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Titel Kino 2/2001(2 Alternativ) - German Films

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M – Eine Stadt sucht einen Mörder<br />

M – A TOWN IS LOOKING FOR A MURDERER<br />

Scene from ”M – Eine Stadt sucht einen Mörder“ (photo © Filmmuseum Berlin/Deutsche Kinemathek)<br />

A serial killer is keeping Berlin on pins and needles. The police commit everything they have to finding him, but<br />

to no avail. Even the great amounts offered as reward money do not help, but only lead to more panic and<br />

accusations. Not only the police, but also the underworld is interested in finding the killer, as the constant police<br />

raids are ”disturbing“ their work and, since the killer is an outsider, he is ruining their reputation too. The police<br />

are convinced that it can only be a pathologically ill person and investigate all such registered candidates. The<br />

underworld organizes the city’s beggars to keep a look out. As the killer attempts to approach the next child, he<br />

is seen by one of the beggars who calls one of his commissioners. The killer is followed into an office building,<br />

circled in on and caught. The gangsters hold trial in the cellar of the building and even give the killer a defence<br />

lawyer. The court and jury plea for the death penalty, but after the killer admits his guilt, the defence lawyer<br />

warns that a psychologically ill person cannot be held responsible for his acts. In the meantime, the police have<br />

found out where the killer is and just as the lynch mob is about to execute its sentence, the police storm in and<br />

”save“ the killer with the line ”in the name of the law, you are arrested!“<br />

Genre Thriller Category Feature Film Cinema<br />

Year of Production 1931 Director Fritz Lang<br />

Screenplay Thea von Harbou Director of<br />

Photography Fritz Arno Wagner Editor Paul<br />

Falkenberg Music motif from ”Peer Gynt“ from<br />

Edvard Grieg Production Design Emil Hasler, Karl<br />

Vollbrecht Producer Seymour Nebenzahl<br />

Production Company Nero-Film, Berlin<br />

Principal Cast Peter Lorre, Ellen Widmann, Inge<br />

Landgut, Gustaf Gründgens, Friedrich Gnaß, Fritz<br />

Odemar, Paul Kemp, Theo Lingen, Ernst Stahl<br />

Nachbaur, Fritz Stein, Otto Wernicke, Theodor Loos,<br />

Georg John, Rudolf Blümmer, Karl Platen Length<br />

117 min, 3208 m Format 35 mm, b&w, 1:1.37<br />

Original Version <strong>German</strong> Dubbed Versions<br />

French, Italian Subtitled Version English<br />

<strong>German</strong> Distributor Filmverleih Die Lupe,<br />

Göttingen<br />

World Sales:<br />

Atlantic-Film S.A. · Martin Hellstern<br />

Münchhaldenstr. 10 · CH-8034 Zurich<br />

phone +41-1-4 22 38 32 · fax +41-1-4 22 37 93<br />

www.praesens.com · email: info@praesens.com<br />

Fritz Lang was born in 1890 in Vienna and died in 1976 in<br />

Beverly Hills. He studied Architecture in Vienna and Painting in<br />

Munich and wrote his first screenplay in 1916 for Joe May. Lang<br />

was more than just a great director; he was a man who staged<br />

himself and his life, who created the legend of his person, who<br />

wanted his private life to remain invisible in order to further<br />

launch his desired public image. He celebrated his first success<br />

during the Weimar Republic, reacting to the massive political and<br />

social changes and integrating them into his work. He left<br />

<strong>German</strong>y in 1933, emigrating via France to the United States in<br />

1934, where he continued to tie political aspects into his work.<br />

His films include: Die Spinnen (1919), Die Pest in<br />

Florenz (1919), Harakiri (1919), Das wandernde Bild<br />

(1920), Kämpfende Herzen (1920/21), Der müde Tod<br />

(1921), Das indische Grabmal (1921), Dr. Mabuse,<br />

der Spieler (1921/22), Die Nibelungen (1922-24),<br />

Metropolis (1926), Spione (1927/28), Frau im Mond<br />

(1928/29), M (1931), Liliom (1934), Hangmen Also Die<br />

(1942), Ministry of Fear (1944), The Big Heat (1953) and<br />

many, many more.<br />

39<br />

THE 100 MOST SIGNIFICANT GERMAN FILMS – 1

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