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Copyright Review Commission Report - ICT Law and Regulation ...

Copyright Review Commission Report - ICT Law and Regulation ...

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15.1.3. The <strong>Copyright</strong> Tribunal’s procedures are cumbersome <strong>and</strong> its structure ill-suited to deal with the cases likely tocome before it. Detailed recommendations are set out in paragraph 3.3.11 of Chapter 3.15.1.4. The <strong>Copyright</strong> Act must be amended to allow rights holders (as well as users) to engage the <strong>Copyright</strong> Tribunal indisputes about the appropriate tariffs to be applied. At present it is only in respect of needletime that the rightsowners (as opposed to the users) are able to do this. This encourages delays. See paragraph 3.3.10 of Chapter 3.15.1.5. The Acts should require certain users to provide full information (to be defined in the <strong>Regulation</strong>s) to collectingorganisations so that rights owners entitled to payment can be readily identified. See paragraph 3.3.13 of Chapter3.15.1.6. The Acts should be amended to provide that needletime be divided equally between the owner(s) of the copyrightin the sound recordings <strong>and</strong> the owner(s) of the neighbouring right to needletime. See paragraph 3.3.8 of Chapter3.15.1.7. The CRC believes that an overall impact study should be conducted to assess whether it is appropriate for SouthAfrica to ratify <strong>and</strong> implement the WIPO Internet treaties. See paragraph 4.2.9 of Chapter 4.15.1.8. The ‘private use’ exceptions must be exp<strong>and</strong>ed <strong>and</strong> adapted for the digital era to include, for example, formatshifting <strong>and</strong> ensure that the law is in accordance with the expectations of reasonable persons. This is important inorder to persuade members of the public to respect copyright law.15.1.9. The <strong>Copyright</strong> Act must be amended to include a section modelled on that in the US <strong>Copyright</strong> Act providing forthe reversion of assigned rights 25 years after the copyright came into existence. (The drafters of the section musthave regard for proposals currently under discussion in the US for an amendment of the section to overcomedifficulties encountered in practice.) Such an amendment will go far to relieve the plight of composers whoseworks still earn large sums of money that are going to the assignees of the composers’ rights long after theassignees (or their predecessors) have recouped their initial investment <strong>and</strong> made substantial profits, in excess ofthose anticipated when the original assignment was taken. The period proposed is shorter, based on the fact thatthe local copyright duration is shorter than the American one. See paragraph 10.12.10 of Chapter 10.15.1.10. The <strong>Copyright</strong> Act must be amended so as to provide for the office of an ombud for the industry, whose functions<strong>and</strong> operational rules should be spelt out in regulations. In this regard, the recommendations made by the MITTshould be implemented.15.1.11. The definitions of local music contained in the EC Act should be enlarged. See Table 26 (g) of Chapter11.15.1.12. The <strong>Copyright</strong> Act should be amended to adopt the right ‘to communicate the work to the public’ <strong>and</strong> the ‘makingavailable’ right as two new exclusive rights of copyright owners. The Performers’ Protection Act should also beamended to provide the performers with the right to make their performances available to the public <strong>and</strong> to createmoral right for performers. See paragraph 4.8.2 of Chapter 4.- 102 -

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