- Page 2 and 3: TABLE OF CONTENTSLIST OF ABBREVIATI
- Page 4 and 5: 11.8 RECOMMENDATIONS ..............
- Page 6 and 7: LIST OF TABLESTable 1: Cases of Non
- Page 8 and 9: NORMOSPsPOSAPPLPPL (India)ProLitter
- Page 10 and 11: These problems are addressed in the
- Page 14 and 15: 1.3.8. Determine whether all money
- Page 16 and 17: 1.4.9. The CRC derived considerable
- Page 18 and 19: 2.3 SUBMISSION BY THE DEPARTMENT OF
- Page 20 and 21: Aspects of Intellectual Property Ri
- Page 22 and 23: (1) Subject to the provisions of th
- Page 24 and 25: Copyright Tribunal or an arbitrator
- Page 26 and 27: society, the South African Recordin
- Page 28 and 29: 3.2.14. With the liquidation of SAR
- Page 30 and 31: the final rate or rates to be appli
- Page 32 and 33: (a)that payment is to be made to th
- Page 34 and 35: information as to their use to enab
- Page 36 and 37: The WCT and WPPT oblige members to
- Page 38 and 39: Once the handset technology changed
- Page 40 and 41: 4.3.16. In 2009, in what was coined
- Page 42 and 43: 4.4.6. In exchange for the above li
- Page 44 and 45: operators are licensed by NORM to p
- Page 46 and 47: 5.2 FUNCTIONING OF COLLECTING SOCIE
- Page 48 and 49: the grant of licences. Article 17 o
- Page 50 and 51: 6.1.3. The CRC’s assessment of th
- Page 52 and 53: 6.3.3. SAMPRA should be given one y
- Page 54 and 55: Corporate Governance GapsKing II Re
- Page 56 and 57: King IIIPrincipleKing IIIRequiremen
- Page 58 and 59: King IIIPrincipleKing IIIRequiremen
- Page 60 and 61: 8 COLLECTION OF MUSIC ROYALTIES8.1
- Page 62 and 63:
8.1.4.2. Needletime royalties are n
- Page 64 and 65:
8.1.7.4. For the past five years, V
- Page 66 and 67:
PRS (UK)SPRE (FRANCE)SUISA(SWITZERL
- Page 68 and 69:
DetailsPerformance RightsSound Reco
- Page 70 and 71:
8.2.7 Comparative Study Performed b
- Page 72 and 73:
y a collecting society. A rights ho
- Page 74 and 75:
agency, its rights being derived fr
- Page 76 and 77:
Mr Robinson said DALRO assumed the
- Page 78 and 79:
10.1.6. The distribution to publish
- Page 80 and 81:
10.4.4. Most of the other collectin
- Page 82 and 83:
10.6.3.4. South African English-lis
- Page 84 and 85:
10.10 CONTRACTUAL RELATIONSHIPS BET
- Page 86 and 87:
10.12.2. The Regulations should rec
- Page 88 and 89:
licence that the licensee comply wi
- Page 90 and 91:
11.4.6. The details of ICASA’s ta
- Page 92 and 93:
RecommendationsTimelines for Recomm
- Page 94 and 95:
enterprises. There was a suggestion
- Page 96 and 97:
Copyright as it relates to copyrigh
- Page 98 and 99:
13.4 DEPARTMENT OF ARTS AND CULTURE
- Page 100 and 101:
Table 28: Comparative Study’s Key
- Page 102 and 103:
KEY ITEMS BRAZIL FRANCE INDIA NORWA
- Page 104 and 105:
KEY ITEMS BRAZIL FRANCE INDIA NORWA
- Page 106 and 107:
about 30%, which is the highest amo
- Page 108 and 109:
15.1.3. The Copyright Tribunal’s
- Page 110 and 111:
15.1.20. Local music content requir
- Page 112 and 113:
for the selected artists. The outco
- Page 114 and 115:
King III Report by Institute of Dir
- Page 116 and 117:
Paranagua Pedro, “Strategies to I
- Page 118 and 119:
Copyright Amendment Act of 1984Copy
- Page 120 and 121:
APPENDIX 1(B): SUMMARY OF ORAL REPR
- Page 122 and 123:
Due to the fact that the existing c
- Page 124 and 125:
Mr BrottelProtection of copyright m
- Page 126 and 127:
1.1.3. LIST OF ENTITIES VISITED AND
- Page 128 and 129:
In the 2009 Annual Report of ABRAMU
- Page 130 and 131:
The implementation of this law led
- Page 132 and 133:
ecordings. In respect of audio-visu
- Page 134 and 135:
In 1995, ECAD distributed 72% of it
- Page 136 and 137:
niches in the market to ensure fair
- Page 138 and 139:
Proprietary rights allow authors to
- Page 140 and 141:
International royalty distribution
- Page 142 and 143:
3.2. Relevant LegislationsThe prese
- Page 144 and 145:
IPRS uses the standard tariffs in r
- Page 146 and 147:
Ad-hoc workshops on copyright are c
- Page 148 and 149:
meaningful living out of their crea
- Page 150 and 151:
4.1.3. LICENSING AND LEGAL REGIMESI
- Page 152 and 153:
Ballet teachers; Teachers in the fi
- Page 154 and 155:
It was founded in 1928 by the Norwe
- Page 156 and 157:
6.2. STRUCTURE OF COLLECTING SOCIET
- Page 158 and 159:
6.5. COLLECTION OF MUSIC ROYALTIEST
- Page 160 and 161:
1957, when the Managing Director of
- Page 162 and 163:
16.4.14 SWISSPERFORM: CHF4 millionI
- Page 164 and 165:
Cross-border licensing of digital r
- Page 166 and 167:
algorithm could be used to determin
- Page 168 and 169:
Collecting societies in the UK all
- Page 170 and 171:
APPENDIX 3: RECOMMENDATIONS BY MITT
- Page 172 and 173:
1.PREAMBLEThe Music Industry Task T
- Page 174 and 175:
The environment in which the music
- Page 176 and 177:
3.1.3 IMPLEMENTATION AND ACCESSION
- Page 178 and 179:
In this regard, the Minister should
- Page 180 and 181:
3.5.6 OMBUDSMANThe music industry s
- Page 182 and 183:
RECOMMENDATION 23:The MITT recommen
- Page 184 and 185:
The MITT further recommends that DA
- Page 186 and 187:
APPENDIX 4A: EXTRACTS FROM COPYRIGH
- Page 188 and 189:
(f)(g)doing, in relation to an adap
- Page 190 and 191:
(i)requiring notice of any intended
- Page 192 and 193:
(b)any organization claiming to be
- Page 194 and 195:
PERFORMERS’ PROTECTION ACTNO. 11
- Page 196 and 197:
the parties may agree to refer the
- Page 198 and 199:
- 192 -
- Page 200 and 201:
- 194 -
- Page 202 and 203:
- 196 -
- Page 204 and 205:
- 198 -
- Page 206 and 207:
ANNEXURE 5: COPY OF SARRAL’S CONT
- Page 208 and 209:
- 202 -
- Page 210 and 211:
ANNEXURE 6: SARRAL’S AUDIT REPORT
- Page 212 and 213:
- 206 -
- Page 214 and 215:
TERMS OF REFERENCESNO’SREQUIREMEN
- Page 216 and 217:
TERMS OF REFERENCESNO’SREQUIREMEN
- Page 218 and 219:
TERMS OF REFERENCESNO’SREQUIREMEN
- Page 220 and 221:
TERMS OF REFERENCESNO’SREQUIREMEN
- Page 222 and 223:
TERMS OF REFERENCESNO’SREQUIREMEN
- Page 224:
- 218 -