14Roeg’s Gallery (continued)BAD TIMINGTHE MAN WHO FELL TO EARTHTHE WITCHESBad TimingSun 27 to Tue 29 MarNicolas Roeg • UK 1980 • 2h1m • 35mmEnglish, German, Czech and French with English subtitles • 18Cast: Art Garfunkel, Theresa Russell, Harvey Keitel, DenholmElliott, Daniel Massey.Vienna is used to similar effect as Venice was in Don’t LookNow in the masterful and much maligned Bad Timing,one of the director’s most elusive and complex pictures.Examining in flashback the consuming relationshipbetween two Americans in the city of Klimt, Roeg hasdescribed Bad Timing as an apt summation of his career,believing himself to have often been ahead of time, insteadof simply being of it. The film was poorly distributed andled to the diminution of Roeg as a commercial force.The Man Who Fell To EarthThu <strong>31</strong> Mar at 2.30pm + 8.35pmNicolas Roeg • UK 1976 • 2h18m • HD-Cam-SR • 18Cast: David Bowie, Rip Torn, Candy Clark, Buck Henry, BernieCasey.Casting the otherworldly Bowie as an alien in Americaseeking the resources to save his dying planet, Roegadapted Walter Tevis’ novel ‘The Man Who Fell to Earth’into a telling and intricate fable about the deadeningeffects of contemporary society. Largely rejecting linearityin favour of thematic juxtapositions, the English directoroffered a singular take on the expansive Americanlandscape, both fetishising and undermining its mythicalqualities.InsignificanceWed 30 & Thu <strong>31</strong> MarNicolas Roeg • UK 1985 • 1h49m • 35mm • 15Cast: Michael Emil, Theresa Russell, Tony Curtis, Gary Busey,Will Sampson.Adapted from Terry Johnson’s play, Insignificancegathers together Marilyn Monroe, Albert Einstein, JoeDiMaggio and Senator McCarthy (Tony Curtis, in one ofhis greatest later roles) for a series of intense discussions inanonymous hotel rooms. The publicity brochure claimed“Insignificance is about everything”, and it’s hard to findfault with this statement as Roeg riffs on love, hate, fame,jealousy and everything in between.The WitchesSat 2 Apr at 1.00pmNicolas Roeg • UK/USA 1990 • 1h<strong>31</strong>m • 35mm • PGCast: Anjelica Huston, Mai Zetterling, Jasen Fisher, RowanAtkinson, Bill Paterson.One of Roeg’s rare commercial successes (allegedly madeto appease his family), this tale of a young boy confrontinga coven of witches who have plans to turn all children intomice weaves a deliciously dark spell. Featuring splendideffects by Jim Henson and a marvellously malevolent turnfrom Anjelica Huston, it failed to gain the seal of approvalfrom author Roald Dahl, but charmed and delightedaudiences of all ages.
Introduction to European <strong>Cinema</strong>/Come and See...15ALEXANDRATHE FAMILY FRIENDTHE BATTLE OF ALGIERSIntroduction toEuropean <strong>Cinema</strong>The final two films in this popular season, whichprovides an invaluable opportunity to discoveror to learn more about great classics as well asless known films that are representative of keyperiods and movements in European cinema.Organised in parallel with the Film Studiesdepartment at the University of Edinburgh,the screenings are part of undergraduate andgraduate students’ syllabuses, but are equallyopen to regular members of the <strong>Filmhouse</strong>public.All IEC screenings will be introduced bycourse organiser Dr Pasquale Iannone from theUniversity of Edinburgh.Alexandra AleksandraWed 9 Mar at 6.00pmAleksandr Sokurov • Russia/France 2007 • 1h35m • 35mmRussian and Chechen with English subtitlesPG – Contains mild languageCast: Galina Vishnevskaya, Vasily Shevtsov, Raisa Gichaeva.Into the Russian army field headquarters in the civil-warzone near Grozny, Chechnya, comes an ailing old woman,Alexandra, searching for her soldier grandson. Alexandracuts an absurd but also a poignant figure – and directorAleksandr Sokurov observes her with an ex-documentarist’ssense of realism. But, as a director long concerned withthe subject of human, spiritual and political oppression, hisaims are deeper and his careful depiction of Alexandra’shumanising effect on those she meets is symbolic.The Family Friend L’Amico di famigliaWed 16 Mar at 6.00pmPaolo Sorrentino • Italy 2006 • 1h43m • 35mmItalian with English subtitles15 – Contains strong language and moderate sexCast: Giacomo Rizzo, Laura Chiatti, Clara Bindi, Luigi Angelillo.Paolo Sorrentino’s follow-up to his captivating 2004 filmThe Consequences of Love is a subtle, intriguing study offear and desire, attraction and repulsion, power and need.Living alone with his invalid mother in a leaking apartment,the physically unattractive Geremia is, in his own words,“a pathetic and disgusting person.” He presents himself tohis clients as a generous benefactor, helping only the poorand needy, and relying on his assistant, the cowboy-hattedGino, to ensure payments are maintained. But, after he fallsfor stunning bride-to-be Rosalba, Geremia discovers thatthose he trusted are more than capable of betrayal...Come and See...A monthly one-off screening of a greatfilm we simply thought you might like tosee, again or for the first time, on the bigscreen.The Battle of AlgiersLa Battaglia di AlgeriThu <strong>31</strong> Mar at 6.00pmGillo Pontecorvo • Italy/Algeria 1965 • 2h1m • 35mmFrench, Arabic, English and Italian with English subtitles15 – Contains strong torture violenceCast: Brahim Hadjadj, Jean Martin, Yacef Saadi, Ugo Paletti,Fusia El Kader.Gillo Pontecorvo’s stirring anatomy of an urban uprising– the violent nationalist revolt in Algiers in 1956 and1957 – feels strikingly relevant today, showing the realconsequences of defying popular will with institutionalaggression and military force. The tone is mournful butthe approach journalistic, and Pontecorvo refuses tocaricature the French or glamorise the Algerians: insteadhe sketches the way a guerilla movement is organised andthe way a colonial force sets about decimating it. There’s aminimum of verbal rhetoric: the urgent images and EnnioMorricone’s thunderous score spell out the underlyingpolitical sympathies. Dazzling and unforgettable.