +24 || 00 05 | 0aaa aaaa | Master Level (0 - 127) || 00 06 | 0000 000a | Scale Tune Switch (0 - 1) || | | OFF, ON || 00 07 | 0000 000a | Patch Remain (0 - 1) || | | OFF, ON || 00 08 | 0000 000a | Mix/Parallel (0 - 1) || | | MIX, PARALLEL ||—————————————+———————————+————————————————————————————————————————————————————|| 00 09 | 000a aaaa | Performance Control Channel (0 - 16) || | | 1 - 16, OFF || 00 0A | 0000 aaaa | Kbd Patch Rx/Tx Channel (0 - 15) || | | 1 - 16 || 00 0B | 0000 aaaa | Pad Patch Rx/Tx Channel (0 - 15) || | | 1 - 16 ||—————————————+———————————+————————————————————————————————————————————————————|| 00 0C | 0aaa aaaa | Patch Scale Tune for C (0 - 127) || | | -64 - +63 || 00 0D | 0aaa aaaa | Patch Scale Tune for C# (0 - 127) || | | -64 - +63 || 00 0E | 0aaa aaaa | Patch Scale Tune for D (0 - 127) || | | -64 - +63 || 00 0F | 0aaa aaaa | Patch Scale Tune for D# (0 - 127) || | | -64 - +63 || 00 10 | 0aaa aaaa | Patch Scale Tune for E (0 - 127) || | | -64 - +63 || 00 11 | 0aaa aaaa | Patch Scale Tune for F (0 - 127) || | | -64 - +63 || 00 12 | 0aaa aaaa | Patch Scale Tune for F# (0 - 127) || | | -64 - +63 || 00 13 | 0aaa aaaa | Patch Scale Tune for G (0 - 127) || | | -64 - +63 || 00 14 | 0aaa aaaa | Patch Scale Tune for G# (0 - 127) || | | -64 - +63 || 00 15 | 0aaa aaaa | Patch Scale Tune for A (0 - 127) || | | -64 - +63 || 00 16 | 0aaa aaaa | Patch Scale Tune for A# (0 - 127) || | | -64 - +63 || 00 17 | 0aaa aaaa | Patch Scale Tune for B (0 - 127) || | | -64 - +63 ||—————————————+———————————+————————————————————————————————————————————————————|| 00 18 | 0aaa aaaa | System Control 1 Source (0 - 97) || | | OFF, CC01 - CC31, CC33 - CC95, || | | BEND, AFT || 00 19 | 0aaa aaaa | System Control 2 Source (0 - 97) || | | OFF, CC01 - CC31, CC33 - CC95, || | | BEND, AFT || 00 1A | 0aaa aaaa | System Control 3 Source (0 - 97) || | | OFF, CC01 - CC31, CC33 - CC95, || | | BEND, AFT || 00 1B | 0aaa aaaa | System Control 4 Source (0 - 97) || | | OFF, CC01 - CC31, CC33 - CC95, || | | BEND, AFT ||—————————————+———————————+————————————————————————————————————————————————————|| 00 1C | 0000 000a | Receive Program Change (0 - 1) || | | OFF, ON || 00 1D | 0000 000a | Receive Bank Select (0 - 1) || | | OFF, ON ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 1E | Total Size |+——————————————————————————————————————————————————————————————————————————————+❍System Mastering+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 | 0000 000a | Mastering Switch (0 - 1) || | | OFF, ON || 00 01 | 0aaa aaaa | Low band Attack time (0 - 100) || 00 02 | 0aaa aaaa | Low band Release time (0 - 100) || 00 03 | 00aa aaaa | Low band Threshold (0 - 36) || | | -36, -35, -34, -33, -32, -31, || | | -30, -29, -28, -27, -26, -25, || | | -24, -23, -22, -21, -20, -19, || | | -18, -17, -16, -15, -14, -13, || | | -12, -11, -10, -9, -8, -7, || | | -6, -5, -4, -3, -2, -1, 0 [dB] || 00 04 | 0000 aaaa | Low band Ratio (0 - 13) || | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, || | | 1:1.6, 1:1.8, 1:2.0, 1:2.5, || | | 1:3.2, 1:4.0, 1:5.6, 1:8.0, || | | 1:16, 1:INF || 00 05 | 000a aaaa | Low band Level (0 - 24) || | | 0, 1, 2, 3, 4, 5, 6, 7, 8, || | | 9, 10, 11, 12, 13, 14, 15, || | | 16, 17, 18, 19, 20, 21, 22, || | | 23, 24 [dB] || 00 06 | 0aaa aaaa | Mid band Attack time (0 - 100) || 00 07 | 0aaa aaaa | Mid band Release time (0 - 100) || 00 08 | 00aa aaaa | Mid band Threshold (0 - 36) || | | -36, -35, -34, -33, -32, -31, || | | -30, -29, -28, -27, -26, -25, || | | -24, -23, -22, -21, -20, -19, || | | -18, -17, -16, -15, -14, -13, || | | -12, -11, -10, -9, -8, -7, || | | -6, -5, -4, -3, -2, -1, 0 [dB] || 00 09 | 0000 aaaa | Mid band Ratio (0 - 13) || | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, || | | 1:1.6, 1:1.8, 1:2.0, 1:2.5, || | | 1:3.2, 1:4.0, 1:5.6, 1:8.0, || | | 1:16, 1:INF || 00 0A | 000a aaaa | Mid band Level (0 - 24) || | | 0, 1, 2, 3, 4, 5, 6, 7, 8, || | | 9, 10, 11, 12, 13, 14, 15, || | | 16, 17, 18, 19, 20, 21, 22, || | | 23, 24 [dB] || 00 0B | 0aaa aaaa | High band Attack time (0 - 100) || 00 0C | 0aaa aaaa | High band Release time (0 - 100) || 00 0D | 00aa aaaa | High band Threshold (0 - 36) || | | -36, -35, -34, -33, -32, -31, || | | -30, -29, -28, -27, -26, -25, || | | -24, -23, -22, -21, -20, -19, || | | -18, -17, -16, -15, -14, -13, || | | -12, -11, -10, -9, -8, -7, || | | -6, -5, -4, -3, -2, -1, 0 [dB] || 00 0E | 0000 aaaa | High band Ratio (0 - 13) || | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, || | | 1:1.6, 1:1.8, 1:2.0, 1:2.5, || | | 1:3.2, 1:4.0, 1:5.6, 1:8.0, || | | 1:16, 1:INF || 00 0F | 000a aaaa | High band Level (0 - 24) || | | 0, 1, 2, 3, 4, 5, 6, 7, 8, || | | 9, 10, 11, 12, 13, 14, 15, || | | 16, 17, 18, 19, 20, 21, 22, || | | 23, 24 [dB] || 00 10 | 0000 0aaa | Split Freq Low (0 - 6) || | | 200, 250, 315, 400, 500, || | | 630, 800 [Hz] || 00 11 | 0000 0aaa | Split Freq High (0 - 6) || | | 2000, 2500, 3150, 4000, 5000, || | | 6300, 8000 [Hz] ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 12 | Total Size |+——————————————————————————————————————————————————————————————————————————————+❍System External Input+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 | 0aaa aaaa | External Dry Send Level (0 - 127) || 00 01 | 0aaa aaaa | External Chorus Send Level (0 - 127) || 00 02 | 0aaa aaaa | External Reverb Send Level (0 - 127) || 00 03 | 0000 aaaa | External Output Assign (0 - 1) || | | MFX, DRY || 00 04 | 0000 00aa | External Output MFX Select (0 - 2) || | | MFX1, MFX2, MFX3 ||—————————————+———————————+————————————————————————————————————————————————————|| 00 05 | 0000 aaaa | Input Effect Type (1 - 6) ||—————————————+———————————+————————————————————————————————————————————————————||# 00 06 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 1 (12768 - 52768) || | | -20000 - +20000 ||# 00 0A | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 2 (12768 - 52768) || | | -20000 - +20000 ||# 00 0E | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 3 (12768 - 52768) || | | -20000 - +20000 ||# 00 12 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 4 (12768 - 52768) || | | -20000 - +20000 ||# 00 16 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 5 (12768 - 52768) || | | -20000 - +20000 ||# 00 1A | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 6 (12768 - 52768) || | | -20000 - +20000 ||# 00 1E | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 7 (12768 - 52768) || | | -20000 - +20000 ||# 00 22 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 8 (12768 - 52768) || | | -20000 - +20000 ||# 00 26 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 9 (12768 - 52768) || | | -20000 - +20000 ||# 00 2A | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 10 (12768 - 52768) || | | -20000 - +20000 ||# 00 2E | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 11 (12768 - 52768) || | | -20000 - +20000 ||# 00 32 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 12 (12768 - 52768) || | | -20000 - +20000 ||# 00 36 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 13 (12768 - 52768) || | | -20000 - +20000 ||# 00 3A | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 14 (12768 - 52768) || | | -20000 - +20000 ||# 00 3E | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 15 (12768 - 52768) || | | -20000 - +20000 ||# 00 42 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 16 (12768 - 52768) || | | -20000 - +20000 ||# 00 46 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 17 (12768 - 52768) || | | -20000 - +20000 ||# 00 4A | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 18 (12768 - 52768) || | | -20000 - +20000 ||# 00 4E | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 19 (12768 - 52768) || | | -20000 - +20000 ||# 00 52 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Input Effect Parameter 20 (12768 - 52768) || | | -20000 - +20000 ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 56 | Total Size |+——————————————————————————————————————————————————————————————————————————————+❍System Controller+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 | 0000 000a | Transmit Program Change (0 - 1) || | | OFF, ON || 00 01 | 0000 000a | Transmit Bank Select (0 - 1) || | | OFF, ON || 00 02 | 0aaa aaaa | Keyboard Velocity (0 - 127) || | | REAL, 1 - 127 || 00 03 | 0000 00aa | Keyboard Sens (0 - 2) || | | LIGHT, MEDIUM, HEAVY || 00 04 | 0aaa aaaa | Aftertouch Sens (0 - 100) ||—————————————+———————————+————————————————————————————————————————————————————|| 00 05 | 0000 0aaa | Hold Pedal Polarity (0 - 1) || | | STANDARD, REVERSE |312
MIDI Implementation| 00 06 | 0000 000a | Continuous Hold Pedal (0 - 1) || | | OFF, ON ||—————————————+———————————+————————————————————————————————————————————————————|| 00 07 | 0aaa aaaa | Pedal Assign (0 - 111) || | | CC01 - CC31, CC33 - CC95, || | | BEND-UP, BEND-DOWN, AFT, || | | OCT-UP, OCT-DOWN, || | | START/STOP, PUNCH-I/O, TAP-TEMPO, || | | PROG-UP, PROG-DOWN, || | | FAV-UP, FAV-DOWN, ARP-RHY-SW, || | | RHY-START/STOP, CHD-SW, || | | AFAV-UP, AFAV-DOWN, SEQ-LOOP || 00 08 | 0000 0aaa | Pedal Polarity (0 - 1) || | | STANDARD, REVERSE ||—————————————+———————————+————————————————————————————————————————————————————|| 00 09 | 0000 aaaa | Beam Sens (1 - 10) || 00 0A | 0aaa aaaa | Beam Assign (0 - 104) || | | CC01 - CC31, CC33 - CC95, || | | BEND-UP, BEND-DOWN, || | | START/STOP, TAP-TEMPO, || | | ARP-GRID, ARP-DUR, ARP-MOTIF, || | | ARP-OCT-UP, ARP-OCT-DW, ARP-STEP, || | | AFT || 00 0B | 0aaa aaaa | Beam Range Lower (0 - 127) || | | || 00 0C | 0aaa aaaa | Beam Range Upper (0 - 127) || 00 0D | 0000 aaaa | Beam Trigger Pad (0 - 15) || | | 1 - 16 || 00 0E | 0aaa aaaa | Beam Trigger Velo (1 - 127) || 00 0F | 0aaa aaaa | Beam Trigger Mode (0 - 1) || | | MOMENTARY, LATCH ||—————————————+———————————+————————————————————————————————————————————————————|| 00 10 | 0aaa aaaa | Knob 1 Assign (0 - 103) || | | CC01 - CC31, CC33 - CC95, || | | BEND, AFT, ARP-STYLE, ARP-GRID, || | | ARP-DUR, ARP-MOTIF, CHORD-FORM, || | | MASTER-LEVEL, ARP-STEP, DIGI-IN || 00 11 | 0aaa aaaa | Knob 2 Assign (0 - 103) || | | CC01 - CC31, CC33 - CC95, || | | BEND, AFT, ARP-STYLE, ARP-GRID, || | | ARP-DUR, ARP-MOTIF, CHORD-FORM, || | | MASTER-LEVEL, ARP-STEP, DIGI-IN || 00 12 | 0aaa aaaa | Knob 3 Assign (0 - 103) || | | CC01 - CC31, CC33 - CC95, || | | BEND, AFT, ARP-STYLE, ARP-GRID, || | | ARP-DUR, ARP-MOTIF, CHORD-FORM, || | | MASTER-LEVEL, ARP-STEP, DIGI-IN || 00 13 | 0aaa aaaa | Knob 4 Assign (0 - 103) || | | CC01 - CC31, CC33 - CC95, || | | BEND, AFT, ARP-STYLE, ARP-GRID, || | | ARP-DUR, ARP-MOTIF, CHORD-FORM, || | | MASTER-LEVEL, ARP-STEP, DIGI-IN ||—————————————+———————————+————————————————————————————————————————————————————|| 00 14 | 0aaa aaaa | Switch 1 Assign (0 - 13) || | | TRNS-DW, TRNS-UP, TAP-TEMPO, || | | MONO/POLY, PORTAMENTO, HOLD1, || | | MFX1-SW, MFX2-SW, MFX3-SW, || | | CHO-SW, REV-SW, MAS-SW, || | | SEQ-LOOP, RHY-START/STOP || 00 15 | 0aaa aaaa | Switch 2 Assign (0 - 13) || | | TRNS-DW, TRNS-UP, TAP-TEMPO, || | | MONO/POLY, PORTAMENTO, HOLD1, || | | MFX1-SW, MFX2-SW, MFX3-SW, || | | CHO-SW, REV-SW, MAS-SW, || | | SEQ-LOOP, RHY-START/STOP ||—————————————+———————————+————————————————————————————————————————————————————|| 00 16 | 0aaa aaaa | Pad Velocity (0 - 127) || | | REAL, 1 - 127 || 00 17 | 0000 00aa | Pad Sens (0 - 2) || | | LIGHT, MEDIUM, HEAVY || 00 18 | 0aaa aaaa | Pad Aftertouch Sens (0 - 100) || 00 19 | 0000 aaaa | Pad Roll Resolution (0 - 7) ||—————————————+———————————+————————————————————————————————————————————————————|| 00 1A | 0aaa aaaa | (reserve) || 00 1B | 0aaa aaaa | (reserve) || 00 1C | 0aaa aaaa | (reserve) || 00 1D | 0aaa aaaa | Pad 1 Note Number (0 - 127) || | | C-1 - G9 || 00 1E | 0aaa aaaa | Pad 1 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 1F | 0aaa aaaa | (reserve) || 00 20 | 0aaa aaaa | Pad 2 Note Number (0 - 127) || | | C-1 - G9 || 00 21 | 0aaa aaaa | Pad 2 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 22 | 0aaa aaaa | (reserve) || 00 23 | 0aaa aaaa | Pad 3 Note Number (0 - 127) || | | C-1 - G9 || 00 24 | 0aaa aaaa | Pad 3 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 25 | 0aaa aaaa | (reserve) || 00 26 | 0aaa aaaa | Pad 4 Note Number (0 - 127) || | | C-1 - G9 || 00 27 | 0aaa aaaa | Pad 4 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 28 | 0aaa aaaa | (reserve) || 00 29 | 0aaa aaaa | Pad 5 Note Number (0 - 127) || | | C-1 - G9 || 00 2A | 0aaa aaaa | Pad 5 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 2B | 0aaa aaaa | (reserve) || 00 2C | 0aaa aaaa | Pad 6 Note Number (0 - 127) || | | C-1 - G9 || 00 2D | 0aaa aaaa | Pad 6 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 2E | 0aaa aaaa | (reserve) || 00 2F | 0aaa aaaa | Pad 7 Note Number (0 - 127) || | | C-1 - G9 || 00 30 | 0aaa aaaa | Pad 7 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 31 | 0aaa aaaa | (reserve) || 00 32 | 0aaa aaaa | Pad 8 Note Number (0 - 127) || | | C-1 - G9 || 00 33 | 0aaa aaaa | Pad 8 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 34 | 0aaa aaaa | (reserve) || 00 35 | 0aaa aaaa | Pad 9 Note Number (0 - 127) || | | C-1 - G9 || 00 36 | 0aaa aaaa | Pad 9 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 37 | 0aaa aaaa | (reserve) || 00 38 | 0aaa aaaa | Pad 10 Note Number (0 - 127) || | | C-1 - G9 || 00 39 | 0aaa aaaa | Pad 10 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 3A | 0aaa aaaa | (reserve) || 00 3B | 0aaa aaaa | Pad 11 Note Number (0 - 127) || | | C-1 - G9 || 00 3C | 0aaa aaaa | Pad 11 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 3D | 0aaa aaaa | (reserve) || 00 3E | 0aaa aaaa | Pad 12 Note Number (0 - 127) || | | C-1 - G9 || 00 3F | 0aaa aaaa | Pad 12 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 40 | 0aaa aaaa | (reserve) || 00 41 | 0aaa aaaa | Pad 13 Note Number (0 - 127) || | | C-1 - G9 || 00 42 | 0aaa aaaa | Pad 13 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 43 | 0aaa aaaa | (reserve) || 00 44 | 0aaa aaaa | Pad 14 Note Number (0 - 127) || | | C-1 - G9 || 00 45 | 0aaa aaaa | Pad 14 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 46 | 0aaa aaaa | (reserve) || 00 47 | 0aaa aaaa | Pad 15 Note Number (0 - 127) || | | C-1 - G9 || 00 48 | 0aaa aaaa | Pad 15 Velocity (0 - 127) || | | REAL, 1 - 127 || 00 49 | 0aaa aaaa | (reserve) || 00 4A | 0aaa aaaa | Pad 16 Note Number (0 - 127) || | | C-1 - G9 || 00 4B | 0aaa aaaa | Pad 16 Velocity (0 - 127) || | | REAL, 1 - 127 ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 4C | Total Size |+——————————————————————————————————————————————————————————————————————————————+❍Performance Common+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 | 0aaa aaaa | Performance Name 1 (32 - 127) || | | 32 - 127 [ASCII] || 00 01 | 0aaa aaaa | Performance Name 2 (32 - 127) || | | 32 - 127 [ASCII] || 00 02 | 0aaa aaaa | Performance Name 3 (32 - 127) || | | 32 - 127 [ASCII] || 00 03 | 0aaa aaaa | Performance Name 4 (32 - 127) || | | 32 - 127 [ASCII] || 00 04 | 0aaa aaaa | Performance Name 5 (32 - 127) || | | 32 - 127 [ASCII] || 00 05 | 0aaa aaaa | Performance Name 6 (32 - 127) || | | 32 - 127 [ASCII] || 00 06 | 0aaa aaaa | Performance Name 7 (32 - 127) || | | 32 - 127 [ASCII] || 00 07 | 0aaa aaaa | Performance Name 8 (32 - 127) || | | 32 - 127 [ASCII] || 00 08 | 0aaa aaaa | Performance Name 9 (32 - 127) || | | 32 - 127 [ASCII] || 00 09 | 0aaa aaaa | Performance Name 10 (32 - 127) || | | 32 - 127 [ASCII] || 00 0A | 0aaa aaaa | Performance Name 11 (32 - 127) || | | 32 - 127 [ASCII] || 00 0B | 0aaa aaaa | Performance Name 12 (32 - 127) || | | 32 - 127 [ASCII] ||—————————————+———————————+————————————————————————————————————————————————————|| 00 0C | 00aa aaaa | Solo Part Select (0 - 16) || | | OFF, 1 - 16 || 00 0D | 000a aaaa | MFX1 Control Channel (0 - 16) || | | 1 - 16, OFF || 00 0E | 0000 000a | (reserve) (1 - 0) || | | || 00 0F | 0000 000a | (reserve) (1 - 0) || | | ||—————————————+———————————+————————————————————————————————————————————————————|| 00 10 | 0aaa aaaa | Voice Reserve 1 (0 - 64) || | | 0 - 63, FULL || 00 11 | 0aaa aaaa | Voice Reserve 2 (0 - 64) || | | 0 - 63, FULL || 00 12 | 0aaa aaaa | Voice Reserve 3 (0 - 64) || | | 0 - 63, FULL || 00 13 | 0aaa aaaa | Voice Reserve 4 (0 - 64) || | | 0 - 63, FULL || 00 14 | 0aaa aaaa | Voice Reserve 5 (0 - 64) || | | 0 - 63, FULL || 00 15 | 0aaa aaaa | Voice Reserve 6 (0 - 64) || | | 0 - 63, FULL || 00 16 | 0aaa aaaa | Voice Reserve 7 (0 - 64) || | | 0 - 63, FULL || 00 17 | 0aaa aaaa | Voice Reserve 8 (0 - 64) || | | 0 - 63, FULL || 00 18 | 0aaa aaaa | Voice Reserve 9 (0 - 64) || | | 0 - 63, FULL || 00 19 | 0aaa aaaa | Voice Reserve 10 (0 - 64) || | | 0 - 63, FULL || 00 1A | 0aaa aaaa | Voice Reserve 11 (0 - 64) || | | 0 - 63, FULL || 00 1B | 0aaa aaaa | Voice Reserve 12 (0 - 64) || | | 0 - 63, FULL || 00 1C | 0aaa aaaa | Voice Reserve 13 (0 - 64) || | | 0 - 63, FULL || 00 1D | 0aaa aaaa | Voice Reserve 14 (0 - 64) || | | 0 - 63, FULL || 00 1E | 0aaa aaaa | Voice Reserve 15 (0 - 64) || | | 0 - 63, FULL || 00 1F | 0aaa aaaa | Voice Reserve 16 (0 - 64) || | | 0 - 63, FULL || 00 20 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 21 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 22 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 23 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 24 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 25 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 26 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 27 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 28 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 29 | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 2A | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 2B | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 2C | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 2D | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 2E | 0aaa aaaa | (reserve) (0 - 64) || | | || 00 2F | 0aaa aaaa | (reserve) (0 - 64) || | | ||—————————————+———————————+————————————————————————————————————————————————————|| 00 30 | 00aa aaaa | MFX1 Source (0 - 16) || | | PERFORM, 1 - 16 || 00 31 | 00aa aaaa | MFX2 Source (0 - 16) || | | PERFORM, 1 - 16 || 00 32 | 00aa aaaa | MFX3 Source (0 - 16) || | | PERFORM, 1 - 16 || 00 33 | 00aa aaaa | Chorus Source (0 - 16) || | | PERFORM, 1 - 16 || 00 34 | 00aa aaaa | Reverb Source (0 - 16) || | | PERFORM, 1 - 16 ||—————————————+———————————+————————————————————————————————————————————————————|| 00 35 | 00aa aaaa | MFX2 Control Channel (0 - 16) |313
Page 1 and 2:
Owner’s ManualThank you, and cong
Page 3 and 4:
USING THE UNIT SAFELYUsed for instr
Page 5 and 6:
IMPORTANT NOTESMaintenance401a• F
Page 7 and 8:
ContentsPlaying in Patch Mode .....
Page 9 and 10:
ContentsCreating a Performance ....
Page 11 and 12:
ContentsUsing the Pads.............
Page 13 and 14:
ContentsMaking Reverb Settings (Rev
Page 15 and 16:
Main FeaturesCutting-edge sound eng
Page 17 and 18:
Panel Descriptions[STOP]Controls se
Page 19 and 20:
Getting ReadyConnecting an Amp and
Page 21 and 22:
Getting ReadyTurning On the PowerOn
Page 23 and 24:
Listening to the Demo SongsThe Fant
Page 25 and 26:
Various Performance FeaturesControl
Page 27 and 28:
Overview of the Fantom-XLFO (Low Fr
Page 29 and 30:
Overview of the Fantom-XTemporary M
Page 31 and 32:
Overview of the Fantom-XTempo Track
Page 33 and 34:
Overview of the Fantom-XBasic Opera
Page 35 and 36:
Overview of the Fantom-XModifying a
Page 37 and 38:
Overview of the Fantom-XRegistering
Page 39 and 40:
Playing in Patch ModeFunctions in t
Page 41 and 42:
Playing in Patch ModeThe following
Page 43 and 44:
Playing in Patch ModeRegistering a
Page 45 and 46:
Playing in Patch ModeRegistering Fa
Page 47 and 48:
Playing in Patch ModeCreating Smoot
Page 49 and 50:
Playing in Patch ModeD Beam (Solo S
Page 51 and 52:
Playing in Patch ModeKnobfig.05-021
Page 53 and 54:
Playing in Patch ModePlaying a Rhyt
Page 55 and 56:
Playing in Piano Mode2. Use the VAL
Page 57 and 58:
Creating a Patch8. Repeat steps 5-7
Page 59 and 60:
Creating a PatchCautions When Using
Page 61 and 62:
Creating a PatchPatch CategorySpeci
Page 63 and 64:
Creating a PatchWave Gain1FXM Color
Page 65 and 66:
Creating a PatchBooster 1&2, 3&4 (B
Page 67 and 68:
Creating a PatchModifying Pitch (Pi
Page 69 and 70:
Creating a PatchModifying the Brigh
Page 71 and 72:
Creating a PatchTVF ENVF-Env Depth
Page 73 and 74:
Creating a PatchA-Env T4 V-Sens (TV
Page 75 and 76:
Creating a PatchRate Detune (LFO1/L
Page 77 and 78:
Creating a PatchApply Portamento or
Page 79 and 80:
Creating a PatchOFF-N:fig.06-053.eR
Page 81 and 82:
Creating a PatchMatrix Control 1-4
Page 83 and 84:
Creating a Rhythm SetWith the Fanto
Page 85 and 86:
Creating a Rhythm Set3. Press [F5 (
Page 87 and 88:
Creating a Rhythm Set4. If you wish
Page 89 and 90:
Creating a Rhythm SetWave No. L (Mo
Page 91 and 92:
Creating a Rhythm SetPitchTone Coar
Page 93 and 94:
Creating a Rhythm SetCutoff V-Sens
Page 95 and 96:
Creating a Rhythm SetA-Env Level 1-
Page 97 and 98:
Playing in Performance ModeA perfor
Page 99 and 100:
Playing in Performance ModeSelectin
Page 101 and 102:
Page 103 and 104:
Playing in Performance ModeUsing th
Page 105 and 106:
Page 107 and 108:
Creating a PerformanceWith the Fant
Page 109 and 110:
Creating a Performance[F3 (Pitch)]f
Page 111 and 112:
Creating a PerformanceKeyboard Rang
Page 113 and 114:
Creating a PerformanceExt Pan (Exte
Page 115 and 116:
Creating a PerformanceD Beam (Solo
Page 117 and 118:
Creating a PerformanceKnobfig.09-01
Page 119 and 120:
Creating a PerformanceControl D Bea
Page 121 and 122:
Modifying the Sound in Real TimeYou
Page 123 and 124:
Modifying the Sound in Real TimePad
Page 125 and 126:
Modifying the Sound in Real TimeCha
Page 127 and 128:
Modifying the Sound in Real Time127
Page 129 and 130:
Playing Arpeggios1. Connect an opti
Page 131 and 132:
Playing ArpeggiosHanging the Range
Page 133 and 134:
Using the Chord Memory Function (Ch
Page 135 and 136:
Playing RhythmsAbout Rhythm Pattern
Page 137 and 138:
Playing RhythmsChanging the Beat an
Page 139 and 140:
Playing RhythmsSaving the Patterns
Page 141 and 142:
SamplingThe Fantom-X lets you sampl
Page 143 and 144:
Sampling• Re-Sampling: [F2 (Re-Sa
Page 145 and 146:
SamplingSampling Earlier in Time(Sk
Page 147 and 148:
Editing a SampleLoading a SampleHer
Page 149 and 150:
Editing a SampleSetting the Start/E
Page 151 and 152:
Editing a SampleAssigning Samples t
Page 153 and 154:
Editing a Sample3. Press [F7 (Load
Page 155 and 156:
Editing a Sample6. When you’ve fi
Page 157 and 158:
Editing a Sample3. Press [F5 (Time
Page 159 and 160:
Editing a Sample4. Either turn the
Page 161 and 162:
Using the PadsMaking Settings for t
Page 163 and 164:
Using the PadsAssigning a Pattern t
Page 165 and 166:
Playing Back a Song4. Press [PLAY]
Page 167 and 168:
Playing Back a SongUsing the D Beam
Page 169 and 170:
Recording SongsSpecify the Time Sig
Page 171 and 172:
Recording SongsRecording Tempo Chan
Page 173 and 174:
Recording Songs4. Turn the VALUE di
Page 175 and 176:
Recording Songs• Step BackCancel
Page 177 and 178:
Editing SongsThis chapter explains
Page 179 and 180:
Editing Songs3. Turn the VALUE dial
Page 181 and 182:
Editing SongsAligning a Song’s Ti
Page 183 and 184:
Editing SongsRange Min, Range MaxSp
Page 185 and 186:
Editing SongsStatusSelects the type
Page 187 and 188:
Editing SongsMeasure, For (Edit Ran
Page 189 and 190:
Editing SongsExtract ModeSpecifies
Page 191 and 192:
Editing SongsStatusSelects the type
Page 193 and 194:
Editing Songs5. When you are finish
Page 195 and 196:
Editing SongsErasing Sequencer Data
Page 197 and 198:
Editing SongsAssigning a Name to aS
Page 199 and 200:
Saving/Loading a song (Save/Load)Sa
Page 201 and 202:
Saving/Loading a song (Save/Load)If
Page 203 and 204:
Playing a Phrase at the Touch of a
Page 205 and 206:
Playing a Phrase at the Touch of a
Page 207 and 208:
Adding EffectsApplying Effects in P
Page 209 and 210:
Adding Effects13Chorus Output Selec
Page 211 and 212:
Adding Effects6Part Reverb Send Lev
Page 213 and 214:
Adding EffectsMaking Multi-EffectsS
Page 215 and 216:
Adding EffectsSpecifying the multi-
Page 217 and 218:
Adding EffectsMastering EffectThis
Page 219 and 220:
Connecting to Your Computer via USB
Page 221 and 222:
Connecting to Your Computer via USB
Page 223 and 224:
File-Related Functions (File Utilit
Page 225 and 226:
Settings Common to All Modes (Syste
Page 227 and 228:
Page 229 and 230:
Page 231 and 232:
Page 233 and 234:
Page 235 and 236:
Data Management FunctionsReset to D
Page 237 and 238:
Using Fantom-X EditorFantom-X Edito
Page 239 and 240:
About V-LINKV-LINK ParametersNote T
Page 241 and 242:
Installing the Wave Expansion Board
Page 243 and 244:
Installation de la carte d’expans
Page 245 and 246:
Expanding the Memory4. Paying atten
Page 247 and 248:
Ajouter de la mémoire4. Prenez bie
Page 249 and 250:
TroubleshootingIf the Fantom-X does
Page 251 and 252:
TroubleshootingIssues Related to Ef
Page 253 and 254:
Troubleshooting• Is the data conc
Page 255 and 256:
Parameter ListPatch ParameterGenera
Page 257 and 258:
Parameter ListTVA Env Group (P.72)P
Page 259 and 260:
Parameter ListRhythm Set ParameterG
Page 261 and 262: Parameter ListEffect Group (P.207)P
Page 263 and 264: Parameter ListParameterValue[F8 (MI
Page 265 and 266: Parameter ListRhythm Group Paramete
Page 267 and 268: Parameter ListMIDI Group (P.230)Par
Page 269 and 270: Parameter ListV-LINK Group (P.239)P
Page 271 and 272: Effects List01: EQUALIZERThis is a
Page 273 and 274: Effects List08: AUTO WAHCyclically
Page 275 and 276: Effects List15: RING MODULATORThis
Page 277 and 278: Effects List23: CHORUSThis is a ste
Page 279 and 280: Effects List30: 3D FLANGERThis appl
Page 281 and 282: Effects List35: OVERDRIVECreates a
Page 283 and 284: Effects List44: LONG DELAYA delay t
Page 285 and 286: Effects ListParameter Range Explana
Page 287 and 288: Effects List57: LOFI COMPRESSThis i
Page 289 and 290: Effects ListParameter Value Descrip
Page 291 and 292: Effects List74: ENHANCER → DELAYf
Page 293 and 294: Effects ListAbout the STEP RESET fu
Page 295 and 296: Effects List05: NOISE SUPPRESSORSup
Page 297 and 298: About MIDIMIDI (Musical Instruments
Page 299 and 300: MIDI Implementation❍Hold 1 (Contr
Page 301 and 302: MIDI Implementation■Channel Mode
Page 303 and 304: MIDI Implementation❍Channel Press
Page 305 and 306: MIDI Implementation❍Volume (Contr
Page 307 and 308: MIDI Implementation3. Data receptio
Page 309 and 310: MIDI Implementation■System Realti
Page 311: MIDI Implementation5. Parameter Add
Page 315 and 316: MIDI Implementation| | 0000 cccc |
Page 317 and 318: MIDI Implementation|# 00 54 | 0000
Page 319 and 320: MIDI Implementation| | | USER, PRES
Page 321 and 322: MIDI Implementation| | | -20000 - +
Page 323 and 324: MIDI Implementation|—————
Page 325 and 326: MIDI Implementation| | 0000 dddd |
Page 327 and 328: MIDI Implementation| | | -64 - +63
Page 329 and 330: MIDI Implementation■Example of an
Page 331 and 332: (Sound Generator Section)Model Fant
Page 333 and 334: SpecificationsFantom-X6/X7/X8:Synth
Page 335 and 336: IndexSymbols+OCT/-OCT .............
Page 337 and 338: IndexDeletingDividing Point .......
Page 339 and 340: IndexMMagnify .....................
Page 341 and 342: IndexP-Env DepthPatch .............
Page 343 and 344: IndexSolo/Portamento ..............
Page 345 and 346: IndexVoice Reserve ................
Page 347 and 348: Model Name :Type of Equipment :Resp
show all

Owner's Manual - Roland

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?