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Titel Kino 2/2001(2 Alternativ) - German Films

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Ein göttlicher Job<br />

A GODDAMN JOB<br />

48<br />

New Year’s Eve 2000. Jonathan’s exhausting 1000-year term as a demi-god is finally over. The blissful<br />

paradise of the gods awaits! Actually, things aren’t quite so cool; in fact Jonathan is scared shitless because<br />

in a couple of hours he’s got to report to Divine Central where his boss, the Over-Goddess<br />

Yolanda, will grill him on his final report. Then he’ll be screwed, because she’ll quickly realize what a<br />

mess this lazy, always-wasted demi-god has left behind. Even worse, Jonathan completely spaced out<br />

finding himself a replacement, which could mean his having to endure 10 more centuries of this lowly,<br />

partial-god crap. He winds up choosing Niklas, of all people, whose only relationship to eternity is with<br />

the undying love he’s recently been hung up with. Facing the ultimate drag of yet another thousand<br />

wasted years, Jonathan gathers all of his remaining wits to execute his plan. It’s going down on New<br />

Year’s Eve, a night that Niklas will remember for a very, very long time.<br />

A Goddamn Job takes nobody seriously and leaves nothing sacred. God trips around in threadbare<br />

jogging pants, a guardian angel with blazing blue hair is charged with keeping “true love” true, and a<br />

clueless comic artist named Niklas finds out that there’s more than one way to get to heaven.<br />

Genre Comedy Category Feature Film Cinema Year of Production<br />

2000 Director Thorsten Wettcke Screenplay Thorsten<br />

Wettcke Director of Photography Martin Ruhe Editors Brigitta<br />

Paech, Camille Younan, Hansjörg Weißbrich Music by Jule Maas,<br />

Nikolaus Sieveking, Peter Hinderthür Production Design Jürgen<br />

Schnell, Martin Gnade Producers Ralph Schwingel, Stefan Schubert,<br />

Eberhard Scharfenberg Production Companies Wüste<br />

Filmproduktion, Hamburg, VCC Perfect Pictures, Hamburg, in co-production<br />

with NDR, Hamburg, Buena Vista International Filmproduction,<br />

Munich, Wüste Film West, Cologne Principal Cast Oliver Korittke,<br />

Heike Makatsch, Thierry van Werveke, Anna Loos, Tamara Simunovic,<br />

Oscar Ortega Sánchez, Martin Semmelrogge, Detlef Bothe Casting<br />

Ingeborg Molitoris Special Effects Peter Wiemker Studio Shooting<br />

Studio Bendestorf Length 83 min, 2271 m Format 35 mm, color,<br />

1:1.85 Original Version <strong>German</strong> Subtitled Version English<br />

Sound Technology Dolby Digital SR With backing from<br />

FilmFörderung Hamburg, Kuratorium junger deutscher Film, Filmbüro<br />

NW, Filmförderungsanstalt (FFA) <strong>German</strong> Distributor Buena Vista<br />

International (<strong>German</strong>y) GmbH, Munich<br />

Thorsten Wettcke was born in 1974.<br />

His film career began quite early, with his<br />

first short films dating back to 1993. In<br />

1995, he broke off his film studies in Mainz<br />

to become a scriptwriter for Wüste<br />

Filmproduktion in Hamburg. Since then,<br />

he has directed many, and acted in quite<br />

a few, of his own films, including:<br />

Nightmare on Danziger Street<br />

(short, 1993), Fröhlicher Suizid<br />

(short, 1994), Gotthold und Gotthilf<br />

(short, 1994), Degeneration X (1995)<br />

which received several prizes and considerable<br />

recognition, Digital Dope,<br />

Knut, and Anschlag (shorts, 1996)<br />

and Die Rosenfalle (short, 1997).<br />

World Sales:<br />

Bavaria Film International · Dept. of Bavaria Media GmbH<br />

Michael Weber, Thorsten Schaumann<br />

Bavariafilmplatz 8 · D-82031 Geiselgasteig<br />

phone +49-89-64 99 26 86 · fax +49-89-64 99 37 20<br />

www.bavaria-film-international.de · email: Bavaria.International@bavaria-film.de<br />

Thierry van Werveke, Oliver Korittke (photo © Buena Vista International)<br />

AT CANN E S<br />

MARKET SCREENINGS

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