Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
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Photographie und jenseits<br />
PHOTOGRAPHY AND BEYOND<br />
64<br />
Photography and beyond is a series of films dealing with the human accomplishments of<br />
design: projects such as writings, drawings, photography, architecture and sculpture. The<br />
three new films of the series are Sullivan’s Banks (Architecture as Autobiography – Louis<br />
H. Sullivan 1856-1924), The Basis of Make-Up II (Writings and Drawings), Maillart’s<br />
Bridges (Architecture as Autobiography – Robert Maillart 1872-1940).<br />
A reverse visual process is analyzed here: sight as an expression, not an impression. The eye<br />
as the interface between the brain and the outside word, the view as a composing power that<br />
projects an idea or is brought to completion through film photography. From the writings,<br />
drawings and studies of various architects’ works something indescribable is formed: an<br />
expression in film about the objectification of mental thoughts.<br />
Genre Art, Educational, History Category<br />
Documentary Cinema Year of Production 1983 -<br />
2000 Director Heinz Emigholz Screenplay Heinz<br />
Emigholz Director of Photography Heinz<br />
Emigholz Editor Heinz Emigholz Sound Design<br />
Heiner Büld, Martin Langenbach, Stephan Konken<br />
Producer Heinz Emigholz Production Company<br />
Heinz Emigholz Filmproduktion, Berlin, in co-production<br />
with WDR, Cologne Length 38, 48, and 24 min,<br />
3009 m Format 35 mm, color, 1:1.37 Sound<br />
Technology Dolby SR Stereo International<br />
Festival Screenings Berlin <strong>2001</strong> (Forum) With<br />
backing from FilmFörderung Hamburg <strong>German</strong><br />
Distributor Pym <strong>Films</strong> GmbH, Berlin<br />
World Sales:<br />
Pym <strong>Films</strong> · Ueli Etter<br />
Postfach 63 01 11 · D-10266 Berlin<br />
phone +49-30-55 49 03 86 · fax +49-30-55 49 03 96<br />
www.pym.de · email: sales@pym.de<br />
Heinz Emigholz has worked since 1973 in<br />
<strong>German</strong>y and the USA as an independent filmmaker,<br />
artist, cinematographer, actor, author and<br />
producer. He has had many exhibitions, retrospectives,<br />
as well as given lectures and released<br />
publications. In 1978, he founded the Pym <strong>Films</strong><br />
production company. His films include: Schenec<br />
Tady I,II and III (1973-75), Arrowplane<br />
(1974), Tide (1974), Hotel (1976), Demon<br />
(1977), Normalsatz (1981), The Basis of<br />
Make-Up I (1984), Die Basis des Make-<br />
Up (1985), Die Wiese der Sachen (1987),<br />
Der Zynische Körper (1990), and<br />
Miscellanea I and II (<strong>2001</strong>).<br />
Maillarts Brücken (photo © Pym <strong>Films</strong> 1995-2000)