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Owner's Manual - Roland

Owner's Manual - Roland

Owner's Manual - Roland

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Effects ListParameter Range ExplanationDelay 3 Feedback#-98– +98% Proportion of the delay soundthat is to be returned to the inputof the tap delay (negativevalues invert the phase)Delay HFDamp51: SHUFFLE DELAYAdds a shuffle to the delay sound, giving the sound a bouncy delayeffect with a swing feel.fig.MFX-5152: 3D DELAY200–8000 Hz, BY-PASSFrequency at which the lowfrequencycontent of the tapdelay sound will be cut (BY-PASS: no cut)Panning of the tap delaysoundsDelay 1 Pan’, L64–63R‘Delay 2 PanDelay 1 Level’, 0–127 Volume of the tap delay‘Delay 2 LevelsoundsLow Gain -15– +15 dB Amount of boost/cut for thelow-frequency rangeHigh Gain -15– +15 dB Amount of boost/cut for thehigh-frequency rangeBalance # D100:0W–D0:100W Volume balance of the originalsound (D) and delaysound (W)Level 0–127 Output volumeL inR inParameter Value DescriptionDelay Time # 0–2600 ms,noteAdjusts the time until the delay sound isheard.ShuffleRate #0–100 % Adjusts the ratio (as a percentage) of thetime that elapses before Delay B soundsrelative to the time that elapses before theDelay A sounds.When set to 100%, the delay times arethe same.Acceleration 0–15 Adjusts the time over which the DelayTime changes from the current setting toits specified new setting.Feedback # -98– +98 % Adjusts the amount of the delay that’sfed back into the effect. Negative (-) settingsinvert the phase.HF DampFeedbackDelayDelay ADelay B200–8000 Hz,BYPASS2-BandEQ2-BandEQAdjusts the frequency above whichsound fed back to the effect is filteredout. If you don’t want to filter out anyhigh frequencies, set this parameter toBYPASS.Pan A/B 0–127 Stereo location of Delay A/BLevel A/B 0–127 Volume of delay A/BLow Gain -15– +15 dB Gain of the low frequency rangeHigh Gain -15– +15 dB Gain of the high frequency rangeBalance # D100:0W–D0:100WVolume balance between the directsound (D) and the effect sound (W)Level 0–127 Output levelThis applies a 3D effect to the delay sound. The delay sound will bepositioned 90 degrees left and 90 degrees right.fig.MFX-52LR3D Delay L3D Delay CFeedback3D Delay RABLevel2-BandEQ2-BandEQL outR outL outR outParameter Value DescriptionDelay Left 0–2600 ms, note Adjusts the delay time fromthe direct sound until the delaysound is heard.Delay RightDelay CenterCenterFeedback #53: TIME CTRL DELAYA stereo delay in which the delay time can be varied smoothly.fig.MFX-53-98– +98 % Adjusts the proportion of thedelay sound that is fed backinto the effect. Negative (-)settings will invert the phase.HF Damp 200–8000 Hz, BYPASS Adjusts the frequency abovewhich sound fed back to theeffect will be cut. If you do notwant to cut the high frequencies,set this parameter to BY-PASS.Left Level 0–127 Output level of the delayRight LevelCenter LevelOutput Mode SPEAKER, PHONESsoundAdjusts the method that willbe used to hear the sound thatis output to the OUTPUTjacks. The optimal 3D effectwill be achieved if you selectSPEAKER when using speakers,or PHONES when usingheadphones.Low Gain -15– +15 dB Gain of the low rangeHigh Gain -15– +15 dB Gain of the high rangeBalance # D100:0W–D0:100W Volume balance between thedirect sound (D) and the effectsound (W)Level 0–127 Output LevelL inR inParameter Value DescriptionDelay Time # 0–1300 ms, note Adjusts the time until the delayis heard.Acceleration 0–15 Adjusts the time over which theDelay Time changes from thecurrent setting to a specified newsetting.The rate of change for the DelayTime directly affects the rate ofpitch change.Feedback # -98– +98 % Adjusts the amount of the delaythat’s fed back into the effect.Negative (-) settings invert thephase.HF Damp 200–8000 Hz,BYPASSAdjusts the frequency abovewhich sound fed back to the effectis filtered out. If you do notwant to filter out any high frequencies,set this parameter toBYPASS.Low Gain -15– +15 dB Gain of the low frequency rangeHigh Gain -15– +15 dB Gain of the high frequency rangeBalance #Time Ctrl DelayFeedbackFeedbackTime Ctrl DelayD100:0W–D0:100WPan LPan RLevel 0–127 Output level2-Band EQ2-Band EQL outR outVolume balance between the directsound (D) and the delaysound (W)285

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