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Chapters 1 to 11 Combined - Century City

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ARCHITECTURAL LANGUAGEAND IMAGE: THE CREATION OFA “COMPOSITE FORM”In an integrated development suchas <strong>Century</strong> <strong>City</strong>, the objective is <strong>to</strong>create a sense of place and identity.Buildings should create a “compositeform or overall building landscape”where some buildings stand out due<strong>to</strong> their meaning or importance,while others blend in<strong>to</strong> thebackground. These “object buildings”become landmarks within a fairlyharmonious environment.A composite form is achieved by theuse of functional and formal linkingelements between buildings. That isthe objective of the design guidelinescontained in this report.Some of the principles used <strong>to</strong>achieve a composite form areanalysed overleaf with reference <strong>to</strong>the pho<strong>to</strong>graph of Seaside Village.It is emphasized that the architectureof Seaside Village is not necessarilysuitable for <strong>Century</strong> <strong>City</strong> (which is ahigher density urban place), but theprinciples for achieving a compositeurban form are similar.The analysis overleaf makes the pointthat architects at <strong>Century</strong> <strong>City</strong> can usedifferent design elements, but need <strong>to</strong>respect the context of their buildings<strong>to</strong> create a composite form.The pho<strong>to</strong>graphs opposite illustrateexamples of a composite form. The<strong>to</strong>p picture is of Lafayette square inWashing<strong>to</strong>n D.C, a higher densityurban environment that has emergedover many years. The lower pictureis of a lower density plannedenvironment (Seaside Village inUSA). While very different, bothpictures illustrate how the functionaland form relationships betweenbuildings are given more importancethan individual designs. The result isan integrated environment with anattractive composite form.Building Form ExamplePLANNING PARTNERS: CENTURY CITY URBAN DESIGN FRAMEWORK Oc<strong>to</strong>ber 2005 <strong>11</strong> REVISION 1

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