2006 On the Survival of the Classical Kithara/Lyre in N.E.Africa

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Beja: Dance• Technique ofbeating chords– Beja radio musician• Tuning for heroicsongs: B d e f a• There are 3 modesfor tuning thestrings II IV I III V– Beesaay y( (Heroic)– Shambar (Love)– Dawarbaay (Nature)
Ethiopia: Love Song• Numbers are strings plucked• The mood is Tizzita (qõp)(comparable to c d e g a)
Page 2 and 3: On the survival of the classical
Page 5 and 6: The Claim:• Today‘s musical pra
Page 7: In Europe, the tradition is lostA f
Page 10 and 11: In Europe, lyres died c. 1000 ADA.D
Page 12 and 13: The world around 200 A.D.as Romans
Page 14 and 15: The world around 200 A.D.as Ethiopi
Page 16 and 17: Indicators of cultural contactEthio
Page 18 and 19: Why are these cultures conservative
Page 20 and 21: Medja 2000 BC / Blemmyes 200 AD
Page 22 and 23: Conservative features: EthiopiaEthi
Page 24 and 25: Shapes / Terms• Kithara-shaped in
Page 26 and 27: Lyre-shaped instrumentstoday• Bow
Page 28 and 29: Shape / Area• Kithara-shaped, lar
Page 30 and 31: 1. Claim: Europe lost the lyre - it
Page 32 and 33: Second Technique: Beating• The ri
Page 34 and 35: Again:Second Technique: Beating•
Page 36 and 37: Technique:Beating the Lyre in Sudan
Page 38 and 39: 1. Claim: Europe lost the lyre - it
Page 42 and 43: Ethiopia: Love Song• Scale withou
Page 44: Access to the film clips and sound

2006 On the Survival of the Classical Kithara/Lyre in N.E.Africa

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