Titel Kino 2/2001(2 Alternativ) - German Films

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Wie Feuer und Flamme NEVER MIND THE WALL 68 Nele is in love with Captain and Captain is in love with Nele. Sounds all sorted and easy? Well, it’s not because it’s 1982. Nele is living in the western part of divided Berlin; Captain, a punk, is living in the East. In between this young and precious love – the Wall, the parents, the clique, the secret police and, on top of that, a fatal and captious Super 8 film that was not meant to be taken so seriously. However, the two won’t give up, because they realize if you’re not prepared to fight for your love, you’ve lost already … Genre Drama, Love Story Category Feature Film Cinema Year of Production 2001 Director Connie Walther Screenplay Natja Brunckhorst Director of Photography Peter Nix Editor Ewa J. Lind Music by Rainer Oleak Production Design Gabriele Wolff Producers Maria Köpf, Stefan Arndt Production Company X Filme Creative Pool, Berlin, in co-production with ZDF, Mainz Principal Cast Anna Bertheau, Antonio Wannek, Tim Sander, Luise Helm, Aaron Hildebrand, Carmen Birk, Michael Krabbe Casting Filmcast Sabine Schwedhelm Special Effects ARRI Digital Length 99 min, 2709 m Format 35 mm, color, 1:1.85 Original Version German Subtitled Version English Sound Technology Dolby SRD With backing from Filmförderungsanstalt (FFA), FilmFernsehFonds Bayern, BKM, Filmboard Berlin- Brandenburg German Distributor X Vereih AG, Berlin Connie Walther studied Sociology and Spanish before switching over to Photography. After gathering experience as a lighting gaffer and production and directing assistant, she studied at the German Film & Television Academy (dffb) in Berlin and landed her first success with her graduation film Das erste Mal (1996), which was recognized as the best graduation film from a German film academy in that year. Since then, she has demonstrated her talents with various genres and formats with films such as: Börsday Blues (short, 1992) – winner of the Audience Award in Wuppertal and First Prize at the Fest Festival Asynchron Berlin, Der Clown II (TV, 1997), Tic Tac Toe (TV documentary, 1998), Hauptsache Leben (1998) – winner of the Adolf Grimme Award in 1999, as well as an episode of the Tatort series, Offene Rechnung (1999). World Sales: Bavaria Film International · Dept. of Bavaria Media GmbH Michael Weber, Thorsten Schaumann Bavariafilmplatz 8 · D-82031 Geiselgasteig phone +49-89-64 99 26 86 · fax +49-89-64 99 37 20 www.bavaria-film-international.de · email: Bavaria.International@bavaria-film.de Anna Bertheau, Antonio Wannek (photo © X Verleih AG)
Zeichnen bis zur Raserei – Der Maler Ernst Ludwig Kirchner ”Kirchner’s art is – like Picasso’s – eminently autobiographical.“ In other words, the intention and form of Kirchner’s art are so deeply rooted in reality, yet his life was such a dramatic reaction to critical upheavals, that one can conclude: few artists yield so much of themselves that their work could be described as the focus of an epoch. At the end of the century we can take Kirchner as an example to make a film about the beginning of the century. No one succumbs to the city as fully as he did: enamored, lonely, swept off his feet, lost, disillusioned, fascinated. Berlin is Kirchner’s city. His streetscapes are considered the culmination of his work. They are a highlight of the history of modern painting and the backdrop in our mind’s eye when we seek to capture big-city life in the first half of the century. Kirchner is the unvarnished perception of modern life. It hits him in the eye, he reacts, he seeks a form: size, speed, machine, man-eating monster, whore, crowds, razzle dazzle, synchronization of sensations, surrender to the show: cabaret, dance, circus. Kirchner’s art begins in Dresden and the Moritzburg ponds. Berlin is his urban awakening. The war crushes him. He retreats to the Swiss mountains. The span of tension in Kirchner’s life and work makes for suspense-filled drama and should yield an intense film portrayal. Genre Drama Category Documentary Cinema Year of Production 2001 Director Michael Trabitzsch Screenplay Michael Trabitzsch Directors of Photography Rolf Klingelhöfer, Pio Corradi Editor Mirijam Krokenberger Music by Michael Rodach Producer Michael Trabitzsch Production Companies Prounen Film, Berlin, Catpics, Zurich, in co-production with ARTE, Strasbourg, WDR, Cologne, SFB, Berlin, ORB, Potsdam, SRG SF DRS, Bern Principal Cast Maria Brak, Bernd Brenner, Martina Reuter, Monika Richter, Britta Zorn Length 86 min, 2506 m Format 35 mm, color, 1:1.66 Original Version German Subtitled Version English Sound Technology Dolby SR With backing from Filmboard Berlin- Brandenburg, FilmFörderung Hamburg, Kulturelle Filmförderung Schleswig-Holstein, Media II, EDI/Sektion Film, Switzerland German Distributor MFA Münchner Filmagentur Meinke/Arséguel GbR, Munich World Sales: Telepool – Europäisches-Fernsehprogrammkontor GmbH Wolfram Skowronnek, Angelika Schulze Sonnenstr. 21 · D-80331 Munich phone +49-89-55 87 60 · fax +49-89-55 87 61 88 www.telepool.de · email: skowronnek@telepool.de DRAW TIL YOU DROP – THE PAINTER ERNST LUDWIG KIRCHNER (© by Dr. Wolfgang und Ingeborg Henze-Ketterer, Wichtrach/Bern) Michael Trabitzsch, born in 1954 in Neumünster, studied German Literature, Philosophy and Sociology in Göttingen and Berlin. He has worked as a freelance journalist and author for radio-features, documentaries, books and periodicals. From 1987 - 1991, he worked as an assistant director and assistant producer for Harun Farocki. In 1992, he founded Prounen Film in Berlin. His films include: A Quiet Rebel. The Sculptor Wieland Förster (short, 1992), District of the Refugees. A Journey into Jewish Paris (1993), Defenseless Hero. The Sculptor Werner Stötzer (1995),The Eisenfeld Family. A Chronicle (1995), The Stones Still Speak (1996), From Thessaloniki to Berlin via Auschwitz (1998) and The Marble Road (2001). AT CANN E S MARKET SCREENINGS 69
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Titel Kino 2/2001(2 Alternativ) - German Films

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