Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
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Verkehrsinsel<br />
Erotic Tales:<br />
WHY DON’T WE DO IT IN THE ROAD?<br />
46<br />
Erotic Tales: PORN.COM<br />
Veteran film director Matty Bonkers, a Hollywood legend, arrives in Berlin for an honorary retrospective tribute.<br />
While introducing his film Mockery, he receives a phone call from his producer lying in intensive care at a<br />
hospital. Blau needs a favor for old times’ sake. Could Matty finish a porn movie before his legs get broken by<br />
Tokyo Tony? Matty reluctantly agrees. On the set, he meets movie star and ex-cello player Inga – and the<br />
experience is bizarre, spirited, and uplifting – a comédie humaine.<br />
Genre Erotic Category Short film Year of<br />
Production <strong>2001</strong> Director Bob Rafelson<br />
Screenplay Bob Rafelson Directors of<br />
Photography Bernd Löhr, Frank Amann Editor<br />
Dirk Grau Music by Peter Rafelson Production<br />
Design Stephan Grebe Producer Regina Ziegler<br />
Production Company Ziegler Film GmbH & Co<br />
KG, Berlin, in co-production with WDR, Cologne<br />
Principal Cast Fabienne Babe, Bob Rafelson, Trevor<br />
Griffiths, Andreas Schmidt, Thomas Morris, Roxana<br />
Sun and others Length 28 min Format Digital video<br />
Blow Up 35 mm, color, 1:1.85 Original Version<br />
English Sound Technology Dolby SR<br />
Genre Erotic Category Short film Year of<br />
Production 2000 Director Eoin Moore Screenplay<br />
Eoin Moore Directors of Photography Bernd Löhr,<br />
Frank Amann Editors Eoin Moore, Dirk Grau Music<br />
by Kai-Uwe Kohlschmidt, Warner Poland Production<br />
Design Stephan Grebe Producer Tanja Ziegler<br />
Production Company Ziegler Film GmbH & Co KG,<br />
Berlin, in co-production with WDR, Cologne Principal<br />
Cast Isabelle Stoffel, Erdal Yildiz, Thomas Morris, Kirsten<br />
Block Length 28 min Format Digital video Blow Up<br />
35 mm, color, 1:1.85 Original Version <strong>German</strong><br />
Subtitled Version English International Festival<br />
Screenings Saarbrücken <strong>2001</strong> Sound Technology<br />
Dolby SR<br />
World Sales:<br />
Atlas International Film GmbH<br />
Dieter Menz, Stefan Menz, Christl Blum<br />
Rumfordstr. 29-31 · D-80469 Munich<br />
phone +49-89-2 10 97 50 · fax +49-89-22 43 32<br />
www.erotictales.de · www.atlasfilm.com · email: mail@atlasfilm.com<br />
Bob Rafelson, born in New York City in 1933, is a compulsive drifter<br />
and a Hollywood maverick. After graduating from Dartmouth College, he<br />
started writing for television, adapting stage productions for Play of the<br />
Week. With Bert Schneider and Steve Blauner, he formed BBS Productions,<br />
the company which produced such hits as Easy Rider and The Last<br />
Picture Show. Rafelson made his directorial debut with Head (1968), a<br />
rock film featuring the Monkees. Two years later, he made Five Easy<br />
Pieces (1970), which won him the Best Director Award from the New York<br />
Film Critics. His other films include: The King of Marvin Gardens<br />
(1972), Stay Hungry (1977), The Postman Always Rings Twice<br />
(1981), Black Widow (1986), Mountains of the Moon (1990),<br />
Man Trouble (1991), Blood and Wine (1996) and Poodle<br />
Springs (1998). The sequel to Wet (1994), a classic in the Erotic Tales<br />
series, PORN.COM features Rafelson in his first major acting role.<br />
Verkehrsinsel – as in ”Traffic Island“ – as in ”Middle of the Road“ – as in Why Don’t We Do It in the Road?<br />
Shot on Potsdamer Platz, the busiest corner in New Berlin, this is where a young couple decide to exercise their<br />
sexual fantasies by ”doing it“ on some public place, just beyond the pale of voyeurs and eavesdroppers.<br />
Eoin Moore, born in 1968 in Dublin, Ireland, moved to Berlin in<br />
1988, where he worked as a soundman and freelance cameraman.<br />
He studied at the <strong>German</strong> Film & Television Academy Berlin (dffb),<br />
graduating with the film Break Even (Plus Minus Null, 1997)<br />
– winner of the Director’s Promotional Award at Munich 1998 and the<br />
Jury Special Prize at the Torino International Festival of Young<br />
Cinema 1998. His other films include: So oder so (short, 1992),<br />
Child of Light (documentary, 1992), Digital Video Ballet<br />
(short, 1993), Driver (short, 1993), Loops of Infinity (short,<br />
1994), Der Duft des Mannes (short, 1994), Storm Rising<br />
(short, 1995) and 9 1/ 2 Minuten (short, 1996), Trance (1996)<br />
and Conamara (2000). Moore also received the Promotional<br />
Award at Saarbrücken 1999.<br />
Fabienne Babe (photo © ZIEGLER FILM GmbH & Co. KG)<br />
AT CANN E S<br />
MARKET SCREENINGS