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About the TranslationOUR previous book with music for the Divine Liturgies contained both Elizabethan andModern English versions of each hymn. This book for Vespers, however, containshymns only in Elizabethan English. We decided to compose music only for this style ofEnglish because several others have already set these hymns to music using a Modern Englishtranslation. 16 All the texts 17 used for the hymns in this publication are copyrighted by the HolyTransfiguration <strong>Monastery</strong> in Brookline, Massachusetts, and are used with their kind permission.We chose their Elizabethan English translation because many people throughout theworld hold their liturgical translations in high regard due to their precision, meter, and elegance.16 In particular, Hieromonk Seraphim Dedes has set to Byzantine music all troparia of the Octoechos for SaturdayVespers and Sunday Orthros. His works are available at: http://sgpm.goarch.org/<strong>Monastery</strong>/index.php?p=31Others who have set these troparia to Byzantine music using a Modern English translation include: Dr. JessicaSuchy-Pilalis, John Michael Boyer, and Andrew Gorny.17 The only text in this book that is our own translation is the text for the apolytikia of the Resurrection.
Concerning NotationOVER the centuries, Byzantine music notation became increasingly more specific. 1 That isto say, later composers chose to write particular musical phrases with more notes thanthose of earlier composers. In other words, the later composers wrote out ornamental formulasin full, whereas in the past, these would have been left to the skill and experience of thechanters. This clarification did not purport to add anything new to a given melody, but rather itspelled out the way in which the tune was intended to be chanted in order to eliminate erroneousinterpretations. Even today, a chanter following Byzantine notation is still expected to“interpret” a musical phrase based on the oral tradition he has inherited from his mentor. Interpretinga musical phrase entails chanting a tone with a certain élan or adding notes to a phrase.For example, the ancient Byzantine music symbol “apoderma” ( ), as sung in the post-Byzantine era, appears in modern Byzantine notation as:0' ! ! ! og m
Page 3 and 4: VespersAs chanted on the Holy Mount
Page 5: ContentsConcerning Adaptation .....
Page 9: Contents viiSunday ................
Page 12 and 13: xConcerning AdaptationThe first ada
Page 14 and 15: xiiConcerning AdaptationThis adapta
Page 16 and 17: xivConcerning AdaptationThis adapta
Page 18 and 19: xviConcerning AdaptationThis adapta
Page 20 and 21: xviiiConcerning AdaptationComparing
Page 22 and 23: xxConcerning AdaptationAs with the
Page 24 and 25: xxiiConcerning AdaptationThe versio
Page 26 and 27: xxivConcerning AdaptationThe follow
Page 30 and 31: xxviiiConcerning NotationTranscribe
Page 32 and 33: RubricsAS in the standard Greek Ana
Page 37 and 38: Intonation: #1(see Appendix)Andante
Page 39 and 40: Let My PrayerFirst ModeAndanteÚ•
Page 41 and 42: First Mode - Verses of Psalms 54& b
Page 43 and 44: First Mode - Verses of Psalms 7& b
Page 45 and 46: First Mode - Verses of Psalms 919&
Page 47 and 48: KFirst Mode - Slow Stichera 11& b
Page 49 and 50: First Mode - Slow Stichera 13& b& b
Page 51 and 52: First Mode - Slow Stichera 15& b D
Page 53 and 54: & bœ œ œ œfor the Cross and>œ&
Page 55 and 56: First Mode - Slow Stichera 19& bUn.
Page 57 and 58: First Mode - Glory 21Alternate Melo
Page 59 and 60: Andante& b& b& b& bDÚ•¢œ œ œ
Page 61 and 62: & bœ œ œofD˙God;& b œ œ œ œ
Page 63 and 64: First Mode - Slow Aposticha 27& bCj
Page 65 and 66: First Mode - Slow Aposticha 29& b C
Page 67 and 68: First Mode - Slow Aposticha 31D& b
Page 69 and 70: Aposticha TheotokionAndanteÚ•¢F
Page 71 and 72: Allegro& bDÚ¡§ºApolytikion of t
Page 73 and 74: First Mode - Apolytikion37Resurrect
Page 75 and 76: Intonation: #1AllegroÚ¡§ºFirst
Page 77 and 78: Brief SticheraFirst ModeAllegro& b
Page 79 and 80:
First Mode - Brief Stichera43Stiche
Page 81 and 82:
First Mode - Brief Stichera45& b >
Page 83 and 84:
First Mode - Brief Stichera47& b œ
Page 85 and 86:
First Mode - Brief Stichera49& bDj
Page 87 and 88:
First Mode - Brief Stichera51& bŒ
Page 89 and 90:
F& bj œFirst Mode - Brief Apostich
Page 91 and 92:
& b ˙ ,First Mode - Brief Apostich
Page 93 and 94:
First Mode - Brief Aposticha 57Glor
Page 95 and 96:
Intonation: #7Andante&Ú•¢Un. G
Page 97 and 98:
Let My PrayerSecond ModeAndante&Un.
Page 99 and 100:
Second Mode (Soft Chromatic) - Vers
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Second Mode - Slow Stichera 69& ˙
Page 107 and 108:
Second Mode - Slow Stichera 71F G&
Page 109 and 110:
& œ.œ œ œ œ œ> jœœ .,Second
Page 111 and 112:
Second Mode - Slow Stichera 75&Fœj
Page 113 and 114:
Second Mode - Slow Stichera 77Stich
Page 115 and 116:
Second Mode - Slow Stichera 79&Fœj
Page 117 and 118:
Second Mode - Glory 81Alternate Mel
Page 119 and 120:
Andante&Ú•¢Un.G ,œ œ œ œ œ
Page 121 and 122:
Andante&Ú••>F Gœ œ œ œEœ
Page 123 and 124:
Second Mode - Slow Aposticha 87& ˙
Page 125 and 126:
Second Mode - Slow Aposticha 89& œ
Page 127 and 128:
Second Mode - Slow Aposticha 91E&
Page 129 and 130:
Second Mode - Slow Aposticha Theoto
Page 131 and 132:
Second Mode - Apolytikion95& œ œ
Page 133 and 134:
Intonation: #6Allegro& b bÚ¡§ºD
Page 135 and 136:
Verses of Psalms140, 141, and 129Pr
Page 137 and 138:
7& b bGDiatonic>œ œ œ œK& b b
Page 139 and 140:
Second Mode (Hard Chromatic) - Vers
Page 141 and 142:
Brief SticheraSecond ModeAllegroÚ
Page 143 and 144:
Second Mode - Brief Stichera107& b
Page 145 and 146:
Second Mode - Brief Stichera109& b
Page 147 and 148:
Second Mode - Brief Stichera111D& b
Page 149 and 150:
Second Mode - Brief Stichera113& bb
Page 151 and 152:
& b b œ # œ ˙ŒSecond Mode - Bri
Page 153 and 154:
Second Mode - Brief Aposticha 117&
Page 155 and 156:
& b b # œ œ ˙ ,Second Mode - Bri
Page 157 and 158:
Second Mode - Brief Aposticha 121Gl
Page 159 and 160:
Intonation: #8AndanteÚ•¢Third M
Page 161 and 162:
Let My PrayerAndante& bÚ•¢> Cœ
Page 163 and 164:
Third Mode - Verses of Psalms1274&
Page 165 and 166:
Third Mode - Verses of Psalms12911&
Page 167 and 168:
Third Mode - Verses of Psalms 13119
Page 169 and 170:
& b œ œ œ œ œ ˙ ,ofman,& b œ
Page 171 and 172:
Third Mode - Slow Stichera 135Stich
Page 173 and 174:
& bCœ œ œfor by Thyœ.Third Mode
Page 175 and 176:
Third Mode - Slow Stichera 139& b C
Page 177 and 178:
Third Mode - Slow Stichera 141& bœ
Page 179 and 180:
Third Mode - Slow Stichera 143& bFj
Page 181 and 182:
Third Mode - Glory145Alternate Melo
Page 183 and 184:
Dogmatic TheotokionAndante& bCœ.Ú
Page 185 and 186:
Third Mode - Dogmatic Theotokion149
Page 187 and 188:
Third Mode - Slow Aposticha151& bœ
Page 189 and 190:
Third Mode - Slow Aposticha153Verse
Page 191 and 192:
Third Mode - Slow Aposticha155Verse
Page 193 and 194:
Aposticha TheotokionAndanteÚ•¢T
Page 195 and 196:
AllegroÚ¡§ºApolytikion of theRe
Page 197 and 198:
DThird Mode - Apolytikion 161& b œ
Page 199 and 200:
Third Mode - Lord I Have Cried - Br
Page 201 and 202:
Third Mode - Brief Stichera165& bFj
Page 203 and 204:
Third Mode - Brief Stichera167& b >
Page 205 and 206:
Third Mode - Brief Stichera169& bFj
Page 207 and 208:
Third Mode - Brief Stichera171,& b
Page 209 and 210:
Third Mode - Brief Stichera173CF& b
Page 211 and 212:
Brief ApostichaThird ModeAllegro& b
Page 213 and 214:
Third Mode - Brief Aposticha177& b
Page 215 and 216:
& b œ œ œ œ ˙ ,FThird Mode - B
Page 217 and 218:
& b œ œ ˙ , FThird Mode - Brief
Page 219 and 220:
Fourth Mode - Lord I Have Cried 183
Page 221 and 222:
Page 223 and 224:
Fourth Mode - Verses of Psalms1877&
Page 225 and 226:
Fourth Mode - Verses of Psalms 189&
Page 227 and 228:
Slow SticheraFourth ModeAndante& b
Page 229 and 230:
Fourth Mode - Slow Stichera 193& b
Page 231 and 232:
Fourth Mode - Slow Stichera 195& b&
Page 233 and 234:
& b œ œ > œ œ œwast& b ˙ œ
Page 235 and 236:
Fourth Mode - Slow Stichera 199& b&
Page 237 and 238:
Fourth Mode - Slow Stichera 201D& b
Page 239 and 240:
Fourth Mode - Slow Stichera 203& bD
Page 241 and 242:
Fourth Mode - Glory205Alternate Mel
Page 243 and 244:
Dogmatic TheotokionFourth ModeAndan
Page 245 and 246:
Fourth Mode - Dogmatic Theotokion20
Page 247 and 248:
Fourth Mode - Slow Aposticha211& bE
Page 249 and 250:
Fourth Mode - Slow Aposticha213& bD
Page 251 and 252:
Fourth Mode - Slow Aposticha215& bD
Page 253 and 254:
Fourth Mode - Slow Aposticha 217E&
Page 255 and 256:
Fourth Mode - Slow Aposticha Theoto
Page 257 and 258:
AllegroÚ¡§ºApolytikion of theRe
Page 259 and 260:
Fourth Mode - Apolytikion 223& œ
Page 261 and 262:
Fourth Mode - Lord I Have Cried225G
Page 263 and 264:
Fourth Mode - Brief Stichera227& bG
Page 265 and 266:
Fourth Mode - Brief Stichera229& b
Page 267 and 268:
Fourth Mode - Brief Stichera231Stic
Page 269 and 270:
Fourth Mode - Brief Stichera233& bC
Page 271 and 272:
Fourth Mode - Brief Stichera235& bU
Page 273 and 274:
Fourth Mode - Brief Stichera237& b
Page 275 and 276:
Brief ApostichaFourth ModeAllegroÚ
Page 277 and 278:
Fourth Mode - Brief Aposticha241,&
Page 279 and 280:
Fourth Mode - Brief Aposticha243Apo
Page 281 and 282:
Fourth Mode - Brief Aposticha245& b
Page 283 and 284:
Intonation: #14 or #15Andante& bD>
Page 285 and 286:
Let My PrayerAndanteÚ•¢Plagal F
Page 287 and 288:
Plagal First Mode - Verses of Psalm
Page 289 and 290:
Page 291 and 292:
Page 293 and 294:
yKFPlagal First Mode - Slow Sticher
Page 295 and 296:
Plagal First Mode - Slow Stichera 2
Page 297 and 298:
Page 299 and 300:
KPlagal First Mode - Slow Stichera
Page 301 and 302:
FPlagal First Mode - Slow Stichera
Page 303 and 304:
Page 305 and 306:
Glory... Both Now...Plagal First Mo
Page 307 and 308:
Plagal First Mode - Glory271C1& bD&
Page 309 and 310:
Plagal First Mode - Dogmatic Theoto
Page 311 and 312:
Slow ApostichaPlagal First ModeAnda
Page 313 and 314:
Plagal First Mode - Slow Aposticha
Page 315 and 316:
Page 317 and 318:
FPlagal First Mode - Slow Aposticha
Page 319 and 320:
Page 321 and 322:
Plagal First Mode - Apolytikion285G
Page 323 and 324:
Intonation: #13Allegro&Ú¡§ºPlag
Page 325 and 326:
Page 327 and 328:
7&Plagal First Mode - Verses of Psa
Page 329 and 330:
Page 331 and 332:
Brief SticheraPlagal First ModeAlle
Page 333 and 334:
Plagal First Mode - Brief Stichera2
Page 335 and 336:
Plagal First Mode - Brief Stichera&
Page 337 and 338:
& œjœjœPlagal First Mode - Brief
Page 339 and 340:
Page 341 and 342:
Page 343 and 344:
Brief ApostichaPlagal First ModeAll
Page 345 and 346:
& œ> œ ˙ ,A G Un.œ œ b > œ œ
Page 347 and 348:
Plagal First Mode - Brief Aposticha
Page 349 and 350:
Plagal First Mode - Brief Aposticha
Page 351 and 352:
Plagal Second Mode - Lord I Have Cr
Page 353 and 354:
Presto1& b bD& bb >œÚ¡•ºDœ
Page 355 and 356:
7& b bDœPlagal Second Mode - Verse
Page 357 and 358:
Plagal Second Mode - Verses of Psal
Page 359 and 360:
Slow SticheraPlagal Second ModeAnda
Page 361 and 362:
Plagal Second Mode - Slow Stichera3
Page 363 and 364:
Page 365 and 366:
Page 367 and 368:
Page 369 and 370:
333& b b œ œ œ œ # œhis in - i
Page 371 and 372:
Plagal Second Mode - Glory335Altern
Page 373 and 374:
Dogmatic TheotokionAndante& bbÚ•
Page 375 and 376:
Plagal Second Mode - Dogmatic Theot
Page 377 and 378:
Plagal Second Mode - Slow Aposticha
Page 379 and 380:
JPlagal Second Mode - Slow Apostich
Page 381 and 382:
Plagal Second Mode - Slow Aposticha
Page 383 and 384:
Andante& bbDœÚ•¢Aposticha Theo
Page 385 and 386:
Allegro&Ú¡∞ºœ œ œ > œ œ
Page 387 and 388:
Plagal Second Mode - Apolytikion351
Page 389 and 390:
Plagal Second Mode - Lord I Have Cr
Page 391 and 392:
Page 393 and 394:
Page 395 and 396:
19&20&& œ21&E G Eœ œ œ > œ œ
Page 397 and 398:
Plagal Second Mode - Brief Stichera
Page 399 and 400:
& ˙ ,Plagal Second Mode - Brief St
Page 401 and 402:
Page 403 and 404:
Page 405 and 406:
Page 407 and 408:
Page 409 and 410:
Plagal Second Mode - Brief Apostich
Page 411 and 412:
Page 413 and 414:
Page 415 and 416:
Grave ModeIntonation: #21AndanteÚ
Page 417 and 418:
Let My PrayerAndante& b& bÚ•¢C
Page 419 and 420:
Grave Mode - Verses of Psalms3834&
Page 421 and 422:
JGrave Mode - Verses of Psalms38511
Page 423 and 424:
Grave Mode - Verses of Psalms38719&
Page 425 and 426:
& b œ œ œ œ œ œ œi - lessGra
Page 427 and 428:
Grave Mode - Slow Stichera391Stiche
Page 429 and 430:
Grave Mode - Slow Stichera393D& b >
Page 431 and 432:
Grave Mode - Slow Stichera395& b œ
Page 433 and 434:
Grave Mode - Slow Stichera397& b ˙
Page 435 and 436:
Grave Mode - Slow Stichera399& b F
Page 437 and 438:
Grave Mode - Slow Stichera 401& b&
Page 439 and 440:
Grave Mode - Glory403Alternate Melo
Page 441 and 442:
Dogmatic TheotokionAndante& b>˙Ú
Page 443 and 444:
Grave Mode - Dogmatic Theotokion 40
Page 445 and 446:
Grave Mode - Dogmatic Theotokion (D
Page 447 and 448:
& œ bœœ > Dœ œ œ œ œ œ œ
Page 449 and 450:
Grave Mode - Slow Aposticha413& bFj
Page 451 and 452:
Grave Mode - Slow Aposticha415>& b
Page 453 and 454:
Grave Mode - Slow Aposticha 417& bU
Page 455 and 456:
Grave Mode - Slow Aposticha Theotok
Page 457 and 458:
Grave Mode - Slow Aposticha Theotok
Page 459 and 460:
Grave Mode - Apolytikion423Glory...
Page 461 and 462:
Intonation: #21Allegro& bÚ¡§ºF
Page 463 and 464:
Brief SticheraGrave ModeAllegro& bF
Page 465 and 466:
Grave Mode - Brief Stichera429& bj
Page 467 and 468:
Grave Mode - Brief Stichera431& bD
Page 469 and 470:
Grave Mode - Brief Stichera433& b&
Page 471 and 472:
Grave Mode - Brief Stichera435F& b
Page 473 and 474:
Grave Mode - Brief Stichera437& b F
Page 475 and 476:
Brief ApostichaGrave ModeAllegro& b
Page 477 and 478:
Grave Mode - Brief Aposticha 441Apo
Page 479 and 480:
Grave Mode - Brief Aposticha 443& b
Page 481 and 482:
Plagal Fourth ModeIntonation: #26An
Page 483 and 484:
JLet My PrayerAndante& bCÚ•¢œ
Page 485 and 486:
Plagal Fourth Mode - Verses of Psal
Page 487 and 488:
Page 489 and 490:
Page 491 and 492:
& b œn œ œ.œ œ œmer - - -Plag
Page 493 and 494:
& b . œjœmoth - erDjœ #œ.& b œ
Page 495 and 496:
Plagal Fourth Mode - Slow Stichera4
Page 497 and 498:
Page 499 and 500:
Page 501 and 502:
Glory... Both Now...Plagal Fourth M
Page 503 and 504:
Plagal Fourth Mode - Glory467Old (S
Page 505 and 506:
Plagal Fourth Mode - Dogmatic Theot
Page 507 and 508:
Andante& bCÚ••œ ˙ œ œ œTh
Page 509 and 510:
JPlagal Fourth Mode - Slow Apostich
Page 511 and 512:
Plagal Fourth Mode - Slow Aposticha
Page 513 and 514:
JPlagal Fourth Mode - Slow Apostich
Page 515 and 516:
qPlagal Fourth Mode - Slow Apostich
Page 517 and 518:
Plagal Fourth Mode - Apolytikion481
Page 519 and 520:
Intonation: #24Allegro& bÚ¡§ºPl
Page 521 and 522:
Brief SticheraPlagal Fourth ModeAll
Page 523 and 524:
Plagal Fourth Mode - Brief Stichera
Page 525 and 526:
Page 527 and 528:
Page 529 and 530:
Page 531 and 532:
Page 533 and 534:
Plagal Fourth Mode - Brief Apostich
Page 535 and 536:
Page 537 and 538:
Page 539 and 540:
I Shall Gointo Thy HouseDuration: 2
Page 541 and 542:
I Shall Go into Thy House 505D& b
Page 543 and 544:
Anoixantaria - Phokaeus507& b œ œ
Page 545 and 546:
Anoixantaria - Phokaeus509G F G C G
Page 547 and 548:
Anoixantaria - Phokaeus511& b ˙œ
Page 549 and 550:
Anoixantaria - Phokaeus513& bœ œ
Page 551 and 552:
JAnoixantaria - Phokaeus515& bnœ#
Page 553 and 554:
Anoixantaria - Phokaeus517& bHard C
Page 555 and 556:
JAnoixantaria - Phokaeus519& b œ
Page 557 and 558:
Anoixantaria - Phokaeus521Glory...&
Page 559 and 560:
Anoixantaria - Phokaeus 523C& b œ
Page 561 and 562:
J& b œ œ œ œ œ œ œ œ& b& b,
Page 563 and 564:
FJJHAnoixantaria - Raidestenos 527&
Page 565 and 566:
HJ& bœJœ.˙ ,Anoixantaria - Raide
Page 567 and 568:
J& b n > ,œ œ œ œ œ œ œ ˙&
Page 569 and 570:
Anoixantaria - Raidestenos 533& b,
Page 571 and 572:
Anoixantaria - Raidestenos 535Verse
Page 573 and 574:
J& b& b,˙œ œ œ.LarghettoAHard C
Page 575 and 576:
DC>& b œ.œ œ œ ˙ œ& b# œ œ
Page 577 and 578:
Anoixantaria - Raidestenos 541C& b
Page 579 and 580:
Anoixantaria - Raidestenos 543G& b
Page 581 and 582:
FAnoixantaria - St. John Koukouzele
Page 583 and 584:
& b œ.jœ œ.Anoixantaria - St. Jo
Page 585 and 586:
Anoixantaria - St. John Koukouzeles
Page 587 and 588:
& b > ,œ œ œ œ œ œ œ ˙œ.j
Page 589 and 590:
Page 591 and 592:
Page 593 and 594:
& b& b># œ œ œ œ.œ œ œ œUn.
Page 595 and 596:
Anoixantaria - Elaborate Finale 559
Page 597 and 598:
Page 599 and 600:
Page 601 and 602:
Blessed is the Man - Long Version56
Page 603 and 604:
JBlessed is the Man - Long Version5
Page 605 and 606:
& b œ.jœ bœœ œ œ œ œ nœœ
Page 607 and 608:
Page 609 and 610:
Page 611 and 612:
Page 613 and 614:
Page 615 and 616:
Page 617 and 618:
Page 619 and 620:
Blessed is the Man(psalms 1-3)Brief
Page 621 and 622:
Blessed is the Man - Brief Version5
Page 623 and 624:
KBlessed is the Man - Brief Version
Page 625 and 626:
Page 627 and 628:
Page 629 and 630:
Page 631 and 632:
Duration: 5:45 + 3:45Intonation: #1
Page 633 and 634:
& b& b>œ, j >œ œ œ œ œ.œ œ
Page 635 and 636:
& b . œ& b,˙jœ ˙˙- to TheeDœ.
Page 637 and 638:
& b& b˙,Dœ.œ œ œ œ.ing up (n)
Page 639 and 640:
Duration: 5:30 + 3:45Intonation: #2
Page 641 and 642:
Lord I Have Cried - Very Slow Versi
Page 643 and 644:
Lord I Have Cried - Very Slow Versi
Page 645 and 646:
& # Soft Chromatic:Un. D,œ “ œ
Page 647 and 648:
Verses of Psalms140, 141, and 129Du
Page 649 and 650:
Verses of Psalms - Triple Meter - F
Page 651 and 652:
Page 653 and 654:
Page 655 and 656:
Verses of Psalms140, 141, and 129Du
Page 657 and 658:
Verses of Psalms - Triple Meter - P
Page 659 and 660:
12& b b& b b13& bbD˙œWhen my# œ
Page 661 and 662:
Verses of Psalms - Triple Meter - P
Page 663 and 664:
& œ œ œ œ œ œ .,O Joyous Ligh
Page 665 and 666:
& œ,œ œ # œ œ.Un.Gjœ œ œ œ
Page 667 and 668:
&Ú¡•ºPrestoSecond ModeFirst Ch
Page 669 and 670:
Daily Prokeimena633Monday VespersFo
Page 671 and 672:
Daily Prokeimena635Wednesday Vesper
Page 673 and 674:
Daily Prokeimena637Friday VespersGr
Page 675 and 676:
& b& b,œ.jœC>œ# œ œ œ œ œ
Page 677 and 678:
Lenten Prokeimena 641"Thou Hast Giv
Page 679 and 680:
Intonation: #21AndanteÚ•º& b F
Page 681 and 682:
Great Prokeimena645For Bright Monda
Page 683 and 684:
Great Prokeimena647Intonation: #21&
Page 685 and 686:
Great Prokeimena 649Intonation: #26
Page 687 and 688:
Rich Men Have Turned Poor - Brief V
Page 689 and 690:
& b œ œ œ.œ œ œ œ œ œ.& b
Page 691 and 692:
Rich Men Have Turned Poor - Long Me
Page 693 and 694:
FRich Men Have Turned Poor - Long M
Page 695 and 696:
O Theotokos and Virgin - Georgiadis
Page 697 and 698:
Page 699 and 700:
Page 701 and 702:
O Theotokos and VirginPlagal First
Page 703 and 704:
O Theotokos and VirginDuration: 1:4
Page 705 and 706:
Petitions are intonedat G and/or CA
Page 707 and 708:
Lord Have Mercy - Plagal Fourth Mod
Page 709 and 710:
Lord Have Mercy - Plagal Fourth Mod
Page 711 and 712:
Lord Have MercyPlagal First ModePet
Page 713 and 714:
Lord Have Mercy - Plagal First Mode
Page 715 and 716:
Lord Have Mercy - Plagal First Mode
Page 717 and 718:
Lord Have Mercyadapted from Athonit
Page 719 and 720:
Grant This O LordPlagal Fourth Mode
Page 721 and 722:
Grant This O Lord - Plagal Fourth M
Page 723 and 724:
Grant This O Lord - Plagal First Mo
Page 725 and 726:
SourcesThe music for all the hymns
Page 727 and 728:
AppendixThe Intonations of the Eigh
Page 729 and 730:
Appendix - The Intonations of the E
Page 731 and 732:
Page 733 and 734:
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