Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
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Tamara<br />
Original Title Tamara (working title) Type of Project<br />
Feature Genre Coming-of-age Story Production Company<br />
Claussen + Wöbke Filmproduktion, Munich With backing<br />
from FilmFernsehFonds Bayern, Filmförderungsanstalt (FFA),<br />
<strong>Films</strong>tiftung NRW Producers Jakob Claussen, Thomas Wöbke<br />
Director Michael Gutmann Screenplay Michael Gutmann,<br />
Hans-Christian Schmid Directors of Photography Pascal<br />
Hoffmann, Klaus Eichhammer Editor Monika Abspacher Music<br />
by Rainer Michel Principal Cast Tom Schilling, Alicja Bachleda-<br />
Curus, Matthias Schweighöfer, Anna von Berg, Katharina Müller-<br />
Elmau, Leonard Lansink Length 100 min Format 35 mm, color,<br />
1:1.85 Shooting Language <strong>German</strong> Shooting in Frankfurt,<br />
Munich <strong>German</strong> Distributor Constantin Film Verleih GmbH,<br />
Munich<br />
Contact:<br />
Claussen + Wöbke Filmproduktion GmbH<br />
Herzog-Wilhelm Str. 27 · D-80331 Munich<br />
phone +49-89-2 31 10 10 · fax +49-89-26 33 85<br />
email: zentrale@cwfilm.com<br />
Jakob meets Tamara, a Polish au-pair working in a suburb of<br />
Frankfurt. He’s been away for over a year, staying with his father<br />
in Berlin after dropping out of school, unable to face his mother’s<br />
painful death from cancer.<br />
But things didn’t work out there, his highly pregnant sister is less<br />
than enthused to see him again, and his efforts to find and hold a<br />
job and make friends keep falling through due to his gruff and<br />
confrontational manner.<br />
Tamara is the exception. For Jakob it’s love at first sight and while<br />
she’s not so keen at first, he perseveres and the two become<br />
inseparable. But an au-pair’s life isn’t easy and Jakob immediately<br />
sticks his oar in and appoints himself her protector. But she’s a<br />
self-aware young lady and can stick up for herself, which means<br />
Jakob’s efforts only lead to sometimes amusing, sometimes<br />
unpleasant, situations with her friends and host family.<br />
Finally Tamara has to return to Poland. Least of all because Jakob’s<br />
talent for opening his mouth at the wrong time and acting without<br />
thinking has finally made a bad situation worse. While the two say<br />
their farewells at the bus station, uncertain if they’ll ever see each<br />
other again, buses full of new au-pairs are arriving, young women<br />
full of hope being welcomed by their smiling and laughing girlfriends.<br />
Aimed at a male and female audience, aged 15-25 years, Tamara<br />
appeals to those who enjoyed films such as Crazy (direction and<br />
36<br />
Tom Schilling, Alicja Bachleda-Curus (photo © Claussen + Wöbke Filmproduktion)<br />
script Hans-Christian Schmid, co-written by Michael<br />
Gutmann), Lola rennt and Nach fünf im Urwald (script<br />
and direction Hans-Christian Schmid).<br />
And, unlike some films, Tamara is proud to wear its commercial<br />
credentials on its sleeve. That’s because production company<br />
Claussen + Wöbke (that’s Jakob Claussen and Thomas<br />
Wöbke) is the name behind some of the country’s most recently<br />
successful films. Not just coming-of-ager Crazy (1.5 million<br />
admissions), Die Apothekerin, Nach fünf im Urwald<br />
(with Franka Potente) but also, in co-production with<br />
Deutsche Columbia Pictures Filmproduktion, for Anatomie.<br />
Again starring Franka Potente, the medical horror/thriller<br />
sold 2 million tickets, making it the most successful <strong>German</strong> film in<br />
2000. It not only won the Audience Award of that year’s <strong>German</strong><br />
Film Prize but gained one of the highest honors the industry can<br />
bestow – a sequel … so, look out for Anatomie 2!<br />
Untitled<br />
MTM Project<br />
Original Title Untitled MTM Project (working title) Type of<br />
Project Feature Film Genre Melodrama Production<br />
Company MTM Medien & Television München, Munich, in<br />
co-production with Constantin Film Produktion, Munich, and<br />
Dschoint Ventschr Filmproduktion, Zurich, in association with<br />
Filmhaus, Vienna With backing from Filmboard Berlin-<br />
Brandenburg, FilmFernsehFonds Bayern, Filmförderungsanstalt<br />
(FFA) Producer Andreas Bareiß Associate Producer<br />
Wolfgang Ramml Director Urs Egger Screenplay Jens Urban<br />
Director of Photography Lukas Strebel Principal Cast<br />
Mario Adorf, Bruno Ganz, Günter Lamprecht, Otto Tausig,<br />
Annie Girardot, Nina Hoss Format 35 mm, color Shooting<br />
Language <strong>German</strong> Shooting in Berlin and Vienna from<br />
mid-February to end of March and in May <strong>2001</strong> <strong>German</strong><br />
distributor Constantin Film Verleih GmbH, Munich<br />
Contact:<br />
Bavaria Film International · Dept. of Bavaria Media<br />
Bavariafilmplatz 8 · D-82031 Geiselgasteig<br />
phone +49-89-64 99 26 86 · fax +49-89-64 99 37 20<br />
www.bavaria-film-international.de<br />
email: Bavaria.International@bavaria-film.de<br />
”A chamber piece and a highly emotional drama“ is how producer<br />
Andreas Bareiß describes Urs Egger’s new as-yet-untitled<br />
project about three Jewish Holocaust survivors who come across<br />
one of their tormentors from the concentration camp in the guise<br />
of a Catholic priest some four decades later.<br />
Bareiß recalls that the original screenplay was sent to him by<br />
writer Jens Urban just at the time of the controversy<br />
surrounding Martin Walser’s Holocaust speech in summer 1999.<br />
”It is an extraordinarily important project“, he declares, ”if you<br />
consider your profession as a producer not only as a profession<br />
but also as a calling, then you have a certain responsibility for the<br />
kind of films you make. This is certainly a film which will lead<br />
to a discussion that concerns us all, i.e. about law and justice,<br />
guilt and expiation. It will be a film that raises and discusses the<br />
issue once more because there is no forgetting, no forgiving and<br />
no liberation from guilt“.<br />
When casting began for this prestige production, it became clear<br />
to Bareiß and director Egger that there was only one actor in<br />
the <strong>German</strong> speaking area who could play the central character<br />
SK