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Copyright Review Commission Report - ICT Law and Regulation ...

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1.4 PROCESS FOLLOWED BY THE COMMISSION1.4.1. Advertisements in the print <strong>and</strong> electronic media invited interested parties to submit written representations onthe matters covered by the terms of reference. Twenty-eight written responses were received from theindividuals, companies <strong>and</strong> organisations listed in Appendix 1 (a).1.4.2. Members of the CRC attended public hearings, where interested parties were able to make oral submissions.These took place on 10 May 2011 in Cape Town, 11 May 2011 in Port Elizabeth <strong>and</strong> Bloemfontein, 12 May2011 in Kimberley, 13 May 2011 Potchefstroom, 16 <strong>and</strong> 17 May 2011 in Johannesburg, <strong>and</strong> 19 May 2011 inDurban.1.4.3. A summary of the oral representations at these hearings was compiled by the CRC secretariat <strong>and</strong> is set out inAppendix 1 (b).1.4.4. The CRC investigated the majority of items reported to it. There were, however, some important items that theCommittee could not investigate as they fell outside the scope of its terms of reference. The CRC will referthese items to the St<strong>and</strong>ing Advisory Committee on Intellectual Property for the Minister of Trade <strong>and</strong> Industry.1.4.5. The CRC wishes to express its gratitude to those who submitted written <strong>and</strong> made oral representations.1.4.6. Following these submissions, members of the CRC undertook an international benchmarking exercise <strong>and</strong>visited seven foreign countries to obtain comparative material to assist it to make recommendations based oninternational best practice.1.4.7. The international benchmarking reports prepared after these visits are set out in Appendix 2 <strong>and</strong> the keyfindings summarised in Chapter 14.1.4.8. Meetings were held with representatives from the collecting organisations active in South Africa: the SouthernAfrican Music Rights Organisation Ltd (SAMRO); the Performers Organisation of South Africa (POSA), a trustset up to administer needletime rights for SAMRO's performer members; the South African Music PerformersRights Association (SAMPRA); the National Organisation for Reproduction Rights in Music in Southern AfricaLtd (NORM); the Recording Industry of South Africa (RiSA); the Dramatic, Artistic <strong>and</strong> Literary RightsOrganisation (DALRO); <strong>and</strong> two former directors of the South African Recording Rights Association Ltd(SARRAL), a collecting organisation now in liquidation.Meetings were held with representatives of the main role players in the music industry in South Africa: theSABC; Primedia Broadcasting; the SABIDO Group, which owns e.tv <strong>and</strong> the ESAT news channel; the NationalAssociation of Broadcasters (NAB); MultiChoice; M-Net; TELKOM, Vodacom; the Internet Service ProvidersAssociation (ISPA); the Wireless Application Service Providers Association (WASPA); Sony MusicEntertainment (Pty) Ltd; EMI Music South Africa; Universal Music (Pty) Ltd; <strong>and</strong> the Gallo Record Company Ltd.In addition, several government departments <strong>and</strong> bodies sent representatives who gave evidence before theCRC <strong>and</strong> provided information, viz. ICASA, the Department of Arts <strong>and</strong> Culture (DAC), <strong>and</strong> the office of theNational Director of Public Prosecutions (NDPP).- 9 -

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