Owner's Manual - Roland

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MIDI Implementation4. Data transmission (Sequencer Section)4.1 Messages transmitted during playingRecorded messages are transmitted during playback.4.2 Soft Thru settingMessages (except System Common and System Realtime Messages) that are received arethen sent out when Soft Thru parameter (System/Sync/Tempo) is switched to ON.4.3 Messages that are generated and transmitted4.3.1 Messages Appearing When Synchronizingwith Other Devices■System Common Messages* Sent when Sync Output parameter (System/Sync/Tempo) is set to ON.●Song Position PointerStatus 2nd byte 3rd byteF2H mmH llHmm, ll=value: 00 00H - 7F 7FH (0 - 16383)■System Realtime Messages* Sent when Sync Output parameter (System/Sync/Tempo) is set to ON.●Timing ClockStatusF8H●StartStatusFAH●ContinueStatusFBH●StopStatusFCH●Quarter Frame MessagesStatusF1H2nd bytemmH (= 0nnndddd)* Sent when Sync Mode parameter (System/Sync/Tempo) is set to MASTER and MTCSync Output parameter (System/Sync/Tempo) is set to ON. Furthermore, sending aQuarter Frame Message with “00h00m00s00f00” at the beginning of the song adds theMTC Offset Time parameter (System/Sync/Tempo).■System Exclusive Message●MIDI Time code❍Full MessageFull Messages are used, which encode the complete time into a single message.This message transmitted when the song position moves.Status Data Byte StatusF0H, 7FH xxH, 01H, 01H, hrH, mnH, scH, frHF7HF0H, 7FH : Realtime Universal System Exclusive HeaderxxH : 7F (Device ID)01H : sub-ID #1 (MIDI Time code)01H : sub-ID #2 (Full Message)hrH : hours and type: 0 yy zzzzzyy type:00 = 24 Flame/sec01 = 25 Flame/sec10 = 30 Flame/sec11 = 30 Flame/seczzzzz : Hours (00 - 23)mnH : Minutes (00 - 59)scH : Seconds (00 - 59)frH : Frames (00 - 29)F7H : EOX (End of Exclusive)●MIDI Machine Control (MMC)* Not received when the MMC Mode parameter (System/Sync/Tempo) is Master.❍STOP (MCS)Status Data byte StatusF0H7FH, dev, 06H, 01H F7HByteRemarksF0HExclusive status7FHUniversal System Exclusive Realtime Header7FHDevice ID06HMMC command message01HSTOP (MCS)F7HEOX (End of Exclusive)❍DEFFERRED PLAY (MCS)Status Data byte StatusF0H 7FH, dev, 06H, 03H F7HByteRemarksF0HExclusive status7FHUniversal System Exclusive Realtime Header7FHDevice ID06HMMC command message03HDEFERRED PLAY (MCS)F7HEOX (End of Exclusive)❍LOCATE (MCP)❍Format2—LOCATE [TARGET]Status Data byte StatusF0H 7FH, dev, 06H, 44H, 06H, 01H, hrH, mnH, scH, frH, ffH F7HByteF0H7FH7FH06H44H06H01HhrHmnHscHfrHffHF7HRemarksExclusive statusUniversal System Exclusive Realtime HeaderDevice IDMMC command messageLOCATE (MCP)Byte count“TARGET” sub-CommandStandard Time Specification with subframesEOX (End of Exclusive)310
MIDI Implementation5. Parameter Address Map* Transmission of “#” marked address is divided to some packets. For example, ABH inhexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this order.* “” marked address or parameters are ignored when the Fantom-X6/X7/X8 receivedthem.1. Fantom-X6/X7/X8 (ModelID = 00H 6BH)+——————————————————————————————————————————————————————————————————————————————+| Start | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 01 00 00 00 | Setup ||—————————————+————————————————————————————————————————————————————————————————|| 02 00 00 00 | System ||—————————————+————————————————————————————————————————————————————————————————|| 10 00 00 00 | Temporary Performance || 11 00 00 00 | Temporary Patch/Rhythm (Performance Mode Part 1) || 11 20 00 00 | Temporary Patch/Rhythm (Performance Mode Part 2) || : | || 14 60 00 00 | Temporary Patch/Rhythm (Performance Mode Part 16) || 1E 00 00 00 | Temporary Rhythm Pattern || 1E 01 00 00 | Temporary Arpeggio (Performance Mode) || 1E 02 00 00 | Temporary Chord (Performance Mode) || 1E 03 00 00 | Temporary Rhythm Group (Performance Mode) || 1E 11 00 00 | Temporary Arpeggio (Patch Mode) || 1E 12 00 00 | Temporary Chord (Patch Mode) || 1E 13 00 00 | Temporary Rhythm Group (Patch Mode) || 1F 00 00 00 | Temporary Patch/Rhythm (Patch Mode Part 1) || 1F 20 00 00 | Temporary Patch/Rhythm (Patch Mode Part 2) |+——————————————————————————————————————————————————————————————————————————————+❍System+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | System Common || 00 02 00 | System Mastering || 00 03 00 | System External Input || 00 40 00 | System Controller |+——————————————————————————————————————————————————————————————————————————————+❍Temporary Patch/Rhythm+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | Temporary Patch || 10 00 00 | Temporary Rhythm |+——————————————————————————————————————————————————————————————————————————————+❍Performance+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | Performance Common || 00 02 00 | Performance Common MFX1 || 00 04 00 | Performance Common Chorus || 00 06 00 | Performance Common Reverb || 00 08 00 | Performance Common MFX2 || 00 0A 00 | Performance Common MFX3 || 00 10 00 | Performance MIDI (Channel 1) || 00 11 00 | Performance MIDI (Channel 2) || : | || 00 1F 00 | Performance MIDI (Channel 16) || 00 20 00 | Performance Part (Part 1) || 00 21 00 | Performance Part (Part 2) || : | || 00 2F 00 | Performance Part (Part 16) || 00 50 00 | Performance Zone (Channel 1) || 00 51 00 | Performance Zone (Channel 2) || : | || 00 5F 00 | Performance Zone (Channel 16) || 00 60 00 | Performance Controller |+——————————————————————————————————————————————————————————————————————————————+❍Patch+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | Patch Common || 00 02 00 | Patch Common MFX || 00 04 00 | Patch Common Chorus || 00 06 00 | Patch Common Reverb || 00 10 00 | Patch TMT (Tone Mix Table) || 00 20 00 | Patch Tone (Tone 1) || 00 22 00 | Patch Tone (Tone 2) || 00 24 00 | Patch Tone (Tone 3) || 00 26 00 | Patch Tone (Tone 4) |+——————————————————————————————————————————————————————————————————————————————+❍Rhythm+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | Rhythm Common || 00 02 00 | Rhythm Common MFX || 00 04 00 | Rhythm Common Chorus || 00 06 00 | Rhythm Common Reverb || 00 10 00 | Rhythm Tone (Key # 21) || 00 12 00 | Rhythm Tone (Key # 22) || : | || 01 3E 00 | Rhythm Tone (Key # 108) |+——————————————————————————————————————————————————————————————————————————————+❍Arpeggio+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | Arpeggio Common || 00 10 00 | Arpeggio Pattern (Note 1) || 00 11 00 | Arpeggio Pattern (Note 2) || : | || 00 1F 00 | Arpeggio Pattern (Note 16) |+——————————————————————————————————————————————————————————————————————————————+❍Chord+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | Chord Pattern |+——————————————————————————————————————————————————————————————————————————————+❍Rhythm Group+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 | Rhythm Group |+——————————————————————————————————————————————————————————————————————————————+❍Setup+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 | 0000 0aaa | Sound Mode (0 - 5) || | | PATCH, PERFORM, GM1, GM2, GS, PIANO ||—————————————+———————————+————————————————————————————————————————————————————|| 00 01 | 0aaa aaaa | Performance Bank Select MSB (CC# 0) (0 - 127) || 00 02 | 0aaa aaaa | Performance Bank Select LSB (CC# 32) (0 - 127) || 00 03 | 0aaa aaaa | Performance Program Number (PC) (0 - 127) ||—————————————+———————————+————————————————————————————————————————————————————|| 00 04 | 0aaa aaaa | Kbd Patch Bank Select MSB (CC# 0) (0 - 127) || 00 05 | 0aaa aaaa | Kbd Patch Bank Select LSB (CC# 32) (0 - 127) || 00 06 | 0aaa aaaa | Kbd Patch Program Number (PC) (0 - 127) || 00 07 | 0aaa aaaa | Pad Patch Bank Select MSB (CC# 0) (0 - 127) || 00 08 | 0aaa aaaa | Pad Patch Bank Select LSB (CC# 32) (0 - 127) || 00 09 | 0aaa aaaa | Pad Patch Program Number (PC) (0 - 127) ||—————————————+———————————+————————————————————————————————————————————————————|| 00 0A | 0000 000a | MFX1 Switch (0 - 1) || | | BYPASS, ON || 00 0B | 0000 000a | MFX2 Switch (0 - 1) || | | BYPASS, ON || 00 0C | 0000 000a | MFX3 Switch (0 - 1) || | | BYPASS, ON || 00 0D | 0000 000a | Chorus Switch (0 - 1) || | | OFF, ON || 00 0E | 0000 000a | Reverb Switch (0 - 1) || | | OFF, ON || 00 0F | 0000 000a | Input Effect Switch (0 - 1) || | | OFF, ON || 00 10 | 0000 000a | Patch Mode Chorus Source (0 - 1) || | | KBD, PAD || 00 11 | 0000 000a | Patch Mode Reverb Source (0 - 1) || | | KBD, PAD ||—————————————+———————————+————————————————————————————————————————————————————|| 00 12 | 0000 aaaa | Transpose Value (59 - 70) || | | -5 - +6 || 00 13 | 0000 0aaa | Octave Shift (61 - 67) || | | -3 - +3 ||—————————————+———————————+————————————————————————————————————————————————————|| 00 14 | 0000 0aaa | D Beam Select (0 - 3) || | | OFF, PAD-TRIG, SOLO-SYN, ASGN || 00 15 | 0000 00aa | Knob Select (0 - 3) || | | OFF, FLT-ENV, ARP-RHY, ASGN || 00 16 | 0000 000a | (reserve) || 00 17 | 0aaa aaaa | Arp/Ptn Grid (0 - 8) || | | 04_, 08_, 08L, 08H, 08t, || | | 16_, 16L, 16H, 16t || 00 18 | 0aaa aaaa | Arp/Ptn Duration (0 - 9) || | | 30, 40, 50, 60, 70, 80, 90, || | | 100, 120, FUL || 00 19 | 0000 000a | Arpeggio Switch (0 - 1) || | | OFF, ON || 00 1A | 0aaa aaaa | Arpeggio Bank (0 - 1) || | | USER, PRESET || 00 1B | 0aaa aaaa | Arpeggio Style (0 - 127) || | | 1 - 128 || 00 1C | 0aaa aaaa | Arpeggio Motif (0 - 11) || | | UP/L, UP/H, UP/_, dn/L, dn/H, || | | dn/_, Ud/L, Ud/H, Ud/_, rn/L, || | | rn/_, PHRASE || 00 1D | 0000 0aaa | Arpeggio Octave Range (61 - 67) || | | -3 - +3 || 00 1E | 0000 000a | Arpeggio Hold (0 - 1) || | | OFF, ON || 00 1F | 0aaa aaaa | Arpeggio Accent Rate (0 - 100) || 00 20 | 0aaa aaaa | Arpeggio Velocity (0 - 127) || | | REAL, 1 - 127 || 00 21 | 0000 000a | Rhythm Pattern Switch (0 - 1) || | | OFF, ON || 00 22 | 0aaa aaaa | Rhythm Pattern Bank (0 - 1) || | | USER, PRESET ||# 00 23 | 0000 aaaa | || | 0000 bbbb | Rhythm Pattern Style (0 - 255) || | | 1 - 256 || 00 25 | 0000 000a | Rhythm Pattern Group Bank (0 - 1) || | | USER, PRESET || 00 26 | 0aaa aaaa | Rhythm Pattern Group Number (0 - 31) || | | 1 - 32 || 00 27 | 0aaa aaaa | Rhythm Pattern Accent Rate (0 - 100) || 00 28 | 0aaa aaaa | Rhythm Pattern Velocity (0 - 127) || | | REAL, 1 - 127 ||—————————————+———————————+————————————————————————————————————————————————————|| 00 29 | 0000 000a | Chord Switch (0 - 1) || | | OFF, ON || 00 2A | 0aaa aaaa | Chord Bank (0 - 1) || | | USER, PRESET || 00 2B | 00aa aaaa | Chord Form (0 - 63) ||—————————————+———————————+————————————————————————————————————————————————————|| 00 2C | 0000 000a | Bender and Modulation Part Select (0 - 1) || | | KBD, PAD || 00 2D | 0000 000a | Beam Part Select (0 - 1) || | | KBD, PAD || 00 2E | 0000 000a | Knob Part Select (0 - 1) || | | KBD, PAD ||—————————————+———————————+————————————————————————————————————————————————————|| 00 2F | 0000 000a | (reserve) || | | || 00 30 | 0aaa aaaa | (reserve) || | | ||—————————————+———————————+————————————————————————————————————————————————————|| 00 31 | 0000 000a | Rolled Chord (0 - 1) || | | OFF, ON || 00 32 | 0000 00aa | Rolled Chord Type (0 - 2) || | | UP, DOWN, ALTERNATE || 00 33 | 00aa aaaa | Arpeggio Step (0 - 32) || | | AUTO, 1 - 32 ||—————————————+————————————————————————————————————————————————————————————————|| 00 00 00 34 | Total Size |+——————————————————————————————————————————————————————————————————————————————+❍System Common+——————————————————————————————————————————————————————————————————————————————+| Offset | || Address | Description ||—————————————+————————————————————————————————————————————————————————————————||# 00 00 | 0000 aaaa | || | 0000 bbbb | || | 0000 cccc | || | 0000 dddd | Master Tune (24 - 2024) || | | -100.0 - 100.0 [cent] |311
Page 1 and 2:
Owner’s ManualThank you, and cong
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USING THE UNIT SAFELYUsed for instr
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IMPORTANT NOTESMaintenance401a• F
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ContentsPlaying in Patch Mode .....
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ContentsCreating a Performance ....
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ContentsUsing the Pads.............
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ContentsMaking Reverb Settings (Rev
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Main FeaturesCutting-edge sound eng
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Panel Descriptions[STOP]Controls se
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Getting ReadyConnecting an Amp and
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Getting ReadyTurning On the PowerOn
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Listening to the Demo SongsThe Fant
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Various Performance FeaturesControl
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Overview of the Fantom-XLFO (Low Fr
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Overview of the Fantom-XTemporary M
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Overview of the Fantom-XTempo Track
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Overview of the Fantom-XBasic Opera
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Overview of the Fantom-XModifying a
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Overview of the Fantom-XRegistering
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Playing in Patch ModeFunctions in t
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Playing in Patch ModeThe following
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Playing in Patch ModeRegistering a
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Playing in Patch ModeRegistering Fa
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Playing in Patch ModeCreating Smoot
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Playing in Patch ModeD Beam (Solo S
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Playing in Patch ModeKnobfig.05-021
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Playing in Patch ModePlaying a Rhyt
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Playing in Piano Mode2. Use the VAL
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Creating a Patch8. Repeat steps 5-7
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Creating a PatchCautions When Using
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Creating a PatchPatch CategorySpeci
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Creating a PatchWave Gain1FXM Color
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Creating a PatchBooster 1&2, 3&4 (B
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Creating a PatchModifying Pitch (Pi
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Creating a PatchModifying the Brigh
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Creating a PatchTVF ENVF-Env Depth
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Creating a PatchA-Env T4 V-Sens (TV
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Creating a PatchRate Detune (LFO1/L
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Creating a PatchApply Portamento or
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Creating a PatchOFF-N:fig.06-053.eR
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Creating a PatchMatrix Control 1-4
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Creating a Rhythm SetWith the Fanto
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Creating a Rhythm Set3. Press [F5 (
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Creating a Rhythm Set4. If you wish
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Creating a Rhythm SetWave No. L (Mo
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Creating a Rhythm SetPitchTone Coar
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Creating a Rhythm SetCutoff V-Sens
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Creating a Rhythm SetA-Env Level 1-
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Playing in Performance ModeA perfor
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Playing in Performance ModeSelectin
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Playing in Performance ModeUsing th
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Creating a PerformanceWith the Fant
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Creating a Performance[F3 (Pitch)]f
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Creating a PerformanceKeyboard Rang
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Creating a PerformanceExt Pan (Exte
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Creating a PerformanceD Beam (Solo
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Creating a PerformanceKnobfig.09-01
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Creating a PerformanceControl D Bea
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Modifying the Sound in Real TimeYou
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Modifying the Sound in Real TimePad
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Modifying the Sound in Real TimeCha
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Modifying the Sound in Real Time127
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Playing Arpeggios1. Connect an opti
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Playing ArpeggiosHanging the Range
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Using the Chord Memory Function (Ch
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Playing RhythmsAbout Rhythm Pattern
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Playing RhythmsChanging the Beat an
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Playing RhythmsSaving the Patterns
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SamplingThe Fantom-X lets you sampl
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Sampling• Re-Sampling: [F2 (Re-Sa
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SamplingSampling Earlier in Time(Sk
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Editing a SampleLoading a SampleHer
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Editing a SampleSetting the Start/E
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Editing a SampleAssigning Samples t
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Editing a Sample3. Press [F7 (Load
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Editing a Sample6. When you’ve fi
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Editing a Sample3. Press [F5 (Time
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Editing a Sample4. Either turn the
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Using the PadsMaking Settings for t
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Using the PadsAssigning a Pattern t
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Playing Back a Song4. Press [PLAY]
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Playing Back a SongUsing the D Beam
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Recording SongsSpecify the Time Sig
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Recording SongsRecording Tempo Chan
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Recording Songs4. Turn the VALUE di
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Recording Songs• Step BackCancel
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Editing SongsThis chapter explains
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Editing Songs3. Turn the VALUE dial
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Editing SongsAligning a Song’s Ti
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Editing SongsRange Min, Range MaxSp
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Editing SongsStatusSelects the type
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Editing SongsMeasure, For (Edit Ran
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Editing SongsExtract ModeSpecifies
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Editing SongsStatusSelects the type
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Editing Songs5. When you are finish
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Editing SongsErasing Sequencer Data
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Editing SongsAssigning a Name to aS
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Saving/Loading a song (Save/Load)Sa
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Saving/Loading a song (Save/Load)If
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Playing a Phrase at the Touch of a
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Playing a Phrase at the Touch of a
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Adding EffectsApplying Effects in P
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Adding Effects13Chorus Output Selec
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Adding Effects6Part Reverb Send Lev
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Adding EffectsMaking Multi-EffectsS
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Adding EffectsSpecifying the multi-
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Adding EffectsMastering EffectThis
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Connecting to Your Computer via USB
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Connecting to Your Computer via USB
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File-Related Functions (File Utilit
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Settings Common to All Modes (Syste
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Data Management FunctionsReset to D
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Using Fantom-X EditorFantom-X Edito
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About V-LINKV-LINK ParametersNote T
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Installing the Wave Expansion Board
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Installation de la carte d’expans
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Expanding the Memory4. Paying atten
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Ajouter de la mémoire4. Prenez bie
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TroubleshootingIf the Fantom-X does
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TroubleshootingIssues Related to Ef
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Troubleshooting• Is the data conc
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Parameter ListPatch ParameterGenera
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Parameter ListTVA Env Group (P.72)P
Page 259 and 260: Parameter ListRhythm Set ParameterG
Page 261 and 262: Parameter ListEffect Group (P.207)P
Page 263 and 264: Parameter ListParameterValue[F8 (MI
Page 265 and 266: Parameter ListRhythm Group Paramete
Page 267 and 268: Parameter ListMIDI Group (P.230)Par
Page 269 and 270: Parameter ListV-LINK Group (P.239)P
Page 271 and 272: Effects List01: EQUALIZERThis is a
Page 273 and 274: Effects List08: AUTO WAHCyclically
Page 275 and 276: Effects List15: RING MODULATORThis
Page 277 and 278: Effects List23: CHORUSThis is a ste
Page 279 and 280: Effects List30: 3D FLANGERThis appl
Page 281 and 282: Effects List35: OVERDRIVECreates a
Page 283 and 284: Effects List44: LONG DELAYA delay t
Page 285 and 286: Effects ListParameter Range Explana
Page 287 and 288: Effects List57: LOFI COMPRESSThis i
Page 289 and 290: Effects ListParameter Value Descrip
Page 291 and 292: Effects List74: ENHANCER → DELAYf
Page 293 and 294: Effects ListAbout the STEP RESET fu
Page 295 and 296: Effects List05: NOISE SUPPRESSORSup
Page 297 and 298: About MIDIMIDI (Musical Instruments
Page 299 and 300: MIDI Implementation❍Hold 1 (Contr
Page 301 and 302: MIDI Implementation■Channel Mode
Page 303 and 304: MIDI Implementation❍Channel Press
Page 305 and 306: MIDI Implementation❍Volume (Contr
Page 307 and 308: MIDI Implementation3. Data receptio
Page 309: MIDI Implementation■System Realti
Page 313 and 314: MIDI Implementation| 00 06 | 0000 0
Page 315 and 316: MIDI Implementation| | 0000 cccc |
Page 317 and 318: MIDI Implementation|# 00 54 | 0000
Page 319 and 320: MIDI Implementation| | | USER, PRES
Page 321 and 322: MIDI Implementation| | | -20000 - +
Page 323 and 324: MIDI Implementation|—————
Page 325 and 326: MIDI Implementation| | 0000 dddd |
Page 327 and 328: MIDI Implementation| | | -64 - +63
Page 329 and 330: MIDI Implementation■Example of an
Page 331 and 332: (Sound Generator Section)Model Fant
Page 333 and 334: SpecificationsFantom-X6/X7/X8:Synth
Page 335 and 336: IndexSymbols+OCT/-OCT .............
Page 337 and 338: IndexDeletingDividing Point .......
Page 339 and 340: IndexMMagnify .....................
Page 341 and 342: IndexP-Env DepthPatch .............
Page 343 and 344: IndexSolo/Portamento ..............
Page 345 and 346: IndexVoice Reserve ................
Page 347 and 348: Model Name :Type of Equipment :Resp
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